Before Dawn

Joe Valerie is a gangster who has stashed his loot. He's suffering unbearable pains on his death bed and offers Dr. Cornelius the location for a quick end. Mrs. Marble reads about Joe's death in the newspaper and assumes ownership of the loot. Mattie disagrees. Mrs. Marble falls down the stairs dead after seeing a vision. The police recruits clairvoyant Patricia to help with the investigation.

It's a haunted house meets murder mystery. I do like the starting premise. The police using a clairvoyant is a little out there. Warner Oland who plays Dr. Cornelius made his name playing Charlie Chan. At least, he's not doing a fake Asian here. It's fun that devolves a little into Scooby Doo territories. It's fine.

The dying Joe Valerie tells a psychiatrist (Warner Oland) that he has hidden a million dollars in gold from a robbery committed years before. He offers the location of the gold in exchange for the doctor ending his life.

The gold is in the house being guarded by two elderly women. One is Mrs. Marble (Jane Darwell). She reads of Valerie's death and intends to take the money and leave. But Joe's ghost appears to her and as a result, she falls down the stairs and dies.

The police aren't sure what happened. At the urging of the officer in charge of arresting fake clairvoyants (Stuart Erwin), they use Patricia, who is actually a real clairvoyant, to tell them what happened.

This was a lot of fun, with young Dorothy Wilson as the clairvoyant and Dudley Digges as her father. Stuart Erwin had a pleasant screen personality used to good advantage here, and Warner Oland, who would become one of the Charlie Chans, is quite different here.

For me the most fascinating thing about the film is that as of this writing, it's 81 years old. Everything in the world has changed, everyone in this film is long gone, and people are still watching the movie.

This old dark house film is hardly a mystery. You pretty much know who the bad guy is going to be upfront. Yet it has its charms.

After a gangster dies, his elderly widow proclaims that now she is going to cash in on his one million in gold which she has kept all of these years. But on her way to get the gold she sees the gangster's ghost and falls down the stairs and dies. Meanwhile, Stuart Erwin is a plain clothes policeman making the rounds and arresting fraudulent psychics. Patricia (Dorothy Wilson) and her father (Dudley Digges) get rounded up in the dragnet. It turns out that Patricia is a legit psychic, but her dad is dishonest and greedy. After she convinces the police of her authenticity, they decide to take Patricia to the old dark house where the gangster's money is to try and solve who this "ghost" was and where the money is. Unfortunately they bring her father along for the ride.

In spite of the villain being obvious, this one does have some very good atmosphere. And you have to wonder why such a house was built with secret passageways, secret rooms, and trap doors in the first place. Plus it is fun to see Stuart Erwin in a role where he is the forceful confident protagonist throughout rather than a human Droopy like figure as he usually is.

Detective Stuart Erwin is unimpressed by the sign reading "Mlle. Mystera – Psychic Readings/Vocational Guidance." And when the psychic is unable to contact his deceased Aunt Minnie, he has her hauled in as a fake, along with her manager father.

Still, the young woman insists she's for real: "It's not a racket with me," she says. "I have a gift. I'm really clairvoyant. Sometimes I wish I weren't." –Dorothy Wilson is really quite good as that rare B movie character, the psychic who is neither a phony nor a nut.

Erwin and Wilson are appealing and even believable as they gradually earn each other's respect. The plot takes them both to a spooky old house that may contain hidden robber's loot, and whose elderly resident recently saw a ghost and dropped dead of fright—or was she murdered?

Warner Oland is excellent as a mysterious doctor who knows something about the treasure and whose sinister demeanor may or may not indicate his involvement in these dark doings.

An exciting climax includes a secret passage attached to a dark staircase leading down, down…. This one is lots of fun.

BEFORE DAWN could be a popular little cult picture if it were shown more often. A Medium (effectively played by the dependable Dudley Digges) and his extra-sensorially-gifted daughter are consulted on the frightening occurrences taking place in a, yes, old and mysterious mansion. Here's the catch, though, this is 1933, and, by golly, the daughter is played for real. I've seen dozens and dozens of television detective shows dealing with this exact subject, but those are all from the 70s-thru-current times, and I know the audience was surprised to hear they were actually utilizing ESP in a serious way. Dorothy Wilson was the attractive and intelligent ingenue raised from the ranks of the RKO secretarial pool, as legend has it. Her role might have been played by any number of marvelous actresses - Maureen O'Sullivan, Frances Dee, Jean Parker, Helen Mack - come to mind, but I'm sure glad it wasn't. Wilson is just as attractive, and yet she projects an almost Margaret Lindsay-level intelligence! She's calm and confident about her gifts, and yet she's no stranger to spook house, candle carrying fright. In addition to her old reliable father, she comes to count on detective Stu Erwin, who has learned to accept her gifts and understands the value of her assistance on the case. Veteran Jane Darwell has an effective bit, but Gertrude Hoffman (making her American film debut) impresses, adding much to the proceedings with a bitter, almost inarticulate portrayal. And stealing central focus at all times is the none-other-like-him great Warner Oland. So trustworthy, so sage, so warm as Charlie Chan, we were very fortunate that in this Post-Chan world, Oland had been given so many opportunities to use his "good" for so much marvelous, entertaining "evil." He was allowed to infuse that same trustworthy, sage warmth into a colorful array of motion picture heavies that take us unexpectedly into a darker world, as in SHANGHAI EXPRESS, DANGEROUS PARADISE, the FU MANCHU entries, and in a host of silent films. To the wise viewer, one may distrust him the moment he enters the film, but to those unsuspecting audiences who may only know his Chan films, beware! BEFORE DAWN and Warner Oland certainly keep you wondering. This is an engagingly stirring and unusual little picture!