The Millionaire

George Arliss's name was synonymous with "Great Acting" back in the early talking film era and he more or less lives up to the reputation herein, playing a Henry Ford-style auto magnate in failing health whose doctor insists that he retire and take it easy lest his heart give out. So he reluctantly but obediently moves to sunny California with his wife and daughter where he settles into a life of vice-free boredom. One day a cocky insurance salesman (played by the motor-mouthed James Cagney in an early supporting role) suggests that he would be happier if he bought a small business as a hobby just to keep the old juices flowing. Arliss finds the advice intriguing and responds to a newspaper ad offering half interest in a filling station. Posing as an ordinary investor under an assumed name, he purchases the half interest without hesitation from a suspicious seller (Noah Beery) and discovers his partner is a handsome young would-be architect (David Manners in one of his better efforts) biding his time until he can get his real career off the ground. Soon it becomes clear to both that Beery has swindled them, knowing that a new superhighway nearby would soon open and attract all vehicles away from the spot where their filling station was located. Using the business acumen he has accrued through the years, Arliss hatches a plan to purchase property across the street from the swindler's new filling station and drive him out of business with better service, better advertising and a more attractive establishment. Meanwhile, Arliss's daughter drives in for a fill-up and is recognized by Manners as the attractive girl he met briefly at a college dance a few years earlier. He falls head over heels in love with her and decides to marry her, little knowing she is the daughter of his partner. As this romantic subplot plays out, Arliss's health improves by degrees under the healthy stimulus of running a small business, even as he declines to swallow the medicines prescribed by his doctor. It's fun to watch Arliss play this lovable character who learns how to heal himself. It's a wise film indeed, demonstrating that care of the spirit is just as important as medicinal regimens. The whole thing moves along at a brisk pace. Cagney's brief bit is memorable in a "star is born" manner—the elegant old pro Arliss generously allowing the brash young actor to steal the scene. Arliss did a similar favor for young Bette Davis in THE MAN WHO PLAYED GOD a year later.

Automobile tycoon James Alden (George Arliss) is forced into retirement due to health concerns. He is utterly bored. After talking to insurance salesman Schofield (James Cagney), he answers a newspaper ad to buy half a gas station under the fake name Charles Miller. He and his new partner Bill Merrick have been suckered by Peterson who moved his business next to the new highway. The duo decides to move across the street to compete directly. Meanwhile, Bill falls for Alden's daughter without realizing her father is his partner.

Arliss is great. There are social class differences that are harder to understand. Non-physical comedy is often harder to translate across time. The stakes are pretty low since Alden will always be rich and he will always approve of Bill for his daughter. Early James Cagney has a minor role. It has its fun but it doesn't strike me as hilarious in the modern sense.

Health problems force an elderly auto tycoon into retirement. Refusing to stay idle, he buys half ownership into a service station & gleefully begins to work there, incognito. The old man is now able to help his young partner in matters of business & romance. But what will happen if he's discovered to be, in reality, THE MILLIONAIRE?

George Arliss was a wonderful actor, now sadly neglected. The merest glance, the smallest movement of his hands, the raised eyebrow or vocal inflection, these all spoke volumes. Here, he has a fine outlet for his artistry. The film moves right along, without any dull moments, fueled by the fun of watching Arliss act.

He is given good support by David Manners (a fine leading man of the 1930's) as his partner; Noah Beery as a beefy business rival; and real-life wife Florence Arliss. James Cagney, not quite yet a star, breezes in for a few moments as an insurance agent who gives Arliss some good advice. Effortlessly, he steals the scene from Arliss (the old man seems amused), a very rare event, indeed.

It's a shame that George Arliss was already an old man by the time the talking picture era arrived. Had he been younger, he would have been an even bigger star as he was simply a terrific actor--the best of his era. He's so good that every film he's in has a lot of charm simply because of his presence. Because I have loved so many of his pictures, that's why I made sure to watch "The Millionaire" when it came on TCM.

The story is about James Alden, a rich man who owns a prosperous car manufacturing company. One day his doctor tells him he's got to quit work and retire to a quiet life...or his days are numbered. So naturally he retires...and soon is bored to death! When he meets a fast-talking insurance salesman (James Cagney), he realizes that it's better to die happy...and that means going back to work. However, his wife (played by Arliss' real life wife) isn't about to stand for him go to work...so he decides to do it on the sly.

Alden decides to buy himself something small...a job he can own and work at his own pace. He buys a half interest in a gas station and is shocked to learn that he's been cheated--as the man selling it knew that a new road was going in and it would bypass the station! He and his new partner are angry...and both vow to give that jerk a run for him money, as the nasty guy (Noah Beery) has used the money from the sale to open a new station on the new road.

In the meantime, Alden likes his new partner, Bill...but he doesn't reveal that he's Alden. Instead, he pretends that Alden gave him money for the station and Bill that Alden is a real jerk! This is a problem...as in the meantime Bill's fallen in love with Alden's daughter. Alden is happy, as her old boyfriend is a real putz! But instead of giving them his blessing, he decides to have a little joke! And, this leads to a very delightful finale.

Overall, this is yet another great Arliss film...and much of it is clearly due to Arliss. He was simply marvelous in the film and with most other actors it simply couldn't have been this good...and it is amazingly good and well worth your time. A cute and enjoyable little comedy.

The gentle humor of this film is balanced by a certain amount of social conscience, making it even as a dated story something moderately charming. Set in California during the Great Depression, it is pure fantasy of the kind much needed in movie-houses during those dark days. Although it is now rare in our decadent corporate epoch to find a happy and generous -- not to say intelligent -- millionaire free of the desire to line his own pockets at the expense of his employees, the character as played by George Arliss transcends mere capitalism and inspires us to higher purposes.

Cameos by James Cagney and Wallace Beery provide some historical flavor for film buffs, as do some truly grand vintage automobiles going in and out of the service stations central to the story. Though that story remains thin and improbable, it is fast-paced and directed with élan. My own appreciation was enhanced by noting at the outset the name of Booth Tarkington as one of the writers. He was without a doubt one of the finest popular novelists of the early twentieth century, now largely forgotten. The playful tone he employed in the "Penrod" stories is much evident here.

A very fine production for 1931.