Here Comes the Navy

Here Comes the Navy (1934)

** 1/2 (out of 4)

Standard action from Warner about a cocky loudmouth (James Cagney) who joins the Navy so that he can get even with a Captain (Pat O'Brien) but Cagney ends up falling in love with his sister (Gloria Stuart). This film starts off with a great bang but as the movie goes along things become quite predictable and rather flat. The first part of the movie is great with a lot of fighting and insults being thrown by Cagney. Needless to say Cagney is very energetic and delivers another fine performance. His relationship with Stuart is also handled very well as the two actors have a lot of chemistry together. O'Brien is in good form as well and he and Cagney do their magic unlike any other duo. The biggest problem comes in the middle where the story pretty much gets weighted down by the familiar bit where the cocky Cagney must learn what it means to be a normal human being and shut his mouth up before it gets him in real trouble. The action scene at the end is very nice as is the funny ending. The most shocking scene comes when Cagney sneaks off the boat in blackface.

Cagney was great as a stubborn smart aleck, and that is what the James Cagney had a great manner of getting the girl, whether it be Bette Davis in THE BRIDE CAME C.O.D. (1941) or Gloria Stuart in HERE COMES THE NAVY (1934).

In HERE COMES THE NAVY, Chesty O'Conner (Cagney) joins the navy simply to have a shot at a rematch brawl with naval officer Biff Martin (Pat O'Brien). On board, he wants to take O'Brien's girl who turns out to be his sister (Stuart). He befriends Droopy Mullins, a sidekick type splendidly played by Frank McHugh.

This was a delightful film, a must for fans of Cagney's humor. And for navy buffs who like to note the service between the world wars, as the Department of the Navy is cited as cooperating in this film.

Oh, and my wife reminds me to point out that there is a blimp in this picture. It is dated to that extent, but its themes and comedy are always applicable. (The blackface scene being the notable exception, but as such attitudes were very present in yesterday's Hollywood, we must bit our lips and let them pass. In this film, the actual African American characters look at Cagney in blackface as if he were goofy. They, too, let it pass.)

Besides James Cagney and Pat O'Brien, there's also beautiful Gloria Stuart (63 years before her triumphant return to the screen in Titanic (1997)) as the love interest, and Frank McHugh providing comedy centered around his mother's false teeth. In a fight over a girl with Navy man O'Brien, Cagney is knocked out when his girl distracts him. And when O'Brien later steals his girl, Cagney is so angry he joins the Navy with the hope of getting even. Talk about holding grudges! After 3 months of basic training (shot on location at the Naval Training Station in San Diego, California), Cagney is assigned to the battleship U.S.S. Arizona, the ship O'Brien is on. The Navy allowed location shooting on the actual ship, which is the same one sunk at Pearl Harbor and is now in the harbor as a memorial. It's an impressive ship with unbelievable firepower and we see the big guns being loaded and fired in maneuvers. Meanwhile, Cagney had met and wooed Stuart, but she turned out to be O'Brien's sister! And O'Brien caused a rift, another reason for Cagney to get even with him. Because of a bad attitude problem, Cagney eventually is transferred to the dirigible U.S.S. Macon at Sunnyvale, California. Again, the actual airship is used and it is an awesome sight as it is pulled out of its hangar, dwarfing everything in view. As luck (and the script) would have it, the ship tries to land in windy weather but aborts, with O'Brien hanging on to a mooring line as it gains altitude. Cagney disobeys orders and climbs down the rope with a parachute to try to save the man he doesn't yet know is O'Brien.

Metal worker James Cagney is humiliated by naval officer Pat O'Brien. So he joins the Navy to get even with him. Naturally. Then he falls in love with Pat's sister, only he doesn't know it's Pat's sister. Their romance may be short-lived, however, because Jimmy and Pat can't stand one another.

Cagney and O'Brien made a lot of these types of movies. This was the first and one of the best. Usually Jimmy's the cocky jerk and Pat's the nice guy. That's sort of the case here, too, but I actually found myself liking Cagney more than O'Brien. He's fun and likable, even if he's not always right. Pat, on the other hand, is a sour puss throughout the movie. Gloria Stuart plays O'Brien's sister who Cagney falls in love with. She's very pretty and does a fine job in a part that requires very little. Historically important for being partially filmed on board the USS Arizona, which was destroyed at Pearl Harbor seven years later. Also some footage of the dirigible USS Macon, which crashed the year after this film was released. It's a fun movie that fans of the stars will certainly enjoy. The climax is implausible but exciting. There is a blackface gag that will set some today back on their heels, so be prepared for that.

Jimmy Cagney is a high metal man who gets into a brawl with Naval Petty Officer Pat O'Brien. In pursuit of his grudge, Cagney joins the Navy, where he is a self-centered guy, but makes friends with Frank McHugh. He also charms Gloria Stuart, who tries to civilize him. She turns out to be O'Brien's sister.

In other words, same old same old when it comes to plot, just the sort of movie that William Haines started in for Metro in the 1920s; Cagney is a low-class guy, although just as cocky as Haines ever was. He's in high-energy mode here, and Naval cooperation gives this one some documentary interest. Cagney, O'Brien and McHugh are assigned to the USS Arizona, and there's ample footage of that ship, now under the waves at Pearl Harbor. Later, Cagney is assigned to the USS Macon, one of the two largest dirigibles commissioned by the Navy. The year after this movie was made, the airship crashed into the Pacific, with the loss of two men.

Although this is pretty much a standard movie, its production values are first-rate, and alloys Bacon gets good performances out of his actors. Arthur Edeson's cinematography and his views of the Macon and her hangar are lovely.