Jackass Mail

I was fortunate to watch all three (3) of actor Wallace Beery's various western roles as a gruff, conniving but lovable hoodlum and robber. Jackass Mail (1942), Bad Bascomb (1946) and Big Jack (1949) were films of Wallace Beery that he starred in as a cowboy robber and thief, but yet still always portraying a lovable and jolly old feller'.

In Jackass Mail, Beery plays Marmaduke 'Just' Baggot who befriends a young boy named Tommy Gargan (actor Darryl Hickman best known as Dobie Gillis) and an interested female companion named Clementine 'Tiny' Tucker (Marjorie Main).

In this Beery film (the first of three of his last western portrayals) Just Baggot has intentions of robbing the US Mail carrier but when he takes a personal interest in the young and easily influenced Tommy Baggot has a sudden change of heart and wants to turn around from being a robber to being a hero and maybe even becoming a husband to the doe eyed Clementine 'Tiny' Tucker.

This is a very simple story line which has been done a thousand times before and a million times since, but yet I am still impressed with the chemistry portrayed between these actors on screen as well as the simple story line of good versus evil.

I give the film a deserving 7 out of 10 IMDb rating.

Not a dull moment. Great chemistry between Marjorie Main and Wallace Berry AND between Wallace Berry and Darryl Hickman. I especially enjoyed little Tommy guilelessly busting Baggot when he was up to his old tricks. It was precious and refreshing.

Marjorie Main's style of dealing with men is a lesson in the direct approach made charming and irresistible.

J. Carrol Naish as a Mexican up-to-no-good tempter of Berry behind the scenes but Marjorie's entertaining buddy in front of her was also a very amusing departure from his usual roles.

It was definitely worth staying up for.

I caught this movie last night on Turner Classic Movies, and I have to say it was a lot better than I expected. Yes, it was definitely a B-movie but it still stands up today, over sixty years later. Beery and Main, as well as the script have enough development, so that the two come off as more than just cookie cutter characters. In addition to the leads, Naish did a fine performance as a 'sidekick/comedy' character and young Tommy played by Hickman put in a good performance as well.

I consider this a 'fun' movie and I'd watch it again if I caught it on, or even consider purchasing it on DVD if it were available. (An online search shows a few scattered notes of it being a rare find.) At approximately 80 minutes in duration, the timing is near perfect for the storyline.

Finally, I do believe there is a bit more to this movie than what meets the eye. With the topics they cover, I was left wondering how different it could have/be done if they delved deeper and darker into some of the elements.

7/10. If you have the means to catch this lost gem, it's worth it.

It's 1851. Just Baggot (Wallace Beery) is a horse thief and general criminal. The San Antonio-San Diego Mail Line is called the Jackass Mail. It is one of the earliest stagecoach mail service. When Baggot encounters the Jackass Mail, he tries to rob it, but another gets to it first. He ends up shooting the robber who killed the driver. He joins owner Clementine 'Tiny' Tucker (Marjorie Main) as the new driver. He befriends young Tommy Gargan, son of Red Gargan who turns out to be the robber.

I expected Beery to do a road movie with the boy. The boy was always going to find out the secret sooner or later. This has a lot more with Tiny. She and Beery have a lot of ups and downs. Marjorie Main has good comedic touch. I'm just not that into the romantic pairing. This is fine.

Following their auspicious debut as a couple in "Wyoming" (1940), it was inevitable that the marvelously inelegant Wallace Beery and his apt counterpart, Marjorie Main, would make six more films together. This was the 4th of the 7 and included J. Carrol Naish as Signor O'Callahan and cute, little Darryl Hickman, who is unaware that Just Baggot (Beery), who he idolizes, was his father's killer. Baggot woos Tiny Tucker (Main), a temperance advocate, who, in a blow for women, levels him with a right hook and kicks him down a flight of stairs. The performances are fine. Main has two song-and-dance numbers and the script is a bit talkative, but we are rewarded with many comical expletives. This wonderful team was a fine antidote to Hollywood's unremitting glamour elsewhere.