The Guilty

Jake Gyllenhaal once again proves how good of an actor he is, especially a character actor. He plays this role, Joe Baylor, a 911 phone operator with such intensity has he battles inner struggles alongside the torment of an abduction. For me the film isn't as entertaining as it is without Gyllenhaal in the lead role. Others may disagree but this reminded me slightly of his performance in 'Prisoners' in which he plays a detective battling similar demons.

I really enjoy films that take place in one location as it immerses you more into the narrative and I think director Antoine Fuqua (Training Day, The Equalizer) does a very good job in keeping the tension centred around Gyllenhaal's character.

I don't think the writing is anything spectacular, it's really Jake Gyllenhaal's performance as well as some stellar voice acting via the phone calls that carry the film.

It's an enjoyable watch that I had a good time, albeit it wasn't a great film, but it had a great performance from a great actor.

Great.

Greetings again from the darkness. Let's start with this disclosure: the original Danish film from Gustav Moller was one of my top 5 favorite films of 2018. Even then, I fully expected an Americanized version to happen at some point. The surprise is having director Antoine Fuqua (TRAINING DAY, 2001) handle the remake. He's known more for bombast and action, than the nuanced suspense delivered by the original. To offset this, Mr. Fuqua wisely chose the dependable Jake Gyllenhaal as his lead, and the talented Nic Pizzolatto (creator and lead writer of HBO's "True Detective") to adapt the screenplay.

Gyllenhaal never cheats the audience, and he dives into the role with his typical full force commitment. Except for a few blurry visuals of cars on the highway and the dramatic opening shots of the raging California fires, Gyllenhaal's Joe Baylor is on screen for the entire run. He's a detective on desk duty at the 911 call center pending his court case on charges that only become clear towards the end. Joe is also separated from his wife and daughter; a crucial element in how his shift plays out in front of us.

As we listen in on his first few calls, it becomes obvious how Joe's time on the streets have fine-tuned his quick-to-judge persona. He's not shy about telling callers their own choices are responsible for their current predicament. Just as he's about to dismiss his latest caller Emily, his instincts kick in, and he discerns that she's been abducted by her husband in a white van, and fears for her safety. This initial call between Joe and Emily is a work of art, and kicks off the nearly unbearable tension for the rest of the movie and Joe's shift.

Fuqua and Pizzolatto infuse commentary unique to modern day America. The fires are always in the background impacting emergency resources, as well as the air being breathed. Police collusion and abuse of power are also an underlying aspect of what unfolds in front of us. Yet somehow, the film (perhaps accidentally) speaks to the immense pressure faced by law enforcement and how instincts and quick judgments are crucial to assistance and survival. Joe bounces from calm demeanor to explosive overreaction in the blink of an eye - or the beep of an incoming call. We witness how preconceived notions can lead one astray, even if they've worked in the past.

In addition to Gyllenhaal's commendable performance, the film includes terrific voice work (via phone) from such actors as Riley Keough (as Emily), Peter Sarsgaard, Ethan Hawke, Da'Vine Joy Randolph, Christiana Montoya, and Paul Dano. Adrian Martinez and Christina Vidal appear alongside Gyllenhaal in the call center, although the single setting contributes to this being mostly a one-man show.

We understand that Joe Baylor is seeking personal redemption in his all-out pursuit to save Emily, and one line in the film speaks directly to this: "Broken people save broken people." If you haven't seen the original, you are likely to get caught up in the tension, and ask yourself many of the same questions Joe is asking himself at the end. Gyllenhaal previously teamed with director Fuqua in SOUTHPAW (2015), but this crime thriller is something different for both. If you are up to the challenge, watch this version and the original, so that you can compare the contrasting approaches.

Streaming on Netflix beginning October 1, 2021.

JametGylenhaal is an amaziy actor, he's able to enthral an audience for the entire 90 minutes when all focus is on him, virtually 99% of the movie.

This movie was shot in 11 days, which is impossible to believe. JG was able to hone in on his character in such a short amount of time, you're able to sense his anguish, his feelings throughout the movie - not just from a well written script, but his facial expressions, his demeanour, his body - make no mistake JG 'owns' this movie and OWN it he does....!!!

I watched the Netflix film first, and then thanks to the reviews here, discovered the Danish original and watched that too.

The Netflix film is a taught and effective thriller, with a great central performance from Jake Gyllenhaal. It's mostly word-for-word the same as the Danish version. And it's free if you have Netflix!

The Danish version is £2.99 on Amazon. It's less stylish and less melodramatic, but much more believable and affecting. I cared more for all the characters, and despite knowing exactly how it was going to play out, I was hooked throughout. At times I couldn't look away.

The Netflix film adds an unneccesary personal arc, some wildfire-related melodrama, and a set more like a James Bond MI5 office than a 911 (or 112) call centre - all of which reduced the impact and made the film less engaging.

If you're definitely not going to watch the Danish version, the Netflix one is a good bet. If you're ok to watch either, choose the original - it's a lot more suspensful and completely captivating. (Ideally, unlike me, don't watch both!)

Clearly made during the Covid restrictions of 2020, this remake of a Danish film is actually well worth a look.

A powerhouse performance from Jake Gyllenhaal, when does this man ever disappoint, he brings his A Game here, and elevates the movie. Credit to him for doing another somewhat quirky movie. Credit also to the voice actors, they did a terrific job, it felt authentic.

A few twists and turns, lots of moments to surprise and shock the viewer. For the most part they keep it subtle, only at the end do they go a little over the top.

Joe was definitely having a bad day, they threw everything at him.

If you enjoyed 2013's The Call, with Halle Berry, you'll very likely enjoy this, 7/10.