IMDb रेटिंग
7.4/10
6.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn exposé of rape crimes on U.S. college campuses, their institutional cover-ups, and the devastating toll they take on students and their families.An exposé of rape crimes on U.S. college campuses, their institutional cover-ups, and the devastating toll they take on students and their families.An exposé of rape crimes on U.S. college campuses, their institutional cover-ups, and the devastating toll they take on students and their families.
- 1 ऑस्कर के लिए नामांकित
- 8 जीत और कुल 23 नामांकन
Claire Potter
- Self - Professor of History
- (as Claire Bond Potter)
Kami Winningham
- Self
- (as Kamilah Willingham)
Diane Rosenfeld
- Self - Lecturer on Law, Harvard Law School
- (as Diane L. Rosenfeld)
Carol Ann Mooney
- Self - President, Saint Mary's College
- (आर्काइव फ़ूटेज)
Lizzy Seeberg
- Self - Tom Seeberg's Daughter
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
The Hunting Ground is a really good documentary, that reveals an epidemic in America, one that is still argued about and ignored. The film is often powerful, often real, and often beyond belief. The Hunting Ground is good, but not great because it tells a crucial and relevant story, it handles its subject matter respectfully and powerfully, but it contains a few plot lines that feel detached from the story being told. That being said the film is still worth watching, especially if you're about to enter college, or have children about to enter college.
The Hunting Ground tells the important story of how college's around the country are participating in an unbelievable rape culture in order to keep their images clean. The film begins with, and mostly follows Andrea Pino and Annie Clark on their journey to fight rape culture. The film is powerful, and at times scary because it often shows examples of this, that only help to showcase its message, and put the audience in perspective of what we allow to happen right under our noses.
The film uses many interviews, which are at times hard to watch, but are also important for understanding the problem director, Kirby Dick, is trying to show. The film's tone is one that is tense, and unsettling, sometimes even feeling like a horror film with its use of music. The film also uses humor to help show the ignorance of our culture, for instance there is a moment in the film when a large group of college men gather together chanting "no means yes, yes means anal!" Many colleges will probably detest this film, as right or wrong the film portrays colleges as the main antagonist, however there is factual basis for why they do this.
The film does have a few flaws, such as it's bias being more obvious or present than it should be. By that I mean the film would have been more powerful, and more engrossing if the audience were shown that the colleges have a reason for being the way they are, they aren't evil organizations. Also some of the interviews, as powerful and relevant as they may be, feel detached from the story of Andrea and Annie, which makes the story seem a little too unfocused. Because of this I also found myself occasionally wondering where the film was going, and when it would end.
In the end Kirby's reasons for having these flaws is understandable, as he's trying to cover a topic too large for one film, especially a film that is only an hour and a half. The stories and interviews in this film are powerful, and the film ambitiously attacks a cultural epidemic that does need to be changed. Dick's message comes at a time when society is even more unstable, and changing hopefully lots of people see movies like this and are inspired to act.
The Hunting Ground tells the important story of how college's around the country are participating in an unbelievable rape culture in order to keep their images clean. The film begins with, and mostly follows Andrea Pino and Annie Clark on their journey to fight rape culture. The film is powerful, and at times scary because it often shows examples of this, that only help to showcase its message, and put the audience in perspective of what we allow to happen right under our noses.
The film uses many interviews, which are at times hard to watch, but are also important for understanding the problem director, Kirby Dick, is trying to show. The film's tone is one that is tense, and unsettling, sometimes even feeling like a horror film with its use of music. The film also uses humor to help show the ignorance of our culture, for instance there is a moment in the film when a large group of college men gather together chanting "no means yes, yes means anal!" Many colleges will probably detest this film, as right or wrong the film portrays colleges as the main antagonist, however there is factual basis for why they do this.
The film does have a few flaws, such as it's bias being more obvious or present than it should be. By that I mean the film would have been more powerful, and more engrossing if the audience were shown that the colleges have a reason for being the way they are, they aren't evil organizations. Also some of the interviews, as powerful and relevant as they may be, feel detached from the story of Andrea and Annie, which makes the story seem a little too unfocused. Because of this I also found myself occasionally wondering where the film was going, and when it would end.
In the end Kirby's reasons for having these flaws is understandable, as he's trying to cover a topic too large for one film, especially a film that is only an hour and a half. The stories and interviews in this film are powerful, and the film ambitiously attacks a cultural epidemic that does need to be changed. Dick's message comes at a time when society is even more unstable, and changing hopefully lots of people see movies like this and are inspired to act.
It is as easy as that. You have to watch this film. Everyone should watch it and then have a conversation of why this may be happening.
"The Hunting Ground" is a documentary about rape crimes in US colleges and how many of these stories get covered up for different reasons, including prestige, money or influence. It brings many of the victims and victims' families stories to the light, and a chance for them to be heard.
Even if it dedicates a fair amount of time to the "work" of the universities and the system in keeping these rapes silenced, this is not just a documentary on the reasons behind the cover-ups, but much more. It is the story of the victims and of how some of them have gotten together to try to stop the culture that protects the attackers from being persecuted.
The filmmakers do a very good job in explaining the situation and in giving all the victims a fair amount of time. The stories are balanced and all the factors are easily explained so the viewer can understand how it is these rapes are being, in the majority of cases, just plain ignored.
As said in the summary, this is one of those movies that everyone should watch.
"The Hunting Ground" is a documentary about rape crimes in US colleges and how many of these stories get covered up for different reasons, including prestige, money or influence. It brings many of the victims and victims' families stories to the light, and a chance for them to be heard.
Even if it dedicates a fair amount of time to the "work" of the universities and the system in keeping these rapes silenced, this is not just a documentary on the reasons behind the cover-ups, but much more. It is the story of the victims and of how some of them have gotten together to try to stop the culture that protects the attackers from being persecuted.
The filmmakers do a very good job in explaining the situation and in giving all the victims a fair amount of time. The stories are balanced and all the factors are easily explained so the viewer can understand how it is these rapes are being, in the majority of cases, just plain ignored.
As said in the summary, this is one of those movies that everyone should watch.
A documentary that digs deep into the toxic rape culture that exists on our country's college campuses, The Hunting Ground should be required viewing for any stakeholder involved in college life. In true documentary fashion, the film cuts right to the bones of the issue with such laser-beam precision that it reveals an entire web of corruption that is especially salient considering the rash of victim-shaming that emerges when this issue is brought before many political leaders. Perhaps the most shocking part of this story is the implication that (perhaps because of financial or personal pressures) the presidents of these colleges seem to value the health and safety of their athletic programs above those of their other students. This implication is exemplified with the film's brutally honest treatment of the accusations against Jameis Winston, the Florida State football quarterback who is entering the NFL draft this year. Though the bulk of the film focuses on articulating how colleges—we're talking the heavy hitters like Harvard, Stanford and Berkeley—spend more of their resources on covering up these allegations than actually punishing the perpetrators, the stories of the survivors and their efforts to gain national traction and support leaves the audience with the feeling that things are slowly changing for the better. --Alex Springer
This movie is very timely, yet long overdue.There is a culture on college campuses that have encouraged violent acts against women for a long time. The first hand testimonials drive home the horror some of these young women endured. The one cautionary tale is the testimony of the Winston accuser, as he was not charged, yet she is allowed to tell her story without being questioned or allowing Winston to speak. Her movie testimony was different from earlier versions of her story. In my opinion, her inclusion cheapens the movie and takes a way from the other powerful statements of violence against women on college campuses. It is almost as if the producers wanted to sensationalize the movie by using a well known incident to drive up interest. The subject matter alone speaks for itself. A must see for all incoming freshman women and their parents.
Kirby Dick's latest documentary, The Hunting Ground, is destined to be one of the most important documentaries of the year; I'd be seriously surprised if a Best Documentary Feature nomination at next year's Oscar wasn't all but confirmed at this point. Continuing off of Dick's last film, The Invisible War, which looked intimately at the military's long list of sexual assault cases, The Hunting Ground turns the camera just a little bit to in the other direction to focus on the rape epidemic on America's college campuses.
Before I could even set foot on campus last year, at my private liberal arts school, for my first year of college, I was required to take an online course in sexual conduct and sexual violence. The entire course took roughly an hour and a half (and, no, you couldn't skip through the videos and, yes, you were pervasively quizzed), and even to this day, it's rare I walk around campus for a full day and don't hear something about a campaign to raise awareness about sexual violence or how my college boasts a zero tolerance policy. I have no doubt it still occurs, but as far as I've seen from my school, I think we've got it handled a lot better than many other schools (also because we're not so concerned about our athletics empire, being a school with a Division III football team).
Dick explores how many top tier schools, such as Harvard Law School, Yale, University of North Carolina, Duke, and others have had well over one-hundred cases of sexual assault reported in the span of a decade, but how just about less than two percent (sometimes none) get any form of punishment, be it suspension or expulsion. We learn from clinical psychologists, attorneys, and other professionals that colleges, in order to protect their brand because they are, indeed, selling a product, have made it gravely difficult for sexual assault victims to make their case heard. Colleges also discourage victims from going to law enforcement with their cases, for that increases the chances of the public learning about the assault, which can't be risked in order for the school to protect their brand.
Between a rock and a hard place, with nobody taking them seriously and school administrators asking them morally bankrupt questions like, "how many times did you say 'no?'," "how much did you have to drink?," and even one administrator equating rape to a football game, asking the victim "what would you have done differently?," Andrea Pino and Annie Clark, two rape victims from University of North Carolina, decided to fire back and seek justice. They wound up filing a Title IX complaint against their school, working around the clock by reading court cases, examining past Title IX lawsuits, accusing them of perpetuating an unsafe environment by letting the rapists walk free without any kind of punishment whatsoever. Pino and Clark even wound up taking their movement across the United States, forming an online support group for victims, unifying those who had not only been exploited but unsupported by schools that were allowing this to happen.
One of The Hunting Ground's biggest accomplishments as a film is the fact that it works to expose the great lie and deception of college fraternities. Fraternities, for decades, have been nothing other than a haven for raping, hazing, drugging, and horrible mistreatment of women. Consider Sigma Alpha Epsilon (SAE), one of America's largest domestic fraternities, which is known as "Sexual Assault Expected" by numerous people on university campuses; also consider the fact that this is the same fraternity that, during welcome week, displayed lovely banners on their front lawns thanking parents for dropping off their daughters and informing them that they would teach them things that high school couldn't. These places have been cult-like hellholes for many years and Dick and Ziering don't sugarcoat the vile and disgusting behavior that runs rampant at these places.
The Hunting Ground doesn't stop there either; it works to be an all-encompassing documentary by including male victims of sexual assault, as well as showing how athletes that commit sexual assault are the ones that most frequently come out unscathed. We are acquainted with Erica Kinsman, who you may remember as the Tallahassee college student that came forth saying that Florida State Seminoles star freshman Quarterback Jameis Winston had raped her at a party. Despite going to the administration shortly after it happened, Kinsman found her case lying dormant for far too long, until it finally appeared in the headlines right as Jameis Winston was questionably going to go the NFL and almost a lock to win the Heisman Trophy as a freshman, making it appear that she simply wanted to smear his name. We see the exhaustive process of Winston and the Florida State administration denying comment and failing to come thru during hearings, resulting in a dizzying legal battle that eventually amounted to, you guessed it, nothing.
This is another seriously commendable documentary by Kirby Dick, who's camera always seems to go where few or no cameras are at the present time. He's one of documentary's greatest muckrakers now, making documentaries on the epidemic of sexual assault in places where it's far too easy to cover it up, in addition to other problematic industries like the film ratings board and the Catholic Church. The Hunting Ground is a terrific documentary because, not only does it shed light on this important issue, but it explores the hypocrisy in which colleges handle the issue, drowning out negativity by asserting that schools take this matter "very seriously," in addition to exploring the problem from a variety of different angles. Where it could cop out and focus solely on emotions and emotional manipulation, it forces you to learn, confront, and at the end of it all, make an attempt to act.
Before I could even set foot on campus last year, at my private liberal arts school, for my first year of college, I was required to take an online course in sexual conduct and sexual violence. The entire course took roughly an hour and a half (and, no, you couldn't skip through the videos and, yes, you were pervasively quizzed), and even to this day, it's rare I walk around campus for a full day and don't hear something about a campaign to raise awareness about sexual violence or how my college boasts a zero tolerance policy. I have no doubt it still occurs, but as far as I've seen from my school, I think we've got it handled a lot better than many other schools (also because we're not so concerned about our athletics empire, being a school with a Division III football team).
Dick explores how many top tier schools, such as Harvard Law School, Yale, University of North Carolina, Duke, and others have had well over one-hundred cases of sexual assault reported in the span of a decade, but how just about less than two percent (sometimes none) get any form of punishment, be it suspension or expulsion. We learn from clinical psychologists, attorneys, and other professionals that colleges, in order to protect their brand because they are, indeed, selling a product, have made it gravely difficult for sexual assault victims to make their case heard. Colleges also discourage victims from going to law enforcement with their cases, for that increases the chances of the public learning about the assault, which can't be risked in order for the school to protect their brand.
Between a rock and a hard place, with nobody taking them seriously and school administrators asking them morally bankrupt questions like, "how many times did you say 'no?'," "how much did you have to drink?," and even one administrator equating rape to a football game, asking the victim "what would you have done differently?," Andrea Pino and Annie Clark, two rape victims from University of North Carolina, decided to fire back and seek justice. They wound up filing a Title IX complaint against their school, working around the clock by reading court cases, examining past Title IX lawsuits, accusing them of perpetuating an unsafe environment by letting the rapists walk free without any kind of punishment whatsoever. Pino and Clark even wound up taking their movement across the United States, forming an online support group for victims, unifying those who had not only been exploited but unsupported by schools that were allowing this to happen.
One of The Hunting Ground's biggest accomplishments as a film is the fact that it works to expose the great lie and deception of college fraternities. Fraternities, for decades, have been nothing other than a haven for raping, hazing, drugging, and horrible mistreatment of women. Consider Sigma Alpha Epsilon (SAE), one of America's largest domestic fraternities, which is known as "Sexual Assault Expected" by numerous people on university campuses; also consider the fact that this is the same fraternity that, during welcome week, displayed lovely banners on their front lawns thanking parents for dropping off their daughters and informing them that they would teach them things that high school couldn't. These places have been cult-like hellholes for many years and Dick and Ziering don't sugarcoat the vile and disgusting behavior that runs rampant at these places.
The Hunting Ground doesn't stop there either; it works to be an all-encompassing documentary by including male victims of sexual assault, as well as showing how athletes that commit sexual assault are the ones that most frequently come out unscathed. We are acquainted with Erica Kinsman, who you may remember as the Tallahassee college student that came forth saying that Florida State Seminoles star freshman Quarterback Jameis Winston had raped her at a party. Despite going to the administration shortly after it happened, Kinsman found her case lying dormant for far too long, until it finally appeared in the headlines right as Jameis Winston was questionably going to go the NFL and almost a lock to win the Heisman Trophy as a freshman, making it appear that she simply wanted to smear his name. We see the exhaustive process of Winston and the Florida State administration denying comment and failing to come thru during hearings, resulting in a dizzying legal battle that eventually amounted to, you guessed it, nothing.
This is another seriously commendable documentary by Kirby Dick, who's camera always seems to go where few or no cameras are at the present time. He's one of documentary's greatest muckrakers now, making documentaries on the epidemic of sexual assault in places where it's far too easy to cover it up, in addition to other problematic industries like the film ratings board and the Catholic Church. The Hunting Ground is a terrific documentary because, not only does it shed light on this important issue, but it explores the hypocrisy in which colleges handle the issue, drowning out negativity by asserting that schools take this matter "very seriously," in addition to exploring the problem from a variety of different angles. Where it could cop out and focus solely on emotions and emotional manipulation, it forces you to learn, confront, and at the end of it all, make an attempt to act.
क्या आपको पता है
- ट्रिवियाThe documentary has been denounced by 19 Harvard Law School professors who challenged the accuracy of the film.
- कनेक्शनFeatured in Close Up with the Hollywood Reporter: Documentary (2016)
- साउंडट्रैकAnything Could Happen
Written by Ellie Goulding and Jim Eliot
Published by Sony/ATV Music Publishing
Performed by Ellie Goulding
Produced by Ellie Goulding and Jim Eliot
Courtesy of Polydor Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Hunting Ground?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $4,05,917
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $22,464
- 1 मार्च 2015
- दुनिया भर में सकल
- $4,11,115
- चलने की अवधि
- 1 घं 43 मि(103 min)
- रंग
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