भाव

I come on the set with my lines learned and then I read them like Merry Anders. Usually that's enough, but if the director wants something more, then we go to work. After that the lines come out like Merry Anders working.

[on quitting her acting career] I had a couple of years where I only grossed about three thousand dollars and I couldn't make a living. Dad wrote me a letter and said, "Get out of that movie business, get yourself a decent job, girl!" I was divorced and it's hard to raise a child, have a nice home, put up the appearance of success, drive a car in perfect running shape and everything when you're on unemployment.

[on working with Ted de Corsia in The Quick Gun (1964)] He was just great, though. Just perfect as his character. It helped me in a way because I was supposedly so terrified of him I was speechless.