Das schweigende Klassenzimmer

It is a true story, that is why it is so touching for us Hungarians to watch. To see how the world was informed about our revolution, and how it affected the lives of other peoples in the Eastern Bloc.

In 1956, in Hungary, we experienced being left alone. Now we learned from this movie that someone was with us. Thank you for your quiet stand, which was very loud compared to what was possible in the GDR at the time. And thanks to the filmmakers for telling it us.

How much does this matter to Hungary? - someone asks in the movie. Here is the answer: a lot.

It is a good movie about basic moral issues and solidarity.

This film is even handed and explores why people take the positions they do. the themes are universal - the older generation carry the baggage of WWII, the legacy of fascism while the younger generation of high school students are idealistic and, to some extent, naive and easily manipulated. We understand why the East German government finds it imperative to stamp out 'counter revolutionary' activity. The characters are well rounded, not just evil cardboard cut outs. School officials are caught up in and compromised by a political system. The irony is by working together and maintaining solidarity the school students show precisely the qualities the 'socialist' regime of the GDR was supposed to be all about. The intrusive incidental music was the only thing which grated for me, and at times the movie lapsed in to melodrama but on the whole it was entertaining and thought provoking with a lavish attention to period detail.

Just watch it, it's well developed, may have a slow paced environment but totally worth.

While most films regarding this period focus on spies, politicians, military, this one gives us a hindsight about ordinary people.

A little background info would be useful. The characters live in a city called Stalinstadt, which is on the Polish border, far from Berlin and the West German border, so in short a hard place if you want to escape. For a German public, it is obvious, but for an international audience, it lacks a litte introduction.

The best part of those German movies and series produced at Babelsberg studios (Ghost Writer, Silence, Babylon Berlin) is the aesthetics and design. The clothes, furniture, cars, every object seems to be carefully researched. I find the visual appeal sometimes better than the story itself.

About the plot, it is alright. I was surprised to see how free were East Germans before the building of the wall, since the secret police was in its early stages yet.

What a beautiful and impressive movie about the courageous boys and girls of a school in East Berlin in 1956