Beggars in Ermine

It starts out with Lionel Atwill the co-owner of a steel mill where he eats lunchbox meals with the puddlers. Partner Jameson Thomas steals his wife and tries to have Atwill killed, but 'only' cripples him. He wanders the country in a wheelchair, and with the help of blind accordionist Henry B. Walthall, organizes the handicapped beggars into a huge self-help organization, to take over his company and gain his revenge.

It's a fine performance by Atwill, and a beautiful print to watch it on. There are several peculiarities about the film that make me think that the novel it was based on, by Esther Lynd Day, was far more polemical than the movie, and that extensive swaths and subplots were trimmed by editor Jack Ogilvie. Instead, we have sequences of motionlessness centered around Atwill that made me stare.... but from which I could garner nothing.

Even so, the essentially bizarre story kept me interested through the end, as did Atwill's calm and thoughtful performance. Plus any chance to see Walthall in a significant role is a treat for me. With Betty Furness, Astrid Allwyn, and a clean-shaven Gabby Hayes with his teeth in.

I guess one of the reasons I liked this film so much was because my expectations were so incredibly low. After all, this film was made by a "Poverty Row" studio I'd never heard of and the movie has slipped into the public domain. Plus, while I like the star, Lionel Atwill, he had a habit of making films for crap studios. Fortunately, I was wrong and I thoroughly enjoyed the movie...even if the plot is a tiny bit tough to believe.

The film starts off with Atwill playing a tycoon who owns a very successful steel mill. He's an interesting boss, as he often goes to work with the men in the mill! I thought this was an interesting idea but it didn't work all that well for one major reason--Atwill's erudite presence just made it very, very hard to believe him working in a steel mill! But, despite this, the plot became very interesting very quickly. It seems that a corporation wanted to buy up his mill but Atwill had no interest in selling. So, to force the sale, the leader of some horrible schemers did some outrageously evil things. First, he instigated an accident in the mill where Atwill was almost killed. In fact, his legs were burned off by molten steel deliberately poured on him!! He spent the next several months in the hospital--during which time, the evil plan grew. First, they convinced him to give his power of attorney to his "loving wife"--who then sold the mill! Then, she ran off to Europe with all the funds--leaving Atwill poor and without the business! Later, however, Atwill is able to recreate his fortune in a very unique way--he forms a union, of sorts, with the handicapped beggars on the street (much more common in the 1930s than today, thank God). He helped them find gainful employment, invested their earnings, got them health and retirement plans--and made a wonderful life for these marginally employable men. Why he did this was partly because he was a nice person and part of this was so that he could rebuild his fortune and regain his old factory. The plan would take many, many years and there were some nice twists along the way, but by the end of the film, he has his confrontation with his arch-enemy--the man who did so much to orchestrate his ruin.

Overall, the film has a truly unique plot that kept me guessing. While you'd think it would simply be a tale of betrayal and revenge, it was so much more. It also is one of the better early depictions of the handicapped as having so much more to offer society and themselves. And, to top it all off, the acting was very good--especially Atwill and his friend, played by Henry Walthall. A nice little hidden gem.

By the way, a 9 seems like a high score, but I am comparing it to other B-films. Compared to the rest, this is definitely a standout--one that got me thinking well after the film ended.

Unbelievable plot, Beggars that invest in hedge funds. But I enjoy the simplicity of the stock market, the characters are also simple but you don't care too much about that, because you're inside a story thats goes around different dramatics situations to finalize with a happy ending. Only for lovers of the 30's the golden age of hollywood.

John 'Flint' Dawson (Lionel Atwill) was delivered one of the worst two-piece combinations you could possibly get. He lost his legs in an industrial accident, then while he was in recovery he lost his wife, his daughter, and all of his money to the same guy! That would make me want to do one of two things: commit suicide or go on a killing spree.

John was a better man than me.

John Dawson was the general manager of a steel mill and he also had a controlling interest in it. The man who ruined his life was James 'Jim' Marley (Jameson Thomas). He wanted Flint Dawson's company, and his wife was a necessary tool to get it.

Dawson never knew what hit him. He was crippled and broke within the blink of an eye. He resorted to panhandling like so many other disabled men. But, being the resourceful man he was, Dawson united thousands of unemployed cripple men to make a consortium to benefit all of them. It was either the new chapter in his life or his attempts to close an old chapter.

"Beggars in Ermine" was decent. It had enough going on to keep me attentive and invested in the ending. Based upon some of the things that occurred in the movie, If this same movie was made today, it would be about meme stocks. And who wasn't at least curious about the success of meme stocks?

Free on Odnoklassniki.

"Beggars in Ermine" is a very melodramatic and rather uneven story of retribution. There are some moments that are uplifting or at least interesting, but there are other times when it is excruciatingly implausible.

John "Flint" Dawson (Lionel Atwill) is a steel mill owner who believes in old-fashioned virtues. He cares about his employees, and has a plan to ensure a bright future for them and the mill. But one of his executives, James Marley (Jameson Thomas), has a different and sinister plan. In one quick series of events at the beginning of the film, Marley leaves Dawson's life in ruins and takes over the mill. For the rest of the movie, Dawson assumes a new identity as a beggar, and organizes his fellow beggars with the goal of eventually getting revenge on Marley. Much of what happens next has little believability, but there are some good moments.

Most of the cast is adequate, and besides the melodrama there are some good shots of the steel mill. There is a pretty good opening sequence that effectively establishes the feel of being in the mill as steel is being made. It does, however, lead the viewer to expect a serious drama, rather than the exaggerated story that follows.

While not believable enough to be effective as social commentary, this film might still have enough to be of interest to viewers who really enjoy good-versus-evil melodramas.