Diabolik

Two charming starring , Luca Marinelli and Miriam Leone , star this nice and enjoyable movie set in a nameless European nation . Dealing with popular hero from famous comic books who previously performed John Phillip Law and Marisa Mell . Adaptation of the Noir comic book of the sixties by the Giussani brothers , concerning the world's deadliest and most dazzlingly robber , he evades the law while performing his criminal antics , as the eludes the police by disguising , changing cars , hot pursuits , and masking himself . Along the way , Diabolik uses his extraordinary powers to foil criminals and steal billions from the government . As the anti-hero of the film , Diabolik must face off botcher law enforcements . The film is a thriller with a markedly retro aesthetic that emulates the psychedelic adaptation to the big screen carried out by Mario Bava : Danger Diabolik (1968) . On this occasion the elusive , implacable thief with a thousand disguises , Diabolik (Luca Marinelli) , whose true identity no one knows , returns to drive his iconic Jaguar E-type to strike a new coup : seize the famous pink diamond, a priceless piece carried by the rich and enigmatic heiress Eva Kant (Miriam Leone) . Meanwhile , Inspector Ginco (Valerio Mastandrea) takes every precaution to ensure that the robbing don't take place at the local bank . He robs from the rich to give to the girls !. Meet Diabolik. Slick. Suave. Gentle. Brutal. Wild. Out for all he can take, seduce, or get away with...!

Agreeable and brilliant rendition , not taking any situation seriously ; being based on famous strip-cartoon thriller titled "Diabolik", one of the longest running - and most successful - Italian comic strips , known as "fumetti" drew by Angela Giussani and Luciana Giussani . This very campy picture contains thrills , action , phantasmagoria , psychedelia , pop art , tongue-in-cheek , absurd situations , and being competently developed , including split screen . Fantastic production design and art design influenced by the original comic books and James Bond movies , showing splendidly the breathtaking settings at a remote cave in a mountain and others . Through a retro aesthetic , this new reboot introduces the viewer into a tense and cold atmosphere that has the best ingredients of Noir cinema : impassive femme fatales , twisted criminals , a staging full of shadows and a police investigation determined to unmask to this relentless thief . Here Luca Marinelli and Miriam Leone replace John Philip Law and Marisa Mell but they do not reach those iconic figures resulting in being an inferior and overlong film compared to Mario Bava's classic . Diabolik (2021) won the 2022 David Di Donatello Award for Best Original Song : La profondita degli abiss and was nominated for 11 more statuettes, including a Best Lead Actress nomination for gorgeous Miriam Leone.

The main and support cast -with everyone having fun- are frankly good . Luca Marinelli is fine in the title character as the masked career thief known only as Diabolik , who eludes his official pursuers with his mistress and partner-in-crime . Bombshell Miriam Leone as wonderful colleague is ideal actress to her role , she shines and expands her beauty and extreme sexuality . The best of the interpretations result to be Valerio Mastandrea as stubborn police inspector who's usually duped and Claudia Gerini as Signora Morel . It contains lively and catching original music score by Aldo De Scalzi . As well as glimmer and glamorous cinematography by Francesca Ametrano . The motion picture was decently directed by Antonio Manetti, Marco Manetti who have made a sequel titled Diabolik - Ginko all'attacco! (2022) with Giacomo Gianniotti as Diabolik , Miriam Leone , Eva Kant , Valerio Mastandrea as Ispettore Ginko and Monica Bellucci. The picture will appeal to thriller genre buffs . Rating 6.5/10.

The story take up in a precise and detailed way number 3 volume of Diabolik.

The actors are perfectly portrayed, the choice of the two main characters is right, even if Diabolik appears very detached, a little less so Ginko, his movements are right but a little too Roman accent.

Even if the story tells about the first meeting and the union of the protagonists, the film gives more importance to the figure of Eva and less to Diabolik.

Direction promoted only in the second part of the film, soundtrack no!

Questionable screenplay.

2 hours are too many and the first half hour is too slow.

Vote 6,5.

Amoral thief Diabolik is planning to steal a pink diamond from the wealthy Lady Eva Kant. An expanded adaptation of the third issue of the comic (L'arresto di Diabolik, 1963), where Kant's character is introduced.

The movie, set in "the late 1960s" in the fictional Clerville, is crafted like an Italian giallo of the time. Aside from the attention to scenography and costumes this stylistic choice is clear in cinematography, the use of editing, and the screenplay. The pace is much slower that what you would be used to in an action movie or thriller today, giving more of a vague vintage 'mystery' vibe, and sometimes relying too much on exposition. None of the camp of Mario Bava's "Danger: Diabolik", however: this is still a movie that takes itself seriously.

The main actors have good chemistry, with Eva Kant emerging as the real protagonist of the movie, but the cold and detached portrayal of the title character isn't inspiring and the actors beyond the main trio are forgettable.

Overall a charming and well-made work, although the style may not go well with all audiences.

As a huge fan of the character, and having felt let down by the 1968 cartoonish effort to bring Diabolik to screen, I was really pumped to learn that this film was being made and had great expectations for it.

Well...

Truth is that I sat in horror during the entire first act as I could not believe the absolutely incompetent direction, writing and acting displayed on screen. The Manetti brothers should stick to TV films and soap operas as they are clearly not cut for this genre.

But hey what do I know? They are already working on the second and third installments lol.

I want to mention that when Claudia Gerini entered the screen, for a moment I forgot that I was watching a mediocre school play. I wish she was in for more. I also really felt that Marinelli, although he did a decent job, was wrongly cast as Diabolik as he does not have the phisique du role. Same for Leone, which beauty and hair pulled up are not enough to make her a believable Eva Kent. Music score was generic and did not help propel the story.

Although I was hoping for the contrary, Diabolik 2022 doesn't stand a chance against the many international titles out there in the same genre, and as a first installment of what it appears to become a trilogy, unfortunately it is not really promising.

As a lover of the original comics (I still have the first 690 numbers), I would say that this is a nice movie. The scenography, the locations, the actors, all have a good "noir" style. Whoever is expecting a more fast rhytm of the action and more special effects doesn't understand that this is an entire recostruction of a paper comics, of the 60s, and it seems that the movie itself has been filmed and produced in those years... We realize this when we see the plastic door of the refuge of Diabolik, the masks, and other details which seem rough and simple, when cinematography didn't have yet the CGI or advanced special effects. Then with a slow rhytm action our attention is more focused on the particulars of the scenes, the characters, the single details, as well as we do when we see the designs on paper. Genious. Ginko character vote 3 (actor Mastandrea is not as pretty as the paper character and has a wrong Roman accent..), Diabolik Marinelli vote 7 (just ok, and with the same eyes and height of the original character :), Eva Kant 10 perfect! (The beauty and the charm by Miriam Leone). Ok to find some defects in the movie, but the lovers of the comics will enjoy watching it.