Parachute Jumper

This pre-code movie stars Douglas Fairbanks Jr. and Bette Davis as two victims of the Depression. It starts out with Bill (Fairbanks) and Toodles (Frank McHugh) being thrown out of the military for gallivanting with women when they should have been reporting back to a base. It is the wrong time to be discharged though; it is very hard to find work even as ex-pilots. Bill meets up with a beautiful stenographer named Patricia (Bette Davis) and the group teams up to find work and take care of each other. Slowly, they get involved in seedier and seedier jobs as their stomachs rumble and find themselves entangled in a dope ring.

A clip from this film was used in Whatever Happened to Baby Jane? to show off "Jane's" bad acting, but Davis does well in this movie. She's great at delivering snappy lines and proving that you don't have to be dumb to be beautiful. Fairbanks is the same way, nice to look at but good to listen to as well. McHugh adds flair to the film with his distinct personality which makes him perfect for the best friend part.

This film is fast paced and enjoyable, perfect for a slow day.

This pre-Code film is as all over the map as Bette Davis's awful attempt at a southern accent. It has elements of comedy, romance, aerial stunt work, and the cynical disillusionment that sprung from the Depression. While far from perfect in any of those areas, there's a certain appeal to the grab bag Alfred E. Green packed in to 72 minutes, and I have to say, it never got boring.

If you hadn't seen the release date and were wondering if the film was pre-Code or not, that's put to rest in the very first shot, an extended close-up of a "Nicaraguan" woman's butt swinging back and forth to tropical music. Despite Davis's character remaining "respectable" after she begins living with her male friends (Douglas Fairbanks Jr. And Frank McHugh), there are some other fun little pre-Code bits sprinkled in, including some random things like a toilet flush and a middle finger being extended. My favorite was a rich lady (Claire Dodd) having her new chauffeur (Fairbanks) turn around once more so that she can unabashedly ogle him up and down.

The other high point for me was the way disillusionment over the time period crept in to the script, but never kept the film from playing as light entertainment. The young couple steal a wrapped-up fish from an alley cat, and condiments from a diner. She resorts to flirting to get a job, likening what she said as no more meaningful than promises politicians make. Behind the closed door of the office of the Society for Enforcement of Prohibition, we find a guy drinking. Lastly, we get this exchange between Fairbanks and a prospective employer, morals going out the window out of necessity:

"Do you care what you do?" "If I get paid, I work." "Do you object to cracking, or I should say, denting the law a little here and there?" "What law?" "The one we all laugh at."

Unfortunately, for all of these little bits and some interesting biplane stunts, the film as a whole doesn't come together. Perhaps the biggest issue was that Davis's character wasn't given a lot of sizzle to her personality, and the romance with Fairbanks felt a little tacked on. It's also one of the worst performances I think I've seen from her, and I love her older films, like Three on a Match (1932) and Ex-Lady (1933). Aside from the accent, she seems unsteady, and at one point even flubs a line, saying "typewriter massages" instead of "typewriter messages." Meanwhile, the plot meanders randomly, and not enough is made out of the entanglement with organized crime to be completely satisfying. An interesting curio though.

I agree with the other reviewer, but there's more to this movie than Doug Fairbanks. John Francis Larkin's script shines with realistic characters and great one-liners. When Fairbanks approaches the destitute, sleeping Bette Davis on the couch in his flat in the middle of the night for sex, she wakes and screams angrily "I might have known this would happen" in defense of her chastity.

For an inexpensive movie, the stunts are great: the airwork is astounding, even though there's a cheating cut-away to work around the sheer impossibility of jumping between two extremely unstable biplanes. Then later there's an amazing shot of a parachuter on the train tracks that's a real stunner.

Sure the story's routine, but Frank McHugh's voice when he sings an old Irish ballad is authentic and comely. Leo Carillo (Hey Pancho! Hey Cisco!) plays the head gangster with style, and Davis is wonderful as always. This is definitely one of director Alfred Green's best efforts and well worth your time.

Parachute Jumper (1933)

*** (out of 4)

Fun pre-code from Vitaphone about pilot/friends Bill (Douglas Fairbanks, Jr.) and Toodles (Frank McHugh) who finds work hard to come by once they're back in the real world. They take in a woman (Bette Davis) also in a bad situation but all three eventually find work for a businessman who just happens to be bringing illegal alcohol into the States via planes. PARACHUTE JUMPER is everything you'd want from a "B" movie of this era. It features some laughs, some romance and some great action scenes. It contains a wonderful cast. It also has some amazing stunt work that can only be found in films of this era. Best of all are some pre-code moments including the highlight of the film when McHugh is trying to hitchhike by the guy doesn't stop so McHugh just stands there giving him the middle finger!!! This is certainly a film that classic movie fans are going to love for all of these reasons. It runs a very fast-paced 71-minutes and there's really no downtime to be found because everything is just happening so fast. Fairbanks, Jr. and McHugh are both in fine form delivering the type of performances that you'd expect. Davis also gets to play a sweet Southern lady but also brings out some fire at times. The supporting players include a nice, sexy role for Claire Dodd and Leo Carrillo plays the gangster. Some of the best moments happen early on during some very dangerous stunt work where a man has to climb on the wing of one plane and then walk onto the wings of another. Even today these scenes make you hold your breathe. PARACHUTE JUMPER has pretty much been forgotten over the years but fans of the "Golden Age" pre-code should enjoy it.

About two ex-Marine pilots, Bill and Toodles (Douglas Fairbanks Jr. and Frank McHugh), who move into a small apartment together in New York City but can't seem to find work. Bill soon meets up with a blonde in the park by the name of "Alabama" (Bette Davis), and, believe it or not, she agrees to move in with him after one lunch out together where they bond as they steal a bottle of ketchup and sundries from the café, and then steal a fish from a cat. Bill and Toodles end up sleeping head to foot in the same bed, while Alabama settles in on the couch. Bill soon starts earning dough for the trio, first by making a $75 parachute jump (right above the railroad tracks!), then becoming chauffeur for a wealthy blonde who picks her chauffeur by his physique rather than driving ability, and then he ends up as bodyguard/lackey for a mobster who "imports" booze and dope from Canada.

This film is pretty so-so, it sorts of switches gear from one thing to the next and just doesn't really seem to know what direction it wants to go in - just when you think the story is going one way, that ends, and on to something else. Even the title "Parachute Jumper" seems a bit odd, considering the parachute jumping is not the main focus of this film. Bette Davis is very cute in this, with platinum blonde hair and sassy Southern accent, she's very fun to watch and saves the film from being a complete bomb. Doug Fairbanks Jr. is just sort of bland throughout.