Hostile

This post-apocalyptic love story could have been very good, even great, had it not been for the jarring back-and-forth jumping between two different timelines.

The main plot-line finds our heroine injured and alone in a barren, zombie-infested no-man's land, hunted by a spindly creature with a bad skin condition. This situation could have been a nerve-wracking viewing experience, had the director not decided to splice scenes of her "life before" throughout the full run-time of the movie. This breaks the tension EVERY TIME, in both narratives.

If you want to tell a backstory, just tell it and get it over with!

The acting, music and cinematography was adequate.

Hostile is actually a good movie, but you have to make it to the end to figure that out. There is not nearly enough backstory to make much sense of things, and the ending, although touching, doesn't make logistical sense. Maybe fate? My suggestion? Lower your expectations. Don't analyze it too much. And expect a love story more than anything else. You do that, you'll enjoy this movie.

6/10- Comes together nicely (although not logically)

Movie has a great premise and an interesting setup similar to "Buried", "Locke" or "The Wall", where most of the action is just the lone protagonist communicating with disembodied voices on a radio or cellphone. The post-apocalypse narrative was what I came for, so I was disappointed that so much of the film's scant 83 minute runtime is given over to a distractingly creepy "Pretty Woman"-style romance subplot presented as flashbacks. And when I say it's creepy, I don't mean in the way you want your horror movies to be. I mean the way the controlling, wealthy romantic interest, having met the main character once, later follows her home and then later still imprisons her in his own home until she kicks her heroin habit and falls in love with him. Stockholm Syndrome? The movie acts like this is normal and sweet.

Back in the main storyline, the titular "Hostile" creature is well designed and well played with the correct kind of creepiness to his movements and appearances. The standoff between the creature and Juliette eventually reaches its necessary showdown, to good effect with some nice echoes to "Predator".

No lie...I was really enjoying this movie right up until the ending. The post apocalyptic movie genre has always intrigued me mainly because I like to judge the decision making processes (or lack thereof) of the protagonists as they dart from one sticky situation to the next. The one common denominator in nearly every single one of these flicks is "OMG! Did you really think going into the dilapidated farm house by yourself and without a weapon or flashlight was going to turn out well?" This movie was no different. Our protagonist played by Brittany Ashworth immediately hit the right notes by coming off as capable, confident, and extremely self sufficient in the desolate landscape she was forced to survive in...and then she rolled her "Mad Max" Battlewagon when a "pre-end of the world photo" she obviously treasured blew out the window, and got a compound leg fracture in addition to an upside down hunk of useless metal, AND was stranded alone. Of course she'd be alone! But to her credit she did a good job fighting off the "things" you'd expect in a world gone to Hades. Then there was that ending. Oh boy. Up until then, not a bad run and I think most people would like it. Grade: B.

The apocalypse happened. "How" morphs itself into "What Now?"

Behind a plethora of sweeping landscape shots depicting the years following an apocalyptic event, Mathieu Turi's feature debut Hostile gives us the story of Juliette (Brittany Ashworth) and her struggle to survive.

Sounds cliche, right?

Wrong. It took a while to digest this film as initially I had written it off as "just another post-apocalyptic film." Let's face it, there are so many in this genre.

The film centers around Juliette and her struggle to stay alive following a debilitating car accident while on a scavenging mission. She must not only survive the barrenness of nature while badly injured, but a threat far more sinister.

We're offered abbreviated glimpses into her life pre-apocalypse as she longs for the days before everything went sideways. During these sequences is when Ashworth really gives a believable depth to her character. There's a palpable honesty in her interaction with the people in her previous life's sphere - most notably the sophisticated and charming Jack (Gregory Fitoussi).

Juliette's memories throughout the film not only to provide a contrast to her current situation but also provide a good break in the inescapable dread of being surrounded by unknown dangers.

The tension in the film is abundant and while the idea of the damsel Juliette needing to be saved borders on tongue-in-cheek, the climactic confrontation is equal parts tense and emotional.