Der Staat gegen Fritz Bauer

Up to the present day Germany is uncomfortable with playing a major role in World politics. This uneasyness is attributable to the atrocities of the Second World War almost 80 years ago. It is hard to imagine that from mid 1950 to mid 1960, that is in the period of "das Wirtschaftswunder" just after the Second World War, Germany tried very hard to forget the past and look the other way. Only when the generation of the "baby boomers" began to ask their parents difficult questions in the second half of the sixties this period of silence game to an end.

In mid 2010 two films were made about this period of silence. First in 2014 "Im Labyrinth des Schweigens" (Giulio Ricciarelli) and a year later "Der Staat gegen Fritz Bauer" (Lars Kraume). The first film is about the preparation for the "Auschwitz trial" in the first half of the 60's. "Der Staat gegen Fritz Bauer" is about the hunt for Adold Eichmann in teh second half of the 50's.

The two films are interrelated. "Der Staat gegen Fritz Bauer" can be seen as the prequel to "Das Labyrinth des Schweigens" because Fritz Bauer is in this film the boss of Johann Radmann (the main character).

In "Das Labyrinth des Schweigens" the silence is mostly passive (looking in the other direction) and the young main character is taken by surprise by it. In "Der Staat gegen Fritz Bauer" the silence is more active (consciously sparing war criminals, however not going that far and being that organized as described in "The ODESSA file" from Frederick Forsyth). Fritz Bauer is experienced enough to be very aware of this active resistance. He knows that priorities have shifted from the Second World War to the Cold war. Statements of a war criminal in court could well form a political risk for the young state of West Germany. It's no coincidence that Fritz Bauer has more confidence in the Israeli Mossad than in his own colleagues to catch Eichmann!

Fritz Bauer is played by Burghart Klaussner, an experenced actor who played for example also in "The white ribbon" (2009, Michael Haneke). He does an excellent job. He plays Bauer partly as a sort of grumpy old man, bit like inspector Frost.

"The People vs. Fritz Bauer" is the story of one man's determination to bring Adolf Eichmann to Germany for trial, and the opposition to it that he faced.

Fritz Bauer was a district attorney in Hessen, Germany, and the story begins really toward the end of his life. He is shown drowning in his bathtub at the beginning, but he is saved. In reality, that is how he died in 1968.

Bauer was a man who did what he had to do in order to achieve his ends, and the movie makes no bones about it. He keeps quiet about the fact that he is Jewish because of his determination to enter politics. And he commits treason in order to bring Eichmann to justice. His part in that capture was not made public until 10 years after his death.

Unfortunately for Bauer, in 1957, the government was filled with ex- Nazis and SS officers who didn't want these monsters tried and naming names. There was a lot of resistance and anti-Semitism. When Bauer learns that Eichmann is living in Argentina, he has to appeal to Massad for help - a treasonous offense if anyone found out.

There is a subplot concerning his young associate, State Attorney Angermann, a fictional character.

Very good movie, with wonderful acting by Burghart Klaußner as Bauer and Ronald Zehrfeld as Angermann.

"The People vs. Fritz Bauer" is an interesting film about a mostly forgotten piece of history. It seems that the Attorney General for Hesse (one of the most populous of the German states), Fritz Bauer, learned about the whereabouts of one of the most infamous Nazis in the post-war era. Yet, inexplicably, the folks in the government had very little interest in finding this man, as he could expose many in the Adenaur government who had Nazi ties--something that could prove embarrassing. So Bauer approached the Israelis with the information and ultimately the Nazi scum-bag was caught.

What makes this film so interesting is the ambivalence towards Eichmann in Germany. Instead, the Federal Police seem much more interested in prosecuting homosexuals and preventing Eichmann's capture! Overall, a very interesting portrait of a bygone day. While I knew a lot about the Eichmann capture already, I didn't realize that they might have never found him if it wasn't for Bauer- -and that the Germans themselves couldn't have cared less! Very well made and well worth seeing.

By the way, if you enjoy this film I also recommend you watch another exceptional German movie, "The Nasty Girl". It, too, discusses the German people and their ambivalence about confronting their Nazi past.

That's metaphorically and literally speaking of course. One might also add that it can be a pun too. But while my summary line is definitely on the light side, the movie is not. And it couldn't be with the story it wants to tell. Germany has an obvious history with Nazis and the subsequent hunt for them. Or sometimes neglect in hunting them down for various reasons.

This movie shows one of many cases and one man who was determined to bring as many to justice as possible. Despite and through all obstacles that were before him. So this is a story (thriller) that has quite a bit going for it. It's really well made and well acted too and the suspense is there, from the start until the end. There's also a lot of award talking going on about this, if that is something you're interested in

At first sigh, another confrontation against past. correct, well acted, impecable script, wise thriller. in essence, a film about politic. its rules and shadow and solutions. more important, a film about duty. and patriotism. and the price for a option defining a life. the delicate equilibrium is the lead virtue of this admirable film . remarkable for the fine portraits and for the exploration of the birth of shadows. a film about chavalery in old sense. and about vulnerabilities as basic ingredient of challenges. short, a biographic film who, for its splendid manner to use the elements of story, propose profound senses of an event, reality and the right form of duty assume.