Before I Hang

Dr. John Garth (Boris Karloff) is convicted of a mercy killing and sentenced to hang. With the time he has left, he is allowed to continue his experiments in prison. He creates a serum that reverses aging and tries it out on himself. But side effects of the serum turn him into a homicidal maniac. Karloff is terrific in a role very similar to many others he had played before and always perfectly. He was so good at creating sympathetic performances out of characters that other actors would have played in broad strokes. Nice supporting cast that includes the always good Edward Van Sloan, Evelyn Keyes, Bruce Bennett, Don Beddoe, and the underrated Pedro de Cordoba. You might not recognize some of those names but it's a solid cast for a 'B' picture. Not the best of Karloff's mad scientist films but highly enjoyable anyway. Definitely give it a shot.

Boris Karloff played the benign "mad" scientist whose intentions were good but turn awry better than anyone else. Most of his mad scientists were men put into bad situations by some kind of catalyst beyond their control and Before I Hang is no exception. Karloff plays a doctor brought before a jury for a mercy killing - a man who had been living in terminal pain sought out Karloff's help with hopes that a youth age-suppressing serum he had been working on would help regulate the pain and off-set the aging process. It didn't work and Karloff aided in his assisted death. Karloff is sent to prison but finds that the warden believes in his work and allows him, with the aid of Edward Von Sloan the prison doctor, to work on his serum just weeks before he is to be hanged for his crime. Before I Hang has really quite a preposterous storyline but Boris Karloff breathes life into it rather nicely with a gentle performance edged by a maniacal turn as he injects himself with the serum that has some bad side effects. The other actors are all very good with old Karloff nemesis from Frankenstien Von Sloan doing very well with his rather small, thankless role and Eugene Palette giving a good turn as the warden. Karloff's three old friends are all well-played and Evelyn Keyes as his daughter adequate as is Bruce Bennet as her love interest and Karloff's former assistant. The movie is not particularly fast-paced but the tension does build increasingly with effect. Before I Hang is a rather nice addition to Karloff's Columbia Mad Doctor roles. Perhaps not the best of them but certainly stands strong with the rest of them.

Of the Karloff Columbia Mad Doctor pictures, my very favorite is "The Man With Nine Lives" with "The Devil Commands" a close second followed by "The Man They Could Not Hang" (which was still quite good). Similarly, "Before I Hang" is a good "B" picture with some good scenes such as the experimentation with the model in order to mix the chemicals and serums correctly. Karloff's "Dr. Jekyll - Mr. Hyde" transformations seem to be very hair-raising indeed.

As usual, Karloff proves he was one of the best mad scientists of classic shudder cinema.

This neat little "B" came with a good supporting cast including Bruce Bennett and Evelyn Keyes.

Worthwhile watching with all of your "B" buddies.

7/10.

BEFORE I HANG is an intriguing little chunk of B-Film that explores the old idea that blood has memory, that the tissues and bones of the criminally insane pulse with a life that makes them who they are. In short, blood will have blood, as Macbeth says after the appearance of Banquo's ghost.

Boris Karloff is strong in this piece about a Dr. John Garth, who is seeking a serum that may alleviate the ravages of age. His experiments have led him to "mercy kill" one of the subjects of his studies, and for this, he is sentenced to death. Offered a chance to redeem himself through medical research in prison, he and a colleague (played by the fine character actor Edward Van Sloan) inoculate Garth with an experimental serum drawn from the veins of an executed murderer. The serum works, but Garth becomes a homicidal maniac. He kills his colleague and a prison trustee, and manages to lie his way into a pardon from the state for his humanitarian efforts. After he gets out, he really has a killer's jamboree.

Aside from the mechanical gesture of touching his hand to the back of his neck whenever one of the murderous fits come on, Karloff creates a character who's pretty sympathetic. Evelyn Keyes as his daughter adds some spark to the melodramatic proceedings. Pedro de Cordoba, piano interludes and all, managed to build a soulful and arresting character who stands out all the more against the general flatness of the Columbia "B" company. All in all, the work holds up, and it's a must see for anyone who admires the efforts of Karloff and some of the other great characters of that era who (time and again) were able to lend some real spark to what would otherwise have been pretty lifeless strips of celluloid.

The third Boris Karloff "mad doctor" film is an interesting if surprisingly rather dull affair; the star is always worth watching, however, and his role here certainly offers him plenty to sink his teeth into: he starts the film as an old man about to be hanged for a mercy killing, is then rejuvenated through a serum he develops while in prison (the kindly warden having consented to Karloff continuing his experiments there until the time of his execution comes) and finally turns into a strangler (the unfortunate side-effect of the drug which contained the blood cells of a murderer)!

Though the supporting cast features several familiar faces, they're all somewhat underused: Evelyn Keyes and Bruce Bennett are certainly among the higher-prolife actors to fill the 'romantic interest' roles in this type of film, but they're just about the most thankless I've ever seen (especially Bennett who has barely 5 minutes of screen time)! Edward van Sloan's presence was especially welcome (having memorably faced-off with Karloff twice before) but, again, his prison doctor here is nowhere near as juicy as his iconic roles in Dracula (1931), FRANKENSTEIN (1931), THE MUMMY (1932) and DRACULA'S DAUGHTER (1936)! Pedro de Cordoba, on the other hand, is quite poignant as Karloff's pianist friend whose career is fading due to his advancing age; of course, Boris is willing to help him out in this regard, but his new-found and uncontrollable murderous instincts prevail! A measure of amusement is also gleaned from noticing the recurring presence of such actors as Roger Pryor, Don Beddoe and Charles Trowbridge in roles which were pretty much reprises of ones they had played in the earlier Columbia Karloffs!

On the debit side, the low budget especially shows here in the film's rather dismal sets - the other three of Karloff's serious horror efforts for Columbia made good use of the star's gadget-filled house (THE MAN THEY COULD NOT HANG [1939]), frozen underground lab (THE MAN WITH NINE LIVES [1940]) and Karloff's imposing cliff-top mansion (THE DEVIL COMMANDS [1941]); besides, the rather clinical experiments become repetitive and the film talky, which is further exacerbated by the regrettable fact that throughout there are few action/horror highlights per se.

As far as the film's DVD presentation goes, I found it to be disappointingly lackluster: while the print itself is adequate, there are no scene selections for any of the films in this set (which also proves to be the case with Universal's Karloff collection and the "Inner Sanctum" Set!) nor, for that matter, proper menu screens - have the studios become stingy or what?!