The Dawn Express

Cheaply done propaganda film from PRC directed by Albert Herman. Done in 1942, it looks like it was done in 1932.

The Nazis are afoot in the U. S. after a formula that can take regular gasoline and give it more oomph. One company is tackling one part of the formula, with another company doing the rest.

The Nazis obtain half and zero in on two chemists, Fielding and Norton (Michael Whelan) one of whom will have the other half. They kidnap Tom Fielding (William Bakewell) and use harm to his sister (Anna Nagel) and his mother as a threat.

To protect his friend Norton who knows the formula and is engaged to his sister, Tom claims to know how to combine the two halves.

Agonizing with the film using the exact same closeups and a restaurant door constantly.

There was a director - some kind of boy wonder - who fired Tyrone Power from a film and replaced him with Whelan. Same kind of mind that put this film together.

It is during World War II and nazi spies will stop at nothing to get a secret formula of increasing the power of gasoline. Two scientists Norton and Fielding have the information. Will Norton accept the offer of 100,000 dollars or will Fielding accept the offer of the lives of his mother and sister? What about the protection of the american intelligence team assigned to protect them? One of the agents should have watched an episode of "Get Smart" because when he gets killed he could have said "fell for the old knife hidden in the blind man's cane trick." A rather interesting film and worth the watch.

While there is an airplane at the end of the film this film really has nothing to do with the cover artwork. This film deals with synthetic fuel (formula 311) developed by two scientists apart from each other as security measures. A love interest between the two stars adds to the story and intrigue. This is a slower paced film but I like the plot and the conclusion is surprising. The good news is it is available for free on the internet archive and their copy is watchable. The score by Lee Zahler is passable. Nothing stands out but it is passable. The number of people who were watching Norton was hilarious. The German Captain Gemmler in the picture somewhat reminds me Col. Klink in the television show "Hogan Heroes." I give this film a #100 ranking.

(1942) Dawn Express ESPIONAGE/ WAR DRAMA/ SUSPENSE

Super low budget anti- Nazi movie has set up during WWII, Nazis discovering about a secret formula that can enable them win the war against the US sought to go after some of the gov'ts finest chemists of Robert Norton (Michael Whalen) and Tom Fielding (William Bakewell). They do this by sending over to them Linda Pavlo (Constance Worth).

Routine with some mediocre acting, but at the same time, you first have to consider the time it was made, during WWII. And before the first atomic bomb that was dropped to Hiroshima which was in August 6, 1945. I also thought it was good enough for a movie that has a running time limit of 1 hour and 7 minutes.

Michael Whalen and William Bakewell are research chemists at the same factory. Whalen is engaged to Bakewell's sister, Anne Neagle, who is a secretary at the plant. The men are working on a formula to make gasoline more powerful, which the plant's manager explains to a government man twice. Bakewell picks up Constance Worth in a bar. She says she's a Polish refugee. Actually, she's part of a German spy ring run by Hans von Twardowsk trying to get the formula. When a man trailing Bakewell is killed, Whalen is told to do what he thinks best. Meanwhile, a passenger plane spends the movie showing up in flight occasionally.

If they're relying on Whalen's judgment, the first thing I wonder about is relying on the judgment of a man who agreed to be in this shoddy and dull movie.I'm sure Twardowski, whose character says several times that he never makes mistakes, wondered the same thing. He had entered the theater in Germany in 1919, and had success on stage on screen through the 1920s. When the Nazis took power, he fled; they didn't like homosexuals. Throughout the War years, he made a decent living playing Nazis on the screen, but that evaporated after the war, and he went back to the stage. He died in 1958, aged 60.