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The Model and the Marriage Broker

  • 1951
  • Approved
  • 1 घं 43 मि
IMDb रेटिंग
7.0/10
1.1 हज़ार
आपकी रेटिंग
The Model and the Marriage Broker (1951)
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married man and fixing her up with a nice radiologist. Of course things go wrong...
trailer प्ले करें2:28
1 वीडियो
7 फ़ोटो
Romantic ComedyScrewball ComedyComedyRomance

अपनी भाषा में प्लॉट जोड़ेंA female marriage broker attempts to do a little freelance matchmaking for her friend who is a beautiful unattached model.A female marriage broker attempts to do a little freelance matchmaking for her friend who is a beautiful unattached model.A female marriage broker attempts to do a little freelance matchmaking for her friend who is a beautiful unattached model.

  • निर्देशक
    • George Cukor
  • लेखक
    • Charles Brackett
    • Walter Reisch
    • Richard L. Breen
  • स्टार
    • Jeanne Crain
    • Thelma Ritter
    • Scott Brady
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    1.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • George Cukor
    • लेखक
      • Charles Brackett
      • Walter Reisch
      • Richard L. Breen
    • स्टार
      • Jeanne Crain
      • Thelma Ritter
      • Scott Brady
    • 27यूज़र समीक्षाएं
    • 7आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • कुल 1 नामांकन

    वीडियो1

    Trailer
    Trailer 2:28
    Trailer

    फ़ोटो6

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार38

    बदलाव करें
    Jeanne Crain
    Jeanne Crain
    • Kitty Bennett
    Thelma Ritter
    Thelma Ritter
    • Mae Swasey
    Scott Brady
    Scott Brady
    • Matt Hornbeck
    Zero Mostel
    Zero Mostel
    • George Wixted
    Michael O'Shea
    Michael O'Shea
    • Doberman
    Helen Ford
    • Emmy Swasey
    Frank Fontaine
    Frank Fontaine
    • Mr. Hjalmer Johannson
    Dennie Moore
    Dennie Moore
    • Mrs. Bea Gingras
    John Alexander
    John Alexander
    • Mr. Perry
    Jay C. Flippen
    Jay C. Flippen
    • Dan Chancellor
    Lucile Barnes
    • Model
    • (बिना क्रेडिट के)
    Bunny Bishop
    • Alice
    • (बिना क्रेडिट के)
    Robert Board
    • Usher
    • (बिना क्रेडिट के)
    Harris Brown
    • Conventioneer
    • (बिना क्रेडिट के)
    Kathryn Card
    Kathryn Card
    • Mrs. Kuschner
    • (बिना क्रेडिट के)
    Harry Carter
    Harry Carter
    • Big Doug
    • (बिना क्रेडिट के)
    Ken Christy
    Ken Christy
    • Mr. Kuschner
    • (बिना क्रेडिट के)
    Blythe Daley
    Blythe Daley
    • Receptionist
    • (बिना क्रेडिट के)
    • निर्देशक
      • George Cukor
    • लेखक
      • Charles Brackett
      • Walter Reisch
      • Richard L. Breen
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं27

    7.01.1K
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    फ़ीचर्ड समीक्षाएं

    hildacrane

    a love song to thelma

    Thelma Ritter was a national treasure. She could combine humor and pathos, and the warmth beneath the crusty exterior was always in evidence. Her presence in any film was always one of the high points, but this one is totally hers; she probably has in it the most screen time of any film she was in and, but for the vagaries of Hollywood, should have been first-billed in the credits. She brings great compassion to the character of Mae, who has endured a great loss and as a result has found herself in a business whose goal is to help others.

    Under Cukor's sensitive direction, a wonderful script is brought to life (and, in view of his purported concerns about his physical appearance, one wonders if the script's allusions to the lonely and less-than-beautiful people of the world had a particular resonance for him). Dennie Moore, who had played the saucy maid in Cukor's "Sylvia Scarlett" 16 years earlier, shows up and is again a delight.
    8kwindrum

    Interesting as view of love as economic issue

    I agree with other comments about this being a little-known gem with a terrific cast and that it is a pleasure to see Thelma Ritter in a leading role. Cukor's direction is efficient and he's particularly good with long, unbroken takes which help the actors gain momentum and relate to each other. What I found interesting was that the film is very direct about marriage as an economic proposition and how it is often a business arrangement. The other interesting quality is that many of the scenes are almost surreal in their grotesqueness. I really like seeing Scott Brady in a romantic lead, he's very fresh. The film is interesting as a Fox film made right before their turn to CinemaScope the next year with the somewhat similar, and inferior, How to Marry a Millionarie. This film would have been in color and 'scope if made later. It also has some location shooting which was a growing trend at Fox and other studios during this period yet the pacing and dialogue-driven quality of the film is much like a screwball comedy from 10 years earlier.
    6Doylenf

    Sassy comedy has Thelma Ritter in rare leading role...

    Whatever merit THE MODEL AND THE MARRIAGE BROKER has is due entirely to the caustic, funny performance of Thelma Ritter as Mae, the lady with the New York accent who went into the broker business to make other ladies happy (after her own unhappy romantic past).

    And it's a good thing Thelma carries the film, with the expert help of a few very good character roles--one in particular being MICHAEL O'SHEA, as a card-playing friend prone to giving her advice. SCOTT BRADY does a nice job as an eligible bachelor who shares some good scenes with Ritter and JEANNE CRAIN.

    But Jeanne Crain is the problem. She looks so cool and detached as the unhappy model that it throws the comedy aspects a little off focus. She seems to be walking through her part instead of conveying any real emotion.

    Still, a worthwhile little gem strictly because of Thelma Ritter. She's finally got a leading role and she runs away with it.

    Nicely directed at a brisk pace by George Cukor.
    9Handlinghandel

    Absolutel Beautiful

    George Cukor may well have directed more good movies than anyone else. Not to say that he was the greatest director of all time. Orson Welles was no slouch. Neither was Sam Fuller. But look at the list of movies Cukor directed and you will see an extraordinary oeuvre.

    "The Model and the Marriage Broker" is one of the lesser known of his very good movies. It has beautiful shots of New York. The ensemble cast is uniformly superb. The story is appealing, thanks to Charles Brackett. And Thelma Ritter -- the great Thelma Ritter -- gets to play a title character! (She is the marriage broker -- two words and more letters -- rather than the model, of course.) She could light up a movie the same way Shirley Booth could. Some say she stole movies from others. Here that was not necessary, as she is the star. (Her best performance, for me, is still in "Pickup On South Street." But that is a supporting role.) Shirley Booth did so few. She must have been great on the stage. What a shame for posterity that she made only a handful of movies.

    Ritter, however, made loads of them. And this is one of her best. It also is one of Cukor's best. Who could say which is his best? Probably there is no single best. I do feel he was generally better with black and white than in his color outings. And I have a particular fondness for "The Marrying Kind." But who knows? The Judy Holiday and Aldo Ray characters might originally have been brought together by the character Ms. Booth plays so beautifully in this story.
    dougdoepke

    A Ritter Showcase

    The movie's a showcase for Ritter's brand of cranky charm. She's a marriage broker, pairing up lonely people, and dispensing step-motherly advice. There's a parade of familiar supporting characters. Too bad they don't get more screen time, especially the poignant Nancy Kulp and the fast-talking Michael O'Shea. The film's too smooth to be genuinely funny. Still, there're amusing moments, occasional caustic charm, but the underlying theme of lonely people may be a reason director Cukor doesn't go for big laughs. I agree with the reviewer who thinks Crain too cool and detached to get into the swim. On the other hand, Brady surprised with a somewhat animated performance, unlike his usual stolid screen presence.

    This is also a movie that really needs Technicolor. Instead the dull grays do nothing to underscore a lighter mood or heighten New York City locations. Anyway, Ritter certainly deserves top billing, which instead went to the better-known Crain who doesn't get much screen time until the last third. Plus, it's to someone's credit that a middle-age woman gets so much attention in a medium not known for the aging or plain-faced. Overall, it's an amiable film with an unusual central performance, a poignant topic, but also with an over-stretched script, likely to accommodate movie star Crain.

    इस तरह के और

    Margie
    7.1
    Margie
    Romance in Manhattan
    6.8
    Romance in Manhattan
    Apartment for Peggy
    7.2
    Apartment for Peggy
    No Questions Asked
    6.7
    No Questions Asked
    Rafter Romance
    6.6
    Rafter Romance
    The Marrying Kind
    6.9
    The Marrying Kind
    Woman's World
    6.9
    Woman's World
    A Life of Her Own
    6.2
    A Life of Her Own
    The Beast of the City
    6.7
    The Beast of the City
    The Heavenly Body
    6.1
    The Heavenly Body
    The Miracle Woman
    7.2
    The Miracle Woman
    The Mating Season
    7.4
    The Mating Season

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      One of cinema's most stalwart supporting actors, Thelma Ritter enjoyed her only starring role in this film, in which she appears in nearly every scene prior to the one-hour mark, when Matt (Scott Brady) meets Kitty (Jeanne Crain) for their first date. The only other film that came close in terms of her screen time was The Mating Season (1951), in which she was also central to the plot.
    • गूफ़
      (at around 1h 21 mins) Just after Mae pulls up the window shade, out of frame a crew member apparently moves something that casts a tall vertical shadow on the apartment wall at the right edge of the frame. The shadow looks like that of a coat rack, but might be of equipment such as a stand to support something else.
    • भाव

      Dan Chancellor: Beautiful up here, isn't it? Those trees. I've always liked that poem that said, "Only God can make a tree."

      Mae Swasey: Yeah, but on the other hand, you gotta figure, who else would take the time?

    • कनेक्शन
      Version of The 20th Century-Fox Hour: The Marriage Broker (1957)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Model and the Marriage Broker?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • नवंबर 1951 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • स्वेदिश
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • La modelo y la casamentera
    • फ़िल्माने की जगहें
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Twentieth Century Fox
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 43 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    The Model and the Marriage Broker (1951)
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    By what name was The Model and the Marriage Broker (1951) officially released in India in English?
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