Swamp Water

A swamp that is widely perceived by all the locals as impenetrable offers refuge to a convicted murderer who has been hiding out there for years and has learned its lessons well enough to actually get by quite well. Fear of the swamp and its cottonmouths and alligators is enough to keep any civilized person out, but when a hunter's dog jumps out of his canoe and gets lost in this swamp, its the love he (Dana Andrews) has for his dog that draws him deeper into the swamp and sets up the meeting with fugitive Walter Brennan. It turns out the swamp isn't so bad after all, as Andrews and Brennan team up to collect a valuable set of furs from the animals they've trapped. Back in the town the truth of the murder for which Brennan faces hanging emerges in a very well told story. Jean Renoir was able to bring the town into the swamp or vice versa in this beautifully filmed movie. For sure the best actor awards go to Walter Huston who plays Dana Andrews father, and whose second wife is being courted by another great, John Carradine. The primordial beauty of the swamp makes a nice contrast to the dramatic backwoods small town swamp of this slice of America.

While participating in a posse to hunt down the fugitive Tom Keefer (Walter Brennan), who is accused of murdering a local inhabitant, the young Ben Ragan (Dana Andrews) loses his dog Trouble in the Okefenokee Swamp in Georgia. He returns to the swamp to seek his dog out but he is captured by Tom. Soon he learns that Tom Keeler is innocent and has a daughter, Julie (Anne Baxter), who is raised by the local merchant Marty McCord (Russell Simpson). Ben has an argument with his father Thursday Ragan (Walter Huston) and he moves to a shanty that belongs to Marty. Then he associate to Tom Keeler to hunt animals in the swamp and he shares the profit of selling furs with Julie. Soon they fall in love with each other. One day, Ben witnesses Bud Dorson (Guinn Williams) and his brother Tim Dorson (Ward Bond) stealing Marty's pigs. There is a meeting in the village with Sheriff Jeb McKane (Eugene Palette) to find the thief and Ben's ex-girlfriend Mabel MacKenzie (Virginia Gilmore) is jealous of Ben and accuses Tom Keefer. The sheriff organizes a search party to hunt Tom down, but Ben presses Jesse Wick (John Carradine), who is harassing his stepmother Hannah (Mary Howard), and he finds who the real killers are. He wants Tom to return to the village, but Tom suspects that Ben might intend to betray him.

"Swamp Water" is an entertaining and dramatic adventure. The locations and the camera work in the swamp are impressive. The choreography of the fight and the quick sand in the swamp "swallowing" the criminal are very realistic. The direction of Jean Renoir and the cinematography are amazing. My vote is seven.

Title (Brazil): "O Segredo do Pântano" ("The Secret of the Swamp")

Considering that Hollywood's view of the South consisted of films like "L'il Abner" and "Swing Your Lady" during this era, the fact that "Swamp Water" turned out so good is a bit of a surprise. What's even more surprising is that this film about the Okefenokee Swamp in Georgia was directed by a Frenchman, Jean Renoir.

The film is set along the edges of the swamp. Apparently the locals all are a bit afraid of going into the treacherous swamp and if they do, it's only in groups. Considering all the gators and snakes, it's easy to see why they avoid it! However, when Dana Andrews' dog gets lost there, he ventures into the swamp alone. Instead of dying or never finding his way back, he meets up with a wanted man (Walter Brennan). Despite Brennan being wanted for murder for the last five years, it soon becomes apparent he's too nice a guy to have killed anyone--and Andrews agrees to keep his whereabouts secret and become his partner in the fur trapping trade.

In addition to this major plot thread, several other seemingly divergent plot elements occur during the course of the film--and by the end they all come together. First, Andrews' mother has been allowing an old boyfriend (John Carradine) to spend time at the house when her older husband (Walter Huston) is gone on hunting trips. While she rebuffs Carradine's advances, you wonder why she doesn't tell him to leave---so it's obvious she' ambivalent about this. When the husband finds out she's been with another man, things get tense--but he has no idea who the man was. And, there is another plot involving two rough and nasty brothers (Ward Bond and Guinn Williams) who just seem to be up to no good! Finally, there is a blossoming love between Brennan's daughter (Anne Baxter) and Andrews.

So why did I like the film? Well, I appreciated how although the actors approximated accents of the locale, it was NOT exaggerated and the people were not made out to be a bunch of ignorant yokels. While I am sure the film would not be one recommended by the Georgia Department of Tourism, the film clearly is not offensive or overdone. The acting is good, the complex plot involving and interesting. While not exactly a great film, it did have some nice tense moments and was quite enjoyable.

By the way, despite the nice Midwest sort of 'perfect' accent, Dana Andrews was Mississippi-born! Interesting.

I'm not really familiar with Renoir's movies: I watched "The Woman on the Beach" a number of years ago and enjoyed it for Robert Ryan's performance, and its unusual plot and characters (especially Charles Bickford as the blind artist.) Unlike others, my appreciation of "Swamp Water" was not affected by its comparison to other films by the great French director. I came across "Swamp Water" online and, not knowing anything about it, initially thought it was either a horror movie or one of those cornpone looks at the "poor ole souls" of the deep South. The film's credits lifted my spirits, and assured me that I was in for a surprise. And I was. I love this movie: the cinematography, the subtle characterizations, the dialogue (especially Brennan's cosmic musings.) Dana Andrews (never my favorite actor, always to me a poor man's Robert Ryan) is superb, Walter Brennan, as usual, transcendent, the women complex and not condescended to, and the array of familiar character actors round out the cast with their usual more than competent contributions. Swamp Water has a psychological and emotional complexity unusual for such a simply plotted film, and its haunting evocation of the mysterious region in which it is set assures it will remain one of my favorites.

Only viewed this movie once,when as an eleven year old , it first opened. I still recall the scene where Julie scurried away through the barn to hide from Andrews. Clawing like a black cat (with her raven hair matted as if it were a Brillo Pad.) I instantly fell head over heels in love with that gruff looking girl.

The fight scene , the cottonmouth attack still looms large in my memory. I'm 76 now, but would love to see it twenty more times and hark back to those innocent days, when a nickle candy bar could be bought for five cents .

Excellent movie (Also loved The Southerner)