Ignacio de Loyola

A nice religious film based on the records of Ignatius of Loyola himself who was born in Loyola 1491 and died in Rome 1556 . As he was the founder of Jesuit Order or Compañia of Jesús, and deemed to be one of the men most important in the XVI Century . A biopic movie and at the same time concerning historical facts, such as War for Pamplona region against the French enemy , including impressive and epic battles . At the beginning it deals with Ignatius as a warrior , as he fights against the French Army , there he is seriously injured and when he is on bed healing his wounds and the very brink of death , Ignatius reads Saints lives , especially St Franciscus . As he receives divine inspiration, and later on , he becomes into a preacher . As he goes to Monserrat where is inspired by Virgen Maria . After that , he goes Manresa as a beggar , and where goes on preaching , while living at a cave .

This self-biographic movie describes Ignatius of Loyola's fundamental and essential role in history as a soldier , a sinner and a Saint . Detailing his brave defense at the battle of Pamplona , fencing alongside the walls to impede the French Army go into the town . Being competently played by Andreas Muñoz as Ignatius , Julio Periñan and Javier Godino, among others . Resulting to be a historical fresco showing Ignatius of Loyola as a Warrior , as a Founder of the Jesuit Order and as a Saint . It contains colorful and evocative cinematograhy , as well as rousing musical score . The motion picture was well directed by Paolo Dy in budget enough .

Alrightly based on historical events about this great Spanish figure . As Ignatius was both , a military and a religious man . Founder of the Compañia e Jesús or Jesuit Order , he emerged as a really brooding and spiritual person during the famous Contrareform or anti-Protestant Reform. At París, Iñigo and his companions founded the Jesuit Order in 1540 . Sworn to go whereever the Holy Father commands , the Jesuits shaped history at the vanguard of the Church. Ignatius of Loyola , Creator of the Jesuit Order , being its First General , formed just over 1000 members , outstanding the following ones : Francisco de Borja , Francisco Javier , Diego Lainez , and founding a lot of schools and religious places . He wrote the Spiritual Exercices that caused an enormous influence as a tool to discernment , getting religiosity and divine faith . Ultimately , Ignatius Loyola was canonized.as Saint in 1622.

Rich guys "leaving" their riches to "become poor" are all frauds: their self-inflicted poverty is a show they put on to get powet using the misery of the actual poor, who, unlike them, cannot switch off their poverty at will and return to a life of confort, freedom and influence.

What they should rather do is actually give away money and then use their power to enable others to be self-sufficient in business and politics, to find their voice and the strength to do something of value.

But, from Buddha to Loyola and to Bush, the fraud has been consistent and consistently told by corrupt prophets, media and film people. Don't be fooled you too.

The most earnest moment in Ignacio De Loyola comes from a scene where the eponymous saint asks a prostitute to visualize God sat on an empty chair and think of the things that He would say to her. She replies with:, "He doesn't care who I was or where I've been, He only cares where I'm going." And in those words, the essence of the film is captured – no one is too far gone in God's eyes. Just like a sword forged in fire, St. Ignatius is hammered with blows of misfortunes that disguise as a trajectory towards his greatest achievement – The Society of Jesus (Jesuits). Paolo Dy's Ignacio De Loyola humanizes a saint's life beyond a piece of a holy statue. It works as an invitation to examine oneself, a challenge to "set the world on fire" with God's fervor.

Born into a regal and wealthy family, Iñigo López de Loyola (Andreas Muñoz) is a proud Spanish knight who draws chief delight in his military profession, a young man who pursuits a life of fame and vanity. Instead of earning his desire for a hero's death during a battle in Pamplona, he ends up crippled when a French cannonball shatters his right leg. Boredom and frustration starts to seep through his soul in a way pain does to one's body so he forces himself to read the books he has at hand: The Life of the Christ and The Lives of the Saints. After a spiritual calling compels him to live a life bound by the vows of poverty, chastity, and obedience, he is faced with allegations of blasphemy, and plagued by his inner demons, which he has to conquest as he tries to listen to the voice of God.

Dy and his wife Cathy Azanza's script exudes some flashes of brilliant poetry. It even surprises with a handful moments of humor and some lines which I hope are inspired by Sun Tzu's Art of War. (one of which is "If your enemy is angry, then you have already won.") However, it has the tendency to oversell its message that at times the dialogues seem to be mere discussions of theology. The excessive third person narrations are also occasionally distracting. Narrations like "Iñigo dons his new armor, he opens the door…" assumes that the audience is blind to acknowledge what is happening on-screen. It is squandering Muñoz, who is already an excellent actor, for the script to spell out his every single emotion.

While it is a smart choice to focus on a certain phase in Iñigo's life – his conversion from being a sinner to a saint – the film is yearning for a more solid story. The first half has a slow pace and you can tell it as the days are evidently passing by. As the story trudges along Iñigo's early life as a soldier, his conversion, his Spiritual Exercises and his encounter with The Inquisition, the plot structure suddenly looks strange when it gets to the blood-curling climax which actually happens on a flashback (or is it a dream sequence? I'm confused up till now). The story doesn't really need to be that linear, however, the over-reliance on flashbacks breaks the emotional momentum when it gets back to the present.

While Dy's efforts to handle such a gargantuan religious biopic occasionally fall apart, Ignacio De Loyola manages to deliver its greatest gift to its audience – the deep understanding for discernment. Our souls are continually drawn into two directions: towards goodness and towards sinfulness but if we peel away the many layers of our desires, fears and ambitions, we'll find God there. Hence, every word and every action should be done for His greater glory. The analogy of the Ignatian spirituality and watching a movie is really not that hard to follow. In the cinemas, you will be faced to choose between the two: a mainstream film or a religious film full of philosophical and theological substance.

Full review: http://www.filmpolicereviews.com/reviews/ignacio-de- loyola

This movie was touching especially to those who follow the same faith or better yet, those who are already familiar with the saint. For a 2-hour film, story line was smooth, although it was dragging at some parts. They could have added more of his past life into the movie, and not just 30 second flashbacks. In my opinion there were a lot of important things that happened in his past that could have been squeezed in. The cinematography isn't that great either; it felt chopped up most of the time and the camera angles were sometimes off. The message of the movie was clear and simple. The acting was great, although their accents were heavy so I suggest watching it with subtitles.

All-in-all it was a good film! Would recommend to everyone interested in the life of St. Iggy 😊

This could've been great. The early life of Ignatius of Loyola - soldier, sinner, saint, founder of the Jesuits - has all the makings of a gripping drama. Instead, we get two hours of mood lighting, overlong monologues, and a lead actor trying to carry a film that keeps dropping the cross.

Andreas Muñoz, intense and mostly alone on screen, does his best with a wobbly script. We meet Iñigo (his pre-saint name) as a minor noble turned frat boy: drinking, whoring, and stabbing Frenchmen. Then comes the obligatory cannonball-to-the-leg moment, followed by an extended "spiritual recovery" montage that feels like a pilgrimage in real time.

Eventually, he swaps his sword for sandals and sets off to preach. Along the way, he's thrown in jail by the Spanish Inquisition for being a little too into Jesus. Cue a painfully long CGI "spiritual battle" atop a digital mountain that looks like it came free with Windows XP.

For a low-budget film, it's baffling that they blew their money on this absurd scene instead of tightening the story. After more theological chit-chat, Iñigo is released and heads to France to start the Jesuit order. Inspiring, I suppose, if you're not already asleep.

It's not the worst saint biopic ever made, but it's close. Disappointing.