The Orville

And i'm not sure why that puzzles me but it seems the actual Star Trek franchise has been taken over by directors and writers who wish to take it to a very dark place.

The release of Star Trek: Picard sadly confirmed that with the introduction of profanity and for the first time in a Star Trek show the M for Mature rating so it's good to see The Orville keeping the tradition of Star Trek while even managing to create its own universe and characters.

The Orville has proved that the Star Trek serialized format is still a popular one with the viewers and I hope the creators can keep it going. Fantastic show that addressed many of todays insane ideals (gender pronouns, sex change, etc) while maintaining the comedy. Genius.

If this is your thing then check out the British comedy that was missed by many called Hyperdrive.

As many critics have pointed out, this isn't a spoof of Star Trek. It's not exactly an homage either. The best way I can describe it is that MacFarlane wanted to make a Star Trek show that recalls that franchise's earlier days, back before it became an action blockbuster film series and before the TV shows started becoming dark and grim and edgy. MacFarlane is making his own version of the original Star Trek, and he is a new Captain Kirk. All the optimism and sincerity and lightheartedness of that show is here, and in many ways it's kind of wonderful. I'm honestly surprised something like this exists.

There's some off-color humor, but it's never (so far at least) particularly offensive, or at least its offensiveness pales in comparison to many of McFarlane's other works. Still, it's distinctly him, so it's not going to be appealing to everyone.

In any case, I've really enjoyed The Orville. It's not a perfect show. Some of the jokes do fall flat. But I love its spirit. I love that someone is actually trying to make a Star Trek show that isn't just filled with explosions, space battles and gritty action. You should check it out and make up your own mind. Maybe you'll hate it, but maybe not. It's fun and kind of sweet and I'm happy it's a thing, however weird and unexpected it might be.

Update: November 2017 The show keeps getting better from week to week and it seem has now found its groove. The Orville uses its adventure-of-the-week format to explore modern-day social issues and tackle current moral dilemmas in a sci-fi venue. The show is refreshingly progressive in its politics, and optimistic to its core. It is a Star Trek show for folks who want something a bit old-school. By not having a budget (or requirements) for wall-to-wall spectacle, the hour-long Fox show is forced to focus on character, chemistry, sci-fi plotting and moral debates that have partially defined Gene Roddenberry's property for generations. (though the special effects look superb and almost movie like)

Yes, to a certain extent it's fan fiction, but then so is so much of our current pop culture entertainment. But by being a network television show, it is forced to be the kind of Star Trek that fans claim the recent movies have neglected in favor of four-quadrant blockbuster thrills. The Orville is not a spoof, but rather a straight-faced Trek show with characters who are funny and which you can learn to love.

Somebody who reviewed one of the new and frankly bizarre "Star Trek" series that are out there said that they should just hand the entire Star Trek franchise over to Seth MacFarlane as he was most suited and likely to actually do a good job of keeping the essence of Star Trek and its legacy. I could not agree more. What the new Star Trek series fail miserably at achieving MacFarlane does so effortlessly. In just one or two episodes of the Orville we already like and understand who the characters are. We care for them. In the new Star Trek series they cry all the time either when leaving each other or when being reunited, obviously they are incredibly attached to each other, however, the viewer has not partaken in the actual bonding that seems to have occurred between the characters. Must have been happening behind the scenes. Again, MacFarlane makes the interaction between the crew members very successful. For example, by understanding the importance of downtime and using an inviting dining or pub area for people to hang out. Instead of filling our screens with doomsday scenarios the Orville brings us hope for the future and the message that we can always aspire to better as human beings. At any time, but especially now, I feel the world could do with more positive messages like this. However, even though the Orville reminds us of the "real" Star Trek, it has its own personality and manages to effectively balance humour, the weird, with the serious, with the current topics of our modern world. We need the Orville and I sincerely hope we get several more seasons of this well-made, well-rounded, quality show! Also a plus for the good music and a real intro theme!

After having seen six episodes of both Star Trek: Discovery and The Orville, I am truly baffled and very positively surprised. Baffled at how, with a budget of millions, the people who made Discovery could not come up with a single interesting character or plot, but instead basically just made The Expanse with Klingons, taking every single thing that is unique, positive, and enjoyable about Star Trek and tossing it out the window. And positively surprised, because, out of the corner I would least have expected it - the filthy, cobwebbed one with the rancid yogurt, in which Seth MacFarlane used to reside for me - comes this gem of a show that takes everything fun, positive, and enjoyable from Trek and runs with it.

It is - as nearly everyone here has pointed out - the spiritual successor of TNG, although I would actually put it somewhere between TOS and TNG. It has a bit of the "cowboy" feeling people seem to like so much about TOS while including at least some of the elements that made TNG so brilliant - people actually trying to overcome petty human concerns by looking at the bigger picture and solving problems through compassion and dialogue rather than by inventing the next, bigger gun (yes, I know Trek did that too, but big guns are fine occasionally).

Now this is still by and large a comedy, so in order for that to function, you can't have straight TNG-like characters. But apart from occasionally overshooting the target a bit, the balance of comedy and seriousness is handled excellently - something I would not have thought possible for a Trek-like sci-fi show, let alone from MacFarlane.

You will recognize the plot elements, you'll recognize character traits. After hundreds of stories of drama and intrigue among the stars, what story hasn't Trek told? Again, the idea, as far as I can see, was not to create something entirely new (which, ironically, it is, though), but to take those elements that made Trek great and combine them with enough comedy to provide a breath of fresh air. And provide it does. In fact, the comedy allows the writers to approach topics in a way that would actually not have been possible for Trek playing it straight. Without spoiling, I will here point to the Episode "About a girl", which actually touches on subjects that weren't very prominent at the time TNG ran and is therefore quite unique in itself.

I'm not really going to touch on the scientific aspects of the show except to say that, even with scientific advisors, Trek has obviously always taken huge liberties with established science at times, while at others making the science and (at them time) new discoveries a central point of the story. Naturally, scientific accuracy is going to suffer a bit in a comedy. But let me just point to "Discovery" and say (farcially): subspace mushroom network.

I don't know how long they can make the concept work, but if they keep coming up with episodes like #3, #4 and #6, they deserve to have the kind of money thrown at them that "Discovery" now squanders on a tired old war story, forgettable characters, and making everything dark and shaky. But even with its limited budget, the visuals are more than adequate (maybe barring the Ikea furniture), proving once more that you only need so much resources to tell great stories.

Finally, one more thing. THE MUSIC. This show has hands down the best music of any official or unofficial Star Trek show (including the new movies, but of course always excepting Jerry Goldsmith). But considering you have Bruce Broughton doing the theme, and John Debney and Joel McNeely scoring episodes, that shouldn't be a big surprise.

Simply put, this show saves Star Trek for me and blows any contemporary Trek movie or show out of the water - with ease.

The Orville is a show with potential. I liked how it didn't try too hard to be funny. In fact, it reminded me more of a Star Trek episode than Family Guy. I suspect there will be many comparisons to Galaxy Quest.

My concern is the audience. To appreciate this show, I think you need to be both a science fiction and crude humor fan. I'm one of these people, but I'm not sure if there are enough of us to support the production. Hopefully, we'll be seeing a lot more of The Orville.

Star Trek discovery was also released, and I have to say, this show comes closer to what I expect in a Star Trek series.