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Love from a Stranger

  • 1937
  • Approved
  • 1 घं 26 मि
IMDb रेटिंग
6.5/10
722
आपकी रेटिंग
Basil Rathbone and Ann Harding in Love from a Stranger (1937)
ड्रामाथ्रिलररहस्यरोमांस

अपनी भाषा में प्लॉट जोड़ेंA lottery winner breaks up with her fiancé and marries a fortune hunter who proves to be dangerous.A lottery winner breaks up with her fiancé and marries a fortune hunter who proves to be dangerous.A lottery winner breaks up with her fiancé and marries a fortune hunter who proves to be dangerous.

  • निर्देशक
    • Rowland V. Lee
  • लेखक
    • Frank Vosper
    • Agatha Christie
    • Frances Marion
  • स्टार
    • Ann Harding
    • Basil Rathbone
    • Binnie Hale
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    722
    आपकी रेटिंग
    • निर्देशक
      • Rowland V. Lee
    • लेखक
      • Frank Vosper
      • Agatha Christie
      • Frances Marion
    • स्टार
      • Ann Harding
      • Basil Rathbone
      • Binnie Hale
    • 40यूज़र समीक्षाएं
    • 5आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो3

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार10

    बदलाव करें
    Ann Harding
    Ann Harding
    • Carol Howard
    Basil Rathbone
    Basil Rathbone
    • Gerald Lovell
    Binnie Hale
    Binnie Hale
    • Kate Meadows
    Bruce Seton
    Bruce Seton
    • Ronald Bruce
    Jean Cadell
    Jean Cadell
    • Aunt Lou
    Bryan Powley
    • Dr. Gribble
    Joan Hickson
    Joan Hickson
    • Emmy
    Donald Calthrop
    Donald Calthrop
    • Hobson
    Eugene Leahy
    • Mr. Tuttle
    Ben Williams
    • Ship's Steward
    • (बिना क्रेडिट के)
    • निर्देशक
      • Rowland V. Lee
    • लेखक
      • Frank Vosper
      • Agatha Christie
      • Frances Marion
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं40

    6.5722
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    10

    फ़ीचर्ड समीक्षाएं

    7Bunuel1976

    LOVE FROM A STRANGER (Rowland V. Lee, 1937) ***

    Interesting British-made suspenser - from an Agatha Christie story, no less - which feels quite dated today due to the low budget and a rather slow pace (though the atrocious condition in which it's available doesn't help matters any!), but survives nevertheless by virtue of its excellent leading performances.

    I've watched Ann Harding in only a few other films - most notably PETER IBBETSON (1935) - but, even if she has been largely forgotten, here again she proves her standing as one of the unsung actresses of her time. Basil Rathbone relishes his role as the suave murderer and the latter stages of the film allow him to go into all-out hysterics in much the same way (and under the same director!) as he would, memorably, in SON OF FRANKENSTEIN (1939); in fact, the last 15 minutes create a genuinely electrifying tension that are basically the film's raison d'etre.

    Rowland V. Lee has perhaps never been a highly regarded film-maker but, from what little I've seen of his work, he was a reasonably efficient craftsman and, given promising material, he always turned in a quality product (the two films of his I would most love to catch up with are the definitive screen version of THE COUNT OF MONTE CRISTO [1934] and TOWER OF London [1939], yet another Rathbone collaboration).
    9jcoppeto001

    definitive

    This is the definitive movie version of the story. The later movie version pales by comparison. The casting is terrific. The plot is plausible. The pacing is perfect. The settings were simple yet convincing. The acting is right on the button. Basil Rathbone is extraordinary in what may be one of his finest performances. Hitchock could not have directed it any better. The psychopathology is presented in a valid way, eschewing melodrama. This version is uncompromisingly true to the meaning and the tone of Christie's creation. Just as importantly the dialogue does not insult your intelligence. The final scene is intense yet controlled and makes one yearn for these well-done black and white movies in contrast to the melodramatic, syrupy Technicolor endings we get nowadays.
    8Hitchcoc

    Rathbone at his Emotive Best

    I love Basil Rathbone. He made a wonderful Holmes. Too bad the scripts didn't match the performance. But that's another issue. Here he plays a type of Bluebeard who marries women who come into money and then bumps them off. He is a mass of psychoses, depression, and a bad ticker. He goes from being suave and successful, to maudlin and manic. A modern psychologist would have a field day. The tension that builds as he goes through his rant is a little like Jack Nicholson in "The Shining." There's a moment where the bride becomes cognizant of the fact that she is married to a lunatic. And, of course, she had been warned and has married him anyway. Anyway, the last scene where they spar intellectually is delightful and shows both actors at their best. There's a wonderful moment of realization on the young woman's face where she realizes that her life depends on what she says. It is one of the most claustrophobic bits I've ever seen and is very effective in showing that there is just a little tilt to the scales on both sides.
    8ahearn02

    It's Rathbone's show

    All right, it creaks a bit, now, and suffers from the staginess which afflicted many if not most British films of this period, but the Agatha Christie plot (with a strong family resemblance to that other hyper-theatrical melodrama, "Gaslight") is gripping, and the necessary claustrophobic atmosphere is established and maintained -- with help from the excellent score from a very youthful Benjamin Britten (I have, by the way, never come across a reference to this early effort in any Britten biography; it is unmentioned in the long article in Grove's Dictionary). Most of all, it's worth seeing for the terrifying performance by Basil Rathbone, which again reminds us what an accomplished and versatile actor was all-but obliterated in his later absorption into Sherlock Holmes. No goalie-mask, no retractile steel claws, no camera-tricks, he scares the pants off you using only an actor's equipment, and you'll never forget his portrayal of a psychotic, obsessive Bluebeard.
    Michael_Elliott

    Very Underrated

    Love from a Stranger (1937)

    *** (out of 4)

    A poor woman (Ann Harding) wins the lottery and soon she's swept off her feet by a nice man (Basil Rathbone) but after they're married she begins to think he has a few secrets including murder. Director Rowland V. Lee does a good job on this story by Agatha Christie and builds some nice atmosphere, which helps matters. Harding is very good in her role but the real key here is Rathbone who, as later in Son of Frankenstein, goes through a nervous breakdown, which is wonderful to watch. Some might call it over the top but I think he does a good job at showing the character losing his mind. Some slow segments hamper the film but the ending certainly makes up for that.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The music that plays whilst Basil Rathbone develops his wife's photo in the cellar is from Edvard Grieg's "Peer Gynt Suite" - In the Hall of the Mountain King.
    • भाव

      Gerald Lovell: But then most women are fools.

      Carol Howard: You think so?

      Gerald Lovell: I don't think, I know. Born fools! And women's weakness is man's opportunity.

      [Looks quizzically at her]

      Gerald Lovell: Did someone write that? Or did I think of it myself? If I did, it's good. It's very good.

      [laughs]

      Gerald Lovell: 'Women's weakness is men's opportunity'.

      Carol Howard: [Placatingly] You do have exceptional insight into things.

    • कनेक्शन
      Referenced in Lesbian Seductions 58 (2017)
    • साउंडट्रैक
      In the Hall of the Mountain King
      (uncredited)

      from "Peer Gynt Suite"

      Music by Edvard Grieg

      Whistled by Basil Rathbone

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is A Night of Terror?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • जनवरी 1937 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • A Night of Terror
    • फ़िल्माने की जगहें
      • Denham Studios, Denham, Buckinghamshire, इंग्लैंड, यूनाइटेड किंगडम(Studio, uncredited)
    • उत्पादन कंपनी
      • Trafalgar Film Productions Ltd.
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      1 घंटा 26 मिनट
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    • पक्ष अनुपात
      • 1.37 : 1

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