The Big Shakedown

Although this is typical of the low-budget quickies that Warners churned out like hotcakes in the Thirties it offers Bette Davis in her most youthfully appealing "down-to-earth platinum blonde girl" phase. You can find the same character in THREE ON A MATCH, THE GIRL FROM 10TH AVENUE, THE PETRIFIED FOREST and others. She exudes an innocent but intelligent, unaffected femininity that seems to have evaporated by the time she hit her stride with JEZEBEL, so it's good that this phase of her career is preserved - if only to track her evolution as an actress. Note the energy and vitality she injects (perhaps effortlessly) into a supporting role as the girlfriend-wife, stealing every scene she's in - without relying on conventional beauty. It's kind of fun also to see how the scenarists managed to leap from one implausible, contrived plot development to the next - but that's a secondary matter because most of these films were beyond belief. The point was to make a moral point, not to be narratively convincing. The point here being: evil gangsters, beware of the authorities because they'll get you!

Jimmy Morrell (Charles Farrell) and Norma Nelson (Bette Davis) run a local pharmacy. They are getting married and she wants to do bigger business. Meanwhile, gangster Dutch Barnes (Ricardo Cortez) is pushing his brand of beer, but it's been tough going since prohibition ended. Instead, he gets into counterfeiting products with the druggist couple.

This needs a more charismatic gangster to lead. Instead, the big future star is Bette Davis and she doesn't have the flashy central role. This ends up as a passable crime B-movie. That is fine but it's nothing special. It can't elevate beyond its level.

B-movie without an original thought in its script. Naive protagonist used by some crooked hood. Check. Pretty ingénue who stands steadfastly by her man while hoping for domesticity. Check again. Wised up, gum chewing doll who gets double crossed, turns informant and pays a price. You bet. And on and on it goes. You can practically see the conventions of the genre click by as the picture unfolds.

It's not that the movie isn't entertaining if you like the formula but it holds zero surprises. The actors all do their jobs professionally. Charles Farrell, one of the better looking men to ever appear on screen, is earnest and callow in the lead but not very memorable. Ricardo Cortez, Allen Jenkins and many other familiar character actors whose livelihood during these years was playing hoods fill their roles expertly but again their roles are standard stuff. Also nobody could play the flashy moll like Glenda Farrell.

The only thing that makes this different than the hundreds of other programmers churned out by Hollywood during the thirties is the presence of a very young Bette Davis as the ingénue. She looks great in her extreme blondness and exudes her customary confidence on screen but her part is a nothing. It's no wonder she ultimately rebelled against Warners since they continued to stick her in junk like this even after she had attained star billing and an Oscar.

Pharmacist Charles Farrell goes into business with gangster Ricardo Cortez making counterfeit toothpaste and cosmetics. Soon Cortez wants to branch out into making medication, which Farrell isn't happy about. But Farrell wants to marry fiancée Bette Davis and give her financial security. Early Bette flick before she had really developed her style. She's fine but there's not a lot for her to do through most of the picture but worry about her guy. Charles Farrell is OK. Ricardo Cortez is a great bad guy as usual. Nice supporting cast includes Glenda Farrell, Allen Jenkins, and Henry O'Neill. Fun cat fight between Glenda Farrell and Renee Whitney. Exciting climax you will not be able to predict!

Stars a young Bette Davis as Norma, girlfriend to Jimmy (Charles Farrell). Jimmy runs the drugstore that the gangsters want to take over. Jimmy doesn't want to sell, but the gangsters want him to start making cheap knockoffs of major pharma products. what could go wrong? co-stars Glenda Farrell (Lil, and Torchy Blane !) and Ricardo Cortez. and of course, the nasal character actor Allen Jenkins. he was in every single gangster movie made in the 1930s and 1940s... sometimes the good guy, sometimes the bad guy. John Wray would die pretty young at 53, but he made some big films in the 1930s. it's a snapshot of the rough and tumble mobster films of the depression, complete with a chick-fight between the two ladies, Lil and Norma. Directed by John Dillon, his last film; died of a heart attack at 49. From First National. He had also directed the 1930 version of Kismet. Shakedown is pretty good.. some huge hollywood names in the early days of talkies. It's in great condition, considering it's from 1934; it must have been restored.