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After Office Hours

  • 1935
  • Approved
  • 1 घं 12 मि
IMDb रेटिंग
6.4/10
1.1 हज़ार
आपकी रेटिंग
Clark Gable and Constance Bennett in After Office Hours (1935)
Workplace DramaComedyCrimeDramaMysteryRomance

अपनी भाषा में प्लॉट जोड़ेंJim Branch, a news editor, investigates a socialite's murder. He falls for Sharon Norwood, using her connections to the wealthy to aid his inquiry, but struggles to progress their relationsh... सभी पढ़ेंJim Branch, a news editor, investigates a socialite's murder. He falls for Sharon Norwood, using her connections to the wealthy to aid his inquiry, but struggles to progress their relationship amid the investigation.Jim Branch, a news editor, investigates a socialite's murder. He falls for Sharon Norwood, using her connections to the wealthy to aid his inquiry, but struggles to progress their relationship amid the investigation.

  • निर्देशक
    • Robert Z. Leonard
  • लेखक
    • Laurence Stallings
    • Dale Van Every
    • Herman J. Mankiewicz
  • स्टार
    • Constance Bennett
    • Clark Gable
    • Stuart Erwin
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    1.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Robert Z. Leonard
    • लेखक
      • Laurence Stallings
      • Dale Van Every
      • Herman J. Mankiewicz
    • स्टार
      • Constance Bennett
      • Clark Gable
      • Stuart Erwin
    • 31यूज़र समीक्षाएं
    • 8आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो63

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 57
    पोस्टर देखें

    टॉप कलाकार34

    बदलाव करें
    Constance Bennett
    Constance Bennett
    • Sharon Norwood
    Clark Gable
    Clark Gable
    • James 'Jim' Branch
    Stuart Erwin
    Stuart Erwin
    • Hank Parr
    Billie Burke
    Billie Burke
    • Mrs. Norwood
    Harvey Stephens
    Harvey Stephens
    • Tommy Bannister
    Katharine Alexander
    Katharine Alexander
    • Julia Patterson
    Hale Hamilton
    Hale Hamilton
    • Henry King Patterson
    Henry Travers
    Henry Travers
    • Cap
    Henry Armetta
    Henry Armetta
    • Italian Diner Owner
    Charles Richman
    Charles Richman
    • Jordan
    Herbert Bunston
    Herbert Bunston
    • Barlow - Norwood's Butler
    Stanley Andrews
    Stanley Andrews
    • Theatre Patron
    • (बिना क्रेडिट के)
    Jack Chefe
    • Riverview Club Patron
    • (बिना क्रेडिट के)
    Sayre Dearing
    Sayre Dearing
    • Police Detective
    • (बिना क्रेडिट के)
    William Demarest
    William Demarest
    • Police Detective
    • (बिना क्रेडिट के)
    Tom Dugan
    Tom Dugan
    • Motorcycle Cop
    • (बिना क्रेडिट के)
    Margaret Dumont
    Margaret Dumont
    • Mrs. Murchison
    • (बिना क्रेडिट के)
    James Ellison
    James Ellison
    • Harvey
    • (बिना क्रेडिट के)
    • निर्देशक
      • Robert Z. Leonard
    • लेखक
      • Laurence Stallings
      • Dale Van Every
      • Herman J. Mankiewicz
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं31

    6.41.1K
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    10

    फ़ीचर्ड समीक्षाएं

    7JLA-2

    A surprising screwball comedy murder mystery

    Big city newspaper man and light-hearted heiress should mean a screwball comedy, but this one takes a surprising turn into a murder mystery..Some snappy dialogue by Herman Mankiewicz (Dinner at Eight) and elegant production with amazing gowns by Adrian and sets by Cedric Gibbons give this picture an air of class. Clark Gable is Clark Gable in his "It Happened One Night" mode. Constance Bennett has wonderful chemistry with Gable and shows the same light comedy flair from "Topper." I kept thinking this should be better known because it's a very stylish hybrid - society murder mystery and madcap comedy.
    6krorie

    Not bad once it gets started

    Until the murder takes place, "After Office Hours" seems tired and boring with a stellar cast going to waste, but then it turns into a fairly decent romantic comedy murder yarn. Though it is always a delight to see Constance Bennett and Clark Gable on the screen, and together they do make a dynamic pair, the funniest lines come from Stu Erwin and William Demarest. The movie comes to life when the police detective (Demarest in an uncredited role)investigates the crime scene. Demarest steals the show and it becomes obvious why he went on to become one of Hollywood's leading character actors. The most hilarious part of the movie comes toward the end when Jim Branch (Gable) is doing his own investigation at the prime suspect's house. He has Hank Parr (Erwin)talk as loud as possible to see if his voice can be heard over the music coming from the Victrola upstairs. If you don't laugh at Stu Erwin's antics in this scene then you need to have your giggle box tested. It was pleasing to see Margaret Dumont, the butt of so many of Groucho's wisecracks in the Marx Brothers films, in a brief walk on part. She makes the most of the few seconds given her. Too bad she wasn't given a larger part.

    Though this is no "It Happened One Night," it is entertaining with several cleverly written scenes highlighting the comic talents of Stu Erwin and William Demarest. Add the enchanting Constance Bennett, the always debonair Clark Gable, a tipsy Billie Burke and how can you go wrong?
    7gpresto

    Never Seen Before

    TCM never fails to surprise me. As the centerpiece on TV today for classic MGM films from that studio's golden era, I can say that I never heard of or saw this film before it was shown and I caught it tonight, on the station.

    I think Gable and Bennett are great, even better together, as are Burke et al. What surprises me is that it doesn't quite feel or seem like it's up to the quality and visual level of a typical Metro film of the era. Actually, it plays like a film coming from the studio that did It Happened One Night to which Gable had been loaned out by MGM's Louis B. Mayer the year before, ironically.

    The movie's OK, not the best.. But I can watch Clark and Constance in anything, because they gave their everything to each of their films.
    6mossgrymk

    after office hours

    First half hour's great as Herman J. Mankiewiecz's typewriter functions more like a Gatling gun, spewing out wisecracks, putdowns, zingers and bon mots all over the place. Then, right after the scene at the Riverview Cafe, Mank's comic energy begins to wane and the not very interesting plot and story, something to do with high society adultery and murder, takes over and director Robert Z. Leonard's lack of visual comic skills is alarmingly exposed. So, let's give it a generous C plus for the first thirty minutes and the charm and comic timing of Gable, Bennett and a couple of the subsidiary players like Stu Erwin and Billie Burke.
    jaykay-10

    Pure entertainment

    Take a story of no significance, load it with events of dubious credibility...and what do you have? If you also manage to include roles that are ideal for Clark Gable, Constance Bennett and Billie Burke, and if you find these players at the top of their form, and bring this mix alive with a crackling script by Herman Mankiewicz, the significance and credibility of it all are distinctly secondary. The characters talk fast, think fast, and move fast. This type of picture was done often in the 30s: part screwball, part melodrama, part love story (with sharp edges). When it worked - as it surely does here - you would be royally entertained. Enjoy.

    इस तरह के और

    Love on the Run
    6.0
    Love on the Run
    They Met in Bombay
    6.5
    They Met in Bombay
    Chained
    6.3
    Chained
    Idiot's Delight
    6.5
    Idiot's Delight
    Hold Your Man
    6.9
    Hold Your Man
    Cain and Mabel
    6.3
    Cain and Mabel
    Forsaking All Others
    6.4
    Forsaking All Others
    Fog Over Frisco
    6.5
    Fog Over Frisco
    Too Hot to Handle
    6.6
    Too Hot to Handle
    The Ex-Mrs. Bradford
    6.9
    The Ex-Mrs. Bradford
    Strange Cargo
    6.9
    Strange Cargo
    Somewhere I'll Find You
    6.1
    Somewhere I'll Find You

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      When Jim mentions quintuplets while visiting with Sharon after the play and is holding five pieces of fruit in his arm, he is referring to The Dionne Quintuplets, born in Canada the year before this film was released.
    • गूफ़
      When Jim slams the door to his office while expressing his love for Sharon to Hank, the glass in the door already had been cracked (or scored) to break and fall out beforehand.
    • भाव

      Mrs. Norwood: Don't ring, darling, you might wake the servants. You know, I practically adjust my life to suit theirs. But I don't mind, really, it's part of the New Plan or New Deal, whatever you call it, and I, I don't mind, it keeps me young and patriotic.

    • कनेक्शन
      Featured in Clark Gable: Tall, Dark and Handsome (1996)
    • साउंडट्रैक
      Forsaking All Others
      (uncredited)

      Written by Walter Donaldson and Gus Kahn

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 22 फ़रवरी 1935 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Adam Started It
    • फ़िल्माने की जगहें
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio)
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $3,66,000(अनुमानित)
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 12 मिनट
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Clark Gable and Constance Bennett in After Office Hours (1935)
    टॉप गैप
    By what name was After Office Hours (1935) officially released in India in English?
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