जीन ग्रे में कुछ ऐसी अविश्वसनीय शक्तियाँ विकसित होना शुरू हो जाती है जो उसे भ्रष्ट बना देती है और वो डार्क फीनिक्स में बदल जाती है. अब एक्स-मेन को यह तय करना होगा की क्या टीम के एक सदस्य का ... सभी पढ़ेंजीन ग्रे में कुछ ऐसी अविश्वसनीय शक्तियाँ विकसित होना शुरू हो जाती है जो उसे भ्रष्ट बना देती है और वो डार्क फीनिक्स में बदल जाती है. अब एक्स-मेन को यह तय करना होगा की क्या टीम के एक सदस्य का जीवन पुरे मानवता से बढ़कर है.जीन ग्रे में कुछ ऐसी अविश्वसनीय शक्तियाँ विकसित होना शुरू हो जाती है जो उसे भ्रष्ट बना देती है और वो डार्क फीनिक्स में बदल जाती है. अब एक्स-मेन को यह तय करना होगा की क्या टीम के एक सदस्य का जीवन पुरे मानवता से बढ़कर है.
- पुरस्कार
- 13 कुल नामांकन
- Elaine Grey
- (as Hannah Anderson)
सारांश
फ़ीचर्ड समीक्षाएं
The non-mutant people of Earth are here again, too, but their attitudes towards mutants are as erratic and sudden as Grey's mood swings and mostly occupy the background to the super-powered action. In prior X-Men movies, the politics between regular humans and mutants was one of its most interesting parts--rich in allusions to real racial, gender and other forms of discrimination--but not so here. The camerawork, CGI and other effects are rather standard superhero movie fare from a first time director, but one who has been producing them for a while now. At least, Hans Zimmer provided the score, and it's paced rather quickly after all of that test screening, re-writing and re-shooting that has delayed the release for several months. So, what else is there to raise this above a pedestrian exercise in having something to look at while one eats popcorn? I know it's not Jean strapped down in a crucifixion pose. Was Wolverine's time traveling in vain?
The most intriguing aspect here methinks is the added emphasis on the alleged harm Charles Xavier has brought upon children--beginning as far back as with Mystique, but continuing most notably with Jean, as he turns them into soldiers. With feminist suggestions sprinkled throughout (Mystique's quip about replacing "X-Men" with "X-Women," the school renaming and the story's general focus on female relationships and the fate and powers of one woman in particular as mostly men try to control her), "Dark Phoenix" seems to be asking to be read as an allusion to the contemporary, Hollywood-born MeToo and Time's Up movements, but minus any sexual references (in, perhaps, too Freudian of a reading, replaced here by non-consensual penetration of others' minds and bodily injuries, including impalement, due to objects thrusted via superpowers). In this sense, Professor X stands for the since-disgraced likes of Bryan Singer and Brett Ratner, both of whom directed prior pictures in the X-Men series. As potentially subversive, however, as that subject may be, unfortunately, it seems as easy to dismiss such a reading of "Dark Phoenix" as it was for me to consider it. Indeed, none of the other reviews I've yet read have mentioned such a connection beyond the obvious feminist flailing.
Also unfortunate is that the movie itself is dull--a retread largely full of characters we never became as invested in as we did with those the first time around. "The Last Stand" built upon two features that developed the love triangle between Jean, Cyclops and Wolverine. Moreover, Jean's transformation the first time was, if little else, more dramatic, whereas Sophie Turner's Jean had already gone through a bunch of Professor X's mind games in "X-Men: Apocalypse" (2016)--making "Dark Phoenix" seem rather redundant. And three of the characters who have been well developed since "X-Men: First Class" (2011) and "X-Men: Days of Future Past" (2014)--Magneto, Mystique and Quicksilver--are given short shrift this time. Too bad. I suppose it'll be the Marvel Cinematic Universe's turn for the next evolution of The Dark Phoenix Saga.
It's a rough one. From the seemingly robot-generated dialogue, to the hollow characters, to the wooden acting, to the utter incomprehensibility of the fight scenes - this movie is a laborious and completely unrewarding watch. In fact, I would prefer hard labor to sitting through this sorry excuse for a movie again. With so many talented actors, it's utterly astonishing that anyone could create such an unpleasant film. But these people pulled it off. Amazing.
The only fortunate person to take part in this movie was Jennifer Lawrence, who didn't stick around for long. Smart move.
I put off seeing this movie for months before finally watching it. It's too bad I did. What a waste of time.
Instead of going out strong and leaving a good impression after so many years, they did the exact opposite. The movie is distorted, rushed, predictable, flat and overall unimpressive. Everything looks cheap from the costumes to the decorations. The actors are uninterested in the movie and look like they just want to deliver their weak lines and get done as soon as possible. Nobody at Fox cared about this movie so why should we? I am sad for what was done to my beloved franchise.
#moviesshmovies
Which X-Men Are Best In Class?
Which X-Men Are Best In Class?
क्या आपको पता है
- ट्रिवियाThe film was meant to be the start of a new series of X-Men films that would star the new younger cast (Jean Grey, Cyclops, Nightcrawler, Storm, Mystique, Beast, Quicksilver, Jubilee, Dazzler etc.) following their introduction in the past few films, but the critical and financial failure of this film along with studio merge with Walt Disney Pictures means that those plans were forcefully abandoned. Any further X-Men films will instead be a part of Disney's Marvel Cinematic Universe.
- गूफ़The film is set in 1992, 30 years after the events of X-Men: First Class (2011), yet the characters have barely aged during the intervening years. A few mutants have anti-aging abilities, but not all of them. This movie is set in an alternate timeline, so all continuity errors are justified.
- भाव
Professor Charles Xavier: The mind is a fragile thing. Takes only the slightest tap to tip it in the wrong direction.
- क्रेज़ी क्रेडिटWhen the 20th Century Fox logo fades away, the X in the logo stays for a second longer before it also fades away.
- कनेक्शनFeatured in Lena: Boundaries (2019)
- साउंडट्रैकBy the Time I Get to Phoenix
Written by Jimmy Webb
Performed by Glen Campbell
Courtesy of Capitol Nashville Records
Under license from Universal Music Enterprises
टॉप पसंद
- How long is X-Men: Dark Phoenix?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Dark Phoenix
- फ़िल्माने की जगहें
- Mount Royal Park, मॉन्ट्रियल, क्यूबेक, कनाडा(Central Park, NYC)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,58,45,974
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,28,28,348
- 9 जून 2019
- दुनिया भर में सकल
- $25,24,42,974
- चलने की अवधि1 घंटा 53 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1