अपनी भाषा में प्लॉट जोड़ेंDale Jordan is accepted by first-cabin passengers on a south-bound Panama-Pacific liner until they discover she is a cabaret girls led by Trixie Snell en route for the Bull Ring Cabaret in P... सभी पढ़ेंDale Jordan is accepted by first-cabin passengers on a south-bound Panama-Pacific liner until they discover she is a cabaret girls led by Trixie Snell en route for the Bull Ring Cabaret in Panama City.Dale Jordan is accepted by first-cabin passengers on a south-bound Panama-Pacific liner until they discover she is a cabaret girls led by Trixie Snell en route for the Bull Ring Cabaret in Panama City.
- निर्देशक
- लेखक
- स्टार
Ed Brady
- Ship's Officer
- (बिना क्रेडिट के)
Olin Francis
- Barfly
- (बिना क्रेडिट के)
Carl M. Leviness
- Hotel Clerk
- (बिना क्रेडिट के)
Clyde McClary
- Barfly
- (बिना क्रेडिट के)
Frank Moran
- Bartender
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
This is a very old movie, I think from just after films started having sound in them. Some of the acting could be better but they were probably silent movie actors just moving into having to do talking roles, or just new to doing films in general. The story is fine and the performances too. Not super engaging or a great film but better than a lot of older movies, especially ones this old.
A showgirl finds herself romantically torn between a daring pilot and a mining engineer. It's hardly surprising that Arline Judge never really made a name for herself if her weak performance here is anything to go by, and she isn't helped by the inconsequential quality of the material here. Former Mack Sennett bathing beauty Juanita Henson, presumably in the period between her cocaine and morphine addictions, stands out as the brassy, bullying leader of a dance troupe, and a youngish Walter Brennan appears in a couple of scenes as a gormless waiter. Sadly, these two provide the only scenes worth watching.
A gaggle of seasoned showgirls board a luxury liner bound for jobs in Panama and the "newbie" among them falls for one of the passengers but it's a rocky road to love for a good girl stranded in the tropics...
SENSATION HUNTERS isn't as cheap as later Monogram features but the only "sensation" I saw was in the film's provocative poster -unless, of course, you're wild about clichés. The eclectic cast was the selling point for me and I wasn't disappointed; sassy Arline Judge (the lady in red on the poster) as a wise-cracking, thrice-married cabaret entertainer ("a sailor's delight") was the nominal star but she played second fiddle to the heroine (the boring Marion Burns) and was no less of a firecracker off-screen, having been married eight times. Cocaine addiction ruined the career of silent screen serial queen Juanita Hansen and according to "Hollywood Babylon", she later got religion and went on cross-country bible-thumping tours denouncing drugs. She must have gotten over that because here she is in this as a blowzy "Texas Guinan"- type and, like fellow Mack Sennett bathing beauty Marie Prevost, she'd packed on a few pounds by the time talkies took over. There's even a couple of cheesy song & dance routines as Preston Foster, Kenneth MacKenna, and Walter Brennan (as a stuttering waiter) look on agog. Directed by Charles Vidor who'd later become a house director for Columbia, the little studio that could.
SENSATION HUNTERS isn't as cheap as later Monogram features but the only "sensation" I saw was in the film's provocative poster -unless, of course, you're wild about clichés. The eclectic cast was the selling point for me and I wasn't disappointed; sassy Arline Judge (the lady in red on the poster) as a wise-cracking, thrice-married cabaret entertainer ("a sailor's delight") was the nominal star but she played second fiddle to the heroine (the boring Marion Burns) and was no less of a firecracker off-screen, having been married eight times. Cocaine addiction ruined the career of silent screen serial queen Juanita Hansen and according to "Hollywood Babylon", she later got religion and went on cross-country bible-thumping tours denouncing drugs. She must have gotten over that because here she is in this as a blowzy "Texas Guinan"- type and, like fellow Mack Sennett bathing beauty Marie Prevost, she'd packed on a few pounds by the time talkies took over. There's even a couple of cheesy song & dance routines as Preston Foster, Kenneth MacKenna, and Walter Brennan (as a stuttering waiter) look on agog. Directed by Charles Vidor who'd later become a house director for Columbia, the little studio that could.
Older movies often center on manners. What some call melodrama, in this case, is 1930's survival. There is no Russian Bolshevik to save the day, which leaves people catting around looking for their place in the world. Women would join a low rent musical troupe to try for success or a husband. There are some comments on relative status aboard the ship on which the movie starts. The men are scrounging for work & wives.
I enjoy the movies & plays in which manners & human behavior are important. This is missed in modern super-hero epics that are contests of super-powers. If you wish an old-fashioned contest of manners, then you should enjoy this film. It might remind you of 'A Farewell to Arms' (1932) with Gary Cooper.
I enjoy the movies & plays in which manners & human behavior are important. This is missed in modern super-hero epics that are contests of super-powers. If you wish an old-fashioned contest of manners, then you should enjoy this film. It might remind you of 'A Farewell to Arms' (1932) with Gary Cooper.
Because it was Charles Vidor's first credited feature, and because it was a pre-Code flick, I was hoping to see something astonishing. I didn't, but I found it a fine pre-Code.
Marion Burns is on her first steps in what she imagines to be a career in the performing arts -- all she has been in before is college shows. She has gotten a job as a singer in Juanita Hansen's troupe, on their way to Panama, where she quickly makes friends with her room mate, cynical old hand Arline Judge, and begins a budding romance with upright Preston Foster, whose mine is somewhere around there. She soon discovers that the troupe is not called on just to entertain on stage; they're there to get the customers to buy drinks, and Hansen is an old buzzard. Gradually things go downhill...
Although Burns is the central character, it's Arline Judge who has the standout role: pugnacious, profane, liable to marry anything with tattoos, and waiting for her first husband to show up again, she's a three-ring circus on her own. It's a lively movie and a lot of fun.
Marion Burns is on her first steps in what she imagines to be a career in the performing arts -- all she has been in before is college shows. She has gotten a job as a singer in Juanita Hansen's troupe, on their way to Panama, where she quickly makes friends with her room mate, cynical old hand Arline Judge, and begins a budding romance with upright Preston Foster, whose mine is somewhere around there. She soon discovers that the troupe is not called on just to entertain on stage; they're there to get the customers to buy drinks, and Hansen is an old buzzard. Gradually things go downhill...
Although Burns is the central character, it's Arline Judge who has the standout role: pugnacious, profane, liable to marry anything with tattoos, and waiting for her first husband to show up again, she's a three-ring circus on her own. It's a lively movie and a lot of fun.
क्या आपको पता है
- ट्रिवियाFinal film of Juanita Hansen. NOTE: It was her only talkie.
- गूफ़When Tom and Dale meet in the hotel lobby, she is carrying a stack of clothes boxes. In the longer shots, a white box is on top, but in the close shots, the white box is sandwiched between two dark boxes.
- भाव
Jerry Royal: You can't make a silk purse out of a horse's... neck.
- कनेक्शनReferenced in That's Sexploitation! (2013)
- साउंडट्रैकIf It Ain't One Man
Written by Bernie Grossman and Harold Lewis (as C. Harold Lewis)
Sung and Danced by Arline Judge and chorus
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 13 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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