Girl Missing

Glenda Farrell is a delight as Torch Blane in that series. Here we have more of a hybrid:

This starts out as a light-hearted comedy dedicated strictly to the fine art of gold-digging.

When it eases into the mystery suggested by the title, Glenda keeps pace beautifully and the movie keeps its rhythm.

A real pleasure!

I've become very aware of the fast talking in early films since a high school class saw a screwball comedy from the '30s and couldn't understand anything because the people were talking too fast. Wow.

Girl Missing from 1933 stars Glenda Farrell, Mary Brian, Lyle Talbot, Guy Kibbee, Ben Lyon, and Peggy Shannon.

Farrell and Brian play Kay and June, two chorus girls who have glommed onto a rich guy (KIbbee) and are leading him on, all the while living it up in Florida. He finally gets sick of June having a headache and takes off, leaving the women with a $700 hotel bill.

Fortunately, an old friend (Talbot) comes through and pays their bill. He also buys them tickets so they can go home. However, they miss the train and have to stay an extra night.

Then they find out that another golddigging chorus girl, Daisy (Peggy Shannon) newly married to a rich man, Henry Gibson (Lyon) has disappeared. Her new husband is offering a $25,000 reward for anyone who can find her. Kay decides they're staying put.

This film moves like lightning, with Glenda Farrell saying probably pages of dialogue in seconds. It seems from the story that Kay is the one trying to fix June up with a wealthy man. Farrell is only two years older and an attractive blond, so I did wonder why she wasn't looking to score herself.

Very much a Warners Brothers film, with the two women deftly solving the mystery of Daisy's disappearance and a murder besides. Always fun, always fast.

Kay (Glenda Farrell) and June (Mary Brian) have gotten away from the chorus line in New York and are living it up in a posh Palm Beach hotel, but the price is leading on elderly wealthy Kenneth Van Deusen (Guy Kibbee), and hoping he will just continue to be led with no sexual payoff. He gets tired of the routine and leaves the girls owing a 700 hotel bill. Their solution is to find another wealthy guy, but this time the guy (Ben Lyon as Henry Gibson) is engaged. And he is engaged to somebody they both knew in the chorus line (Peggy Shannon as Daisy), but who snubs them by saying she doesn't know them. The girls have their problems solved when an old friend (Lyle Talbot as Raymond Fox) offers not only to pay their hotel bill but pay their train fare back to New York.

When Kay and June miss their train and have to stay an extra night, they hear on the radio the next morning that newlywed Daisy is a "girl missing". Gibson, her new husband, is offering 25000 as a reward for returning her, and Kay and June decide to stick around and solve the mystery. There is a car chase along a seacoast highway, a dead body found on a bench, and a note with a dagger through it saying "you are next".

This thing is pure rat a tat action and precode one liners , largely powered by brassy Glenda Farrell who really carries the weight of the energy of this thing. Kibbee is great in his small role as the frustrated wannabe lover. Edward Ellis is memorable as the very skeptical police inspector. Watch this one if you are in the mood for some precode goodness Warner Brothers style.

Girl Missing (1933)

** 1/2 (out of 4)

Robert Florey directed this fast-paced Warner mystery about a couple chorus girls (Glenda Farrell, Mary Brian) who are ditched in Palm Springs after their sugar daddy (Guy Kibbee) leaves them there. They hear about a former friend who has snagged a millionaire (Ben Lyon) but after she goes missing on her honeymoon the girls decide to do their own investigating. GIRL MISSING certainly isn't going to be mistaken for a classic but there's no doubt that the cast is attractive and it all leads up to a pretty good ending. I think the best thing the film has going for it is the cast all of whom fit their roles quite nicely. Farrell and Brian are certainly the strong points as the two work perfectly well together and they know had to throw things back and forth and they really help keep the film moving. The two of them have some nice comic timing and there's no question that they take their parts and rise them a few notches. Lyon is also good in his role as the husband who might have something to hide and we also have Lyle Talbot playing a man who helps the girls out. Kibbee appears at the very start of the film in just a five-minute sequence but he's certainly memorable in the funny bit of a man who wants to "make love" for spending money on the ladies. The opening few scenes contain quite a bit of pre-code comedy aimed at money for sex, which is certainly fun when viewed today. The film has quite a few small issues including the fact that the comedy usually doesn't work. There are some supporting characters who are constantly arguing and this here never gets the laughs. There are also some minor bits with a dimwitted detective that really doesn't work either. With that said, fans of "B" mysteries should enjoy this one as it goes by at a quick pace and there's no doubt that the cast is attractive.

When Ben Lyon's bride is kidnapped from their Palm Beach hotel, stranded chorines Glenda Farrell and Mary Bryan find themselves mixed up as witnesses, suspects, and crime-crackers.

For a Warner Brothers quickie that clocks in at 69 minutes, this one has a surprisingly leisurely set-up, taking the first 25 minutes to paint the resort as populated by gold diggers, operators and rich marks. This is made possible by casting Miss Farrell, who could recite all of Hamlet in 27 minutes, but also the efficient story-telling at Warners in this period. It's not a topnotch script, but director Robert Florey keeps things humming along, with a few dutch angles and cheesecake shots to keep the intellectuals and lechers happy.