What Happened, Miss Simone?

Greetings again from the darkness. Classical pianist, extraordinary singer, highly sought after live performer, Civil Rights activist, and inspiration to so many … it's only fitting that Nina Simone is now the subject of an Oscar nominated documentary. Talented filmmaker Liz Garbus (also Oscar nominated for 1998's The Farm: Angola, USA) provides a biography that is both a deep-dig and somewhat gentle look at this fascinating and troubled woman.

Born Eunice Waymon in North Carolina during the Jim Crow era, she was the church pianist at age 4, and later studied classical piano with the dream of becoming the first black female classical pianist to play Carnegie Hall. While attending Julliard, she worked at an Atlantic City bar where, in an effort to hide the gig from her parents, she created the stage name Nina Simone (after the popular French actress Simone Signoret). It was also at this bar where she was first forced to sing … a step that changed the course of her life.

The film begins by showing her return to the stage at the1976 Montreaux Festival in Switzerland after a seven year self-imposed exile (most recently in Liberia). We then head back to her humble childhood and follow her progression as she blends her Bach-influenced piano style with an expressive vocal style in jazz, gospel, pop, R&B and soul … resulting in the nickname "High Priestess of Soul".

What we see is a woman with remarkable talent and ferocious drive who just never is satisfied with society or her place in it … despite the positive impact she had as a musician and activist. Ms. Garbus uses some rare archival performance footage … such as her singing "I Loves You Porgy" while appearing on Hugh Hefner's "Playboy Penthouse TV show and "Mississippi Goddam" during the march with Martin Luther King. We also hear Nina telling her own story through previously unheard audio recordings, and we have access to diary entries and personal letters. These are combined with insightful interviews from her ex-husband and manager Andrew Stroud, collaborators like Al Shackman (her guitarist) and George Wein (founder of Newport Jazz Festival), and her daughter Lisa Simone Kelly.

What we soon see is a combination of other-worldly talent and a woman filled with rage and depression, and who is isolated inside her own uneasiness. Her later diagnosis and medication for bi-polar syndrome allowed her to better function in those last years. Her lack of attentiveness to her kids is kind of glossed over, but we understand how it made sense for her kids to spend more time at the home of the Shabazz family (Malcolm X) than with their own parents.

It's a shame that Ms. Simone could never appreciate her achievements, the impact she had in the Civil Rights movement and the inspiration her music brought to so many. Even playing Carnegie Hall was not enough for her as she wasn't on stage as the classical pianist of her dreams. Her biggest mainstream musical recognition stemmed from her song "My Baby Just Cares for Me" being used for a1987 Chanel No. 5 advertisement, but fortunately the rest of us can understand her place in history as a rare talent and societal influencer. She truly put a spell on us.

The telling of Nina's story through the words of her family and old footage from her as well is truly moving and unsettling. I felt the closing in of the events that lead to her fame, fall, and fatality. It seems as if everyone was affected by the power of her illness which was fueled by the times. I am not sure if one accelerated the other. Growing up in the south and traveling all over the world does something to you. You become enlightened and the junk that was going on in the US over race was ludicrous and enraging. I am not sure if I could deal with that back then either. Nina was truly ahead of her time but got stuck in time due to the violence of those times. I love the way she expressed her disdain for the instrument of her fame and I also loved the attitude she had about her own voice. I grew up listening to this strange voice and at first I could not figure out if it was a man or woman until further into the album. This documentary is a timely tribute to the singer and it also allowed us to see what she was going through and why she fell off the face of the earth for a while. I look at her from a different pair of eyes now and I am grateful to know her story.

The documentary does a great job of telling the story of Nina Simone, though archive footage and interviews by those close to her, like her own daughter.

The documentary seems to focus on her erratic behavior, which caused her career to take a downfall.

I thought the filmmakers did a great job of actually expressing her behavior. It really captured the changes in her life from moment to moment. The way it just cut from one time to another made me feel the passion and understand how Nina must have felt when she got into the Civil Rights movement.

I did not know much about Nina Simone before the doc, only that people would tell me she was great, but the documentary showed me how great she was. It did a good job of connecting her with the viewer.

Catch it on Netflix.

I've got to be up front about this...I don't remember hearing anything about Nina Simone before I watched this film. While she was a very famous jazz performer, her meteoric career all but fizzled by the time I was a very young child. I also am not a particular fan of modern jazz, either. So in some ways, I am not the ideal audience for this wonderful new documentary from Liz Garbus. However, because of my work in the mental health field, the film really resonated with me and I think you should give it a look as well. Apparently, Netflix ALSO thinks you should be watching it, as they send out a mass emailing to many people recommending you see this new film--which you now can thanks to their streaming service.

Nina was a child prodigy at the piano. However this was back in the 1930s...and she was a tiny black girl growing up in the South. Yet despite the racially charged climate, she had a spark of genius-- such that despite the times, she was helped by people to help realize her dream of being a musician. However, instead of the concert classical pianist she was trained to be, she sort of accidentally fell into the jazz industry and was soon known at least as much as her singing as her genius at the piano. This led to a lot of financial success in the 1950s and into the 60s and life was looking grand for this lady.

So how, then, at the height of her fame did Simone's career start to slip? And why did she walk away from this life? This confusing journey about mental illness, to me, is the most interesting part of this documentary. While it's not perfect (a lot of her more bizarre behaviors later in life are omitted from the story as well as her second marriage), the film is extremely rare in quality and is extremely well made. Considering that Simone died from cancer over a decade ago, this should have been a very tough film to make. Yet, fortunately, they had recordings and diaries of Simone speaking her mind and explaining her strange journey through life. Garbus also was fortunate to have Simone's daughter's cooperation as well as her first husband and friends--giving you amazing access into Simone's world as well as into her mental illness that impacted but never destroyed her career. This sort of access alone is more than enough reason to see this film.

By the way, if you like this film, also trying watching another great Garbus documentary, Bobby Fischer Against the World. The character in this film is, in many ways, much like Simone--with lots of brilliance as well as lots of personal demons.

(Rating: ☆☆☆½ out of 4)

This film is highly recommended.

In brief: A documentary that expertly shows the rise and fall of a gifted performer.

GRADE: B+

A riveting documentary entitled What Happened, Miss Simone? by Liz Garbus shows the tragedy of a singer-songwriter through her journals, interviews, and rare archival footage.The film covers similar ground as we watch the downward spiral of yet another gifted performer.

Talented at a young age and trained as a classical pianist, Nina Simone fought against poverty and prejudice to make her mark in the music industry. Like Ms. Winehouse, Miss Simone was a manic depressive performer on the road to fame and fortune. She too dealt with an abusive family member, her husband and manager Andrew Stroud, had numerous bouts with alcohol and violent mood swings amid her frequent mental disorders. At the peak of her career, her finances were a shamble as was her marriage and she became an advocate for the civil rights movement, although her methods became extremely volatile and radicalized in her later years.

This documentary (never distributed in regional movie theaters and available now on Netflix) uses her concert performances and more archival footage from famous celebrities like Hugh Hefner, Dick Gregory, and Stokely Carmichael to narrate Miss Simone's turbulent life. But the most effective interview comes from her daughter Lisa Simone Kelly who narrates the film with a grace and understanding that is genuinely moving. She eloquently reflects back on her life memories about an unhappy home and a mentally ill mother incapable of loving her unconditionally.

Ms. Garbus, the director, offers numerous songs from her repertoire that highlight the talented jazz vocalist, but too often the filmmaker sacrifices these vivid live performances and never plays out the entire concert piece which undercuts the essence of Miss Simone legend. (There is a segment with Miss Simone singing Janis Ian's Stars that is so visceral and raw in its brilliance.) There are also some gaps about certain times in her life that would have been more riveting if the filmmaker have been granted more access to the early archives of this singer. Nevertheless, the film tells a gripping story of a woman who found fame and fortune but lost her way to find real happiness.

Ms. Garbus' tribute to one of the greatest jazz vocalists is worthy of your attention.

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