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Faithless

  • 1932
  • Approved
  • 1 घं 17 मि
IMDb रेटिंग
6.7/10
695
आपकी रेटिंग
Tallulah Bankhead and Robert Montgomery in Faithless (1932)
Drama

अपनी भाषा में प्लॉट जोड़ेंSocialite Carol Morgan romps through the depression and her wealth while breaking up with Bill Wade and getting back together with him.Socialite Carol Morgan romps through the depression and her wealth while breaking up with Bill Wade and getting back together with him.Socialite Carol Morgan romps through the depression and her wealth while breaking up with Bill Wade and getting back together with him.

  • निर्देशक
    • Harry Beaumont
  • लेखक
    • Carey Wilson
    • Mildred Cram
  • स्टार
    • Tallulah Bankhead
    • Robert Montgomery
    • Hugh Herbert
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.7/10
    695
    आपकी रेटिंग
    • निर्देशक
      • Harry Beaumont
    • लेखक
      • Carey Wilson
      • Mildred Cram
    • स्टार
      • Tallulah Bankhead
      • Robert Montgomery
      • Hugh Herbert
    • 35यूज़र समीक्षाएं
    • 11आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 2 जीत

    फ़ोटो46

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 40
    पोस्टर देखें

    टॉप कलाकार25

    बदलाव करें
    Tallulah Bankhead
    Tallulah Bankhead
    • Carol Morgan
    Robert Montgomery
    Robert Montgomery
    • William 'Bill' Wade
    Hugh Herbert
    Hugh Herbert
    • Peter M. Blainey
    Maurice Murphy
    Maurice Murphy
    • Anthony 'Tony' Wade
    Louise Closser Hale
    Louise Closser Hale
    • First Landlady
    Anna Appel
    Anna Appel
    • Mrs. Mandel--Second Landlady
    Lawrence Grant
    Lawrence Grant
    • Mr. Ledyard
    Henry Kolker
    Henry Kolker
    • Mr. Carter
    Jack Baxley
    • Candy Store Proprietor
    • (बिना क्रेडिट के)
    Jack Rube Clifford
    Jack Rube Clifford
    • Truck Driver
    • (बिना क्रेडिट के)
    Jay Eaton
    Jay Eaton
    • Chez Louise Manager
    • (बिना क्रेडिट के)
    Maude Eburne
    Maude Eburne
    • Bit Part
    • (बिना क्रेडिट के)
    Theresa Harris
    Theresa Harris
    • Amanda
    • (बिना क्रेडिट के)
    Sterling Holloway
    Sterling Holloway
    • Photographer
    • (बिना क्रेडिट के)
    Tenen Holtz
    Tenen Holtz
    • Diner Proprietor
    • (बिना क्रेडिट के)
    Virginia Howell
    Virginia Howell
    • Mrs. Blainey
    • (बिना क्रेडिट के)
    Tiny Jones
    Tiny Jones
    • Little Woman in Bread Line
    • (बिना क्रेडिट के)
    James T. Mack
    • Joseph--Butler
    • (बिना क्रेडिट के)
    • निर्देशक
      • Harry Beaumont
    • लेखक
      • Carey Wilson
      • Mildred Cram
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं35

    6.7695
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    फ़ीचर्ड समीक्षाएं

    7bkoganbing

    Unsuitable for poverty

    A chance to see Tallulah Bankhead at the prime of her career is never to be passed up. Faithless provides her with a better vehicle than The Devil And The Deep which she did over at Paramount the same year.

    MGM provided her with Robert Montgomery as a leading man and she and he just can't get together and their backgrounds make them unsuitable for poverty. Which in 1929 both enter. She loses her millions and of course she blames mismanagement. Many people who got out of the market before the Stock Market Crash kept their fortunes, many more who thought the market would stay bullish regretted that choice. Up to a point Tallulah is right in blaming her financial advisers, but up to then she also never cared just as long as she had it to spend.

    Montgomery too is affected. His advertising firm goes under and he loses his job. With both starting equal you think that they can be married now. But neither wants to live modestly, her far more than him. Like former nobility in Europe she trades in on her society name and becomes a permanent house guest for hire for a while. It's there she meets up with Hugh Herbert.

    Now he's the biggest revelation in the film. Herbert was capable of so many things more than what you see in those Warner Brothers musicals and that incessant 'woo woo'. Here he's a deadly serious rake who after his wife throws Tallulah out as a party guest because she's tired of her leeching, Herbert's quite willing to make her a mistress.

    White collar Montgomery also sees a more earthy side of life. MGM brings up some working class issues that you would normally find Warner Brothers doing.

    Both Tallulah and Montgomery acquit themselves well in a film that should be better known and seen more.
    8mukava991

    that's entertainment

    FAITHLESS is neither a great classic nor an artistic masterpiece nor even a very original story. In simple, straightforward fashion it tracks the downfall of a spoiled heiress (Tallulah Bankhead) ruined by the Depression who struggles between love for an ad executive (Robert Montgomery) and addiction to the high life which she can no longer afford. For a while she manages to sponge off old friends from her social circle but is rejected when it becomes clear to them that she is hopelessly broke. And down and down she goes. Her personal fate parallels that of the economy – from the hedonistic roaring 20's to the sober, desperate 30's. The movie even opens with a series of newspaper headlines tracking the progress of the economic downturn from late '29 until '32 when this plot goes into action.

    The chief attraction is Bankhead, who made few films, most of them abysmal. This was one of the good ones. She is coiffed and made up to look like Garbo in GRAND HOTEL. The result is certainly striking from the neck up, though she looks a bit dumpy and ill-at-ease in some of Adrian's more extravagant gowns. No matter. With her distinctive voice, vivid personality, physical agility and polished theatrical diction, she never fails to delight or at least intrigue the viewer and this scenario gives her opportunities to explore a wide range of emotional states. There is nothing original about the fallen woman story, but Tallulah is a true original. She is in particularly fine form delivering witty banter, as in a scene in which she converses with Montgomery's brother (Maurice Murphy), who introduces himself as a metallurgist ("What kind of metal do you urge?") Lines like that roll off Bankhead's tongue with effortless aplomb. Montgomery is his usual spiffy self, delivering a competent, honest performance.

    The strains of "St. Louis Blues" rise from the soundtrack as Bankhead contemplates prostitution as a way to get money. That melody was so often used as cinematic code for "prostitute" that someone should take a count.
    drednm

    Great Tallulah Bankhead Role

    Faithless is a 1932 weepie that casts Tallulah Bankhead as a carefree rich girl in love with hard-working advertising man, Robert Montgomery. It's her last Hollywood starring role for more than a decade.

    Bankhead is great as she goes from playgirl to kept girl to street walker. Montgomery also goes bust and gets sick. There is a happy ending.

    Hugh Herbert plays a nasty, noncomic part, Louise Closser Hale plays the landlady, Anna Appel is another landlady, Virginia Howell plays Herbert's jealous wife, Maurice Murphy (just dreadful) plays the younger brother,Henry Kolker is a banker, and Sterling Holloway is a photographer.

    This is probably Bankhead's best 30s performance on film.... She is glamorous, slinky, funny, and pathetic all at once. Her drunk scene with Hugh Herbert is excellent as she laughs her throaty laugh even though she is lost and knows it. Montgomery us looser than usual. Herbert is surprisingly effective as the cad. And Hale is hilarious as the cheap landlady. This was the seventh of Bankhead's early talkies and her last til Lifeboat; she had also made 5 silent films.
    jaykay-10

    Calling central casting

    Whatever words one may choose to describe the acting attributes of Tallulah Bankhead, versatile is not likely to be one of them. This is clearly illustrated in "Faithless," where her specialized abilities unsuccessfully attempt to make convincing a complete character transformation: spoiled rich girl without an appreciation of either the value of money or strength of character, to a steadfast, realistic woman who knows what matters in life, even if she has been soiled in the process of learning. Tallulah does well enough with the "before" - as one might expect - but less well with the "after." Despite having fallen a long way into poverty and prostitution, the character retains her drawing-room manner of expressing emotion, her hair and makeup remain meticulous at all times, and her suffering is barely noticeable. This was not an ideal part for Tallulah, and she does not generate much sympathy (try Constance Bennett or Barbara Stanwyck).

    Robert Montgomery is similarly miscast: playing a character chronically unemployed during the Depression, the actor maintains his gentlemanly bearing and patrician manner even as a truck driver. There are settings in which his acting style doesn't work (see also his role as a convict in "The Big House"), and this is one of them.

    Hugh Herbert's complete departure from his usual screen character of the dithering boob succeeds where the stars fail - here as a no-nonsense businessman investing, without illusions, in Tallulah as his mistress.

    The characters are manipulated by the sudsy plot, meeting when convenient, estranged if the story calls for it, unemployed when dramatically necessary, but reunited, forgiven and suddenly provided with gainful employment when it is time for "The End." And not a moment too soon.
    8Dr. Ed

    Tallulah's the whole show

    The wonderful Tallulah Bankhead shines in her last Hollywood film of the 30s, playing a spoiled heiress who loses her money and her man (Robert Montgomery), as well as her dignity, on the way to learning what is important. Typical weepie of the early 30s is a terrific vehicle for Bankhead in the kind of role often played by Constance Bennett----glamorous, slinky, and bitchy. Excellent dramatic support from the usually comic Hugh Herbert.

    इस तरह के और

    Call Her Savage
    7.0
    Call Her Savage
    Beauty for Sale
    6.7
    Beauty for Sale
    Ex-Lady
    6.3
    Ex-Lady
    Prosperity
    6.3
    Prosperity
    Midnight
    7.8
    Midnight
    The Black Room
    6.9
    The Black Room
    Merrily We Live
    7.3
    Merrily We Live
    Blonde Crazy
    7.1
    Blonde Crazy
    Going Wild
    5.8
    Going Wild
    Beauty and the Boss
    6.8
    Beauty and the Boss
    The Matrimonial Bed
    5.7
    The Matrimonial Bed
    The Keyhole
    6.4
    The Keyhole

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Robert Montgomery notes that his annual salary as an advertising executive in 1932 is $20,000, a significant amount at that time. When adjusted for inflation, his salary is equal to $470,000 in 2025.
    • गूफ़
      सभी एंट्री में स्पॉइलर हैं
    • भाव

      [first lines]

      Mr. Ledyard: [on the telephone] But Carol, this bank is your guardian. We're living in 1932, but you persist in spending money as if it were still '29, before the crash. You've forced me to eliminate your charities - even your father's most beloved project - the Morgan Home for Girls.

      Carol Morgan: [lounging on her silk sheets] Fine. I don't believe in delinquent girls - silly weaklings.

      Mr. Ledyard: But our records show that twenty-nine percent of them went on the street because they didn't have a bed to sleep in.

      Carol Morgan: Oh, nonsense. They've just no character. Neglect your character and you lose your self-respect. Go out into the streets and you end up in the gutter - where I might add, you jolly well deserve to end up.

    • कनेक्शन
      Featured in Complicated Women (2003)
    • साउंडट्रैक
      St. Louis Blues
      (1914) (uncredited)

      Written by W.C. Handy

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल14

    • How long is Faithless?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 15 अक्टूबर 1932 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Tinfoil
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,03,420(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 17 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Tallulah Bankhead and Robert Montgomery in Faithless (1932)
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    By what name was Faithless (1932) officially released in India in English?
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