The Pleasure Garden

At the age of 25, Alfred Hitchcock, who had been an assistant director to Michael Balcon, was given the chance to direct his first film, which was of course silent. It is very good and showed at once that he had talent. Assistant director on the film was a girl named Alma Reville, who was to become Hitchcock's wife and lifelong partner in all of his film projects. The film is based on a popular novel by 'Oliver Sandys', which was the pen name of a woman whose real name was Marguerite Jarvis, and who in this same year appeared as an actress under the name of Marguerite Evans in the comedy film STAGESTRUCK, with Gloria Swanson. The title of this film is the name of a music hall in London, where two girls are in the chorus together, and share a room in Brixton. The melodrama concerns the adventures of their lives and respective fates. The film was shot at Babelsburg Studios in Germany and had an international cast. The American actress Virginia Valli plays Patsy, the good girl of the two. And Jill, the girl who goes to the bad, is played by another American actress, Carmelita Geraghty. The German actor Karl Falkenberg plays the unpleasant and sinister Prince Ivan, who leads Jill astray. Falkenberg acted in 100 films between 1916 and 1936, after which he disappears from history. Probably he was Jewish, was banned from the screen by the Nazis, and then sent to a death camp. Possibly the best performance in the film is by British actor Miles Mander, who outdid Falkenberg by appearing in 107 films, between 1920 and 1947, including WUTHERING HEIGHTS (1939). In this film he plays a cad who married Patsy and then betrays her with a mistress and goes to pieces with drink and decadence. He delivers a very finely judged performance, and does not overact. Carmelita Geraghty is very convincing in her downward spiral into immorality, selfishness, and selling herself for fame and fortune. The film is not particularly creaky with age, and is well worth seeing.

The Pleasure Garden is the first film that Alfred Hitchcock directed to completion. It's a nice look into the earliest directorial thoughts and techniques of the master. Even in this earliest film, we can see signs of what would become some of his signature trademarks. I enjoyed some of the point of view shots early in the film with the blurred view of the man looking through his monocle as well as the gentleman looking through the binoculars at the show girls legs. There is also a spiral staircase in the opening of this movie. Not that it was used like the staircase in Vertigo, but it made me smile thinking of how important that would be in his later film. The story deals with the idea of infidelity. Jill (Carmelita Geraghty) is an aspiring dancer who gets engaged to Hugh (John Stuart) who has to leave for work overseas. Patsy (Virginia Valli), who has helped Jill get her start, starts to worry about Jill keeping her promise to wait for Hugh. Jill's career is taking off and she begins to fool around with other guys. Patsy marries Levett (Miles Mander), Hugh's friend who also goes overseas to work with Hugh. Unlike Jill, Patsy remains true to her husband, thinking only of being with him. She receives a letter that her husband has taken ill and scrapes up the money to go be with her husband in his time of need. When she arrives, she finds that he has taken to drinking and island women. That's when the trouble ensues. I enjoyed Hitch's first film. It's a little slow starting, but picks up pace as it goes along. I liked seeing Cuddles, the dog, thrown in for a little comic relief to contrast the seriousness of the film, which of course is another of Hitchcock's trademarks. There was also a nice, subtle score by Lee Erwin, that fit the film well.

*** (Out of 4)

This is a moral tale of a couple of women, one good and the other lost in her own self- importance. It's also about two men who find themselves on the opposite side of fence as well. One is a kind, caring guy and the other a selfish womanizing cad. The first part of the show is about how two women in a chorus line evolve. One knows she has it and immediately demands the attention of everyone. She has been embraced by her friend who has been in the chorus for a while, but one she gains popularity, she has no time for the other woman. A marriage of convenience takes place and things really unravel. Also, the young starlet begins to realize that all her attention can't seem to make her happy. Things get kind of weird when the cad ends up in some island paradise with a native cookie whom he uses in every way possible. There are some really ridiculous confrontations and overacting by the principles. Everything gets wrapped up kind of neatly. Hitchcock was obviously learning the camera. I disagree with a previous comment about a monkey hanging around a film set being able to come up with this film. There are already hints of a style coming to the fore. It's too bad a couple of other first efforts have been lost to the inevitable decomposition of film (or simply lost).

I was quite pleasantly surprised by this film. It's true that little of the Hitchcock we've come to love comes through but there are quite a few touches at that and all of them work. The travel scenes at Lake Como and somewhere in the South Sea work very well indeed and there's precious little in this film that doesn't contribute meaningfully to the movie. I would agree with one reviewer that Cuddles the dog gives some of the scenes humor. The transformation of two of the characters for the worst is loud and clear and the plot is not only crystal clear but quite effective. I'm glad to say I've seen this one - my last of all the Hitchcocks! Curtis Stotlar

This film is alright. It's definitely not one of Hitchcock's best, but it's not bad. The score isn't as annoying as other silent movie scores that drone the same chords over and over. It's pretty entertaining, the humour works well some of the same.