simnia-1
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Note de simnia-1
I watched this film in 2021, hoping I could determine if I had ever seen it before, since the title sounded familiar. Alas, I did not recognize anything from it. The film is so unremarkable that I may have seen it once but then completely forgot everything in it. Despite my love of the James Bond film "Thunderball" (1965), underwater scenery, attractive ladies, and spy films in general, there was nothing in this film that stood out as interesting, exciting, or particularly attractive anywhere. It is surprising to me they could they have so many great elements in place but still fail to produce even a moderately interesting movie that fit my taste.
Some of the copied elements from Thunderball are: opening credits with a silhouetted lady dancing in front of colored lights, a Paris scene in the beginning with the Eiffel Tower, an outdoor band with congas, a sprawling estate on the seashore with a guard shack, snooping around a suspect's room, a hotel lobby and stairs to the second floor, a (faked) shark attack, a lady agent who is interrogated in an underground room, pulling an enemy agent down from below a deck, an underwater cave, a headquarters with head agents among field equipment and a black technician, a Felix Leiter-looking agent wearing sunglasses, guests around a pool at the estate, an underwater battle with spear guns and knives, a U. S. Navy warship, and boats blowing up at the end.
How did all this fail to make a favorable impression on me? Possibly it was the unrealistic shark jaws device, the intended humorous narration, the leading lady (Andrea Dromm) who bleached her hair beyond blonde into white, beach party type music and dancing instead of classy classical music and romantic dancing, lack of any music in the action scenes, lack of spooky music in the snooping scenes, a limited budget that omitted bomber aircraft and a fleet of warships, lack of classy European settings and mysterious foreign languages, lack of clever gadgets, lack of a good mystery element, and unrealistic fight scenes. Overall it seemed as if the film was intended to be a beach party / comedy film instead of an exciting, believable spy film, and it ended up failing to be any of those genres.
By the way, Andrea Dromm was known from a Summer Blonde commercial in the 1960s. Also, the origin of the film name was hinted at in the film scene where the snooping spy comes across a Frank Sinatra album: remember that the song "Come Fly With Me" was a popular Frank Sinatra song. In fact, that room snooping scene was probably the most entertaining part of the film, due to the humorous narration at that point that sarcastically pointed out the spy's repeated failures to find anything of interest in the room.
Some of the copied elements from Thunderball are: opening credits with a silhouetted lady dancing in front of colored lights, a Paris scene in the beginning with the Eiffel Tower, an outdoor band with congas, a sprawling estate on the seashore with a guard shack, snooping around a suspect's room, a hotel lobby and stairs to the second floor, a (faked) shark attack, a lady agent who is interrogated in an underground room, pulling an enemy agent down from below a deck, an underwater cave, a headquarters with head agents among field equipment and a black technician, a Felix Leiter-looking agent wearing sunglasses, guests around a pool at the estate, an underwater battle with spear guns and knives, a U. S. Navy warship, and boats blowing up at the end.
How did all this fail to make a favorable impression on me? Possibly it was the unrealistic shark jaws device, the intended humorous narration, the leading lady (Andrea Dromm) who bleached her hair beyond blonde into white, beach party type music and dancing instead of classy classical music and romantic dancing, lack of any music in the action scenes, lack of spooky music in the snooping scenes, a limited budget that omitted bomber aircraft and a fleet of warships, lack of classy European settings and mysterious foreign languages, lack of clever gadgets, lack of a good mystery element, and unrealistic fight scenes. Overall it seemed as if the film was intended to be a beach party / comedy film instead of an exciting, believable spy film, and it ended up failing to be any of those genres.
By the way, Andrea Dromm was known from a Summer Blonde commercial in the 1960s. Also, the origin of the film name was hinted at in the film scene where the snooping spy comes across a Frank Sinatra album: remember that the song "Come Fly With Me" was a popular Frank Sinatra song. In fact, that room snooping scene was probably the most entertaining part of the film, due to the humorous narration at that point that sarcastically pointed out the spy's repeated failures to find anything of interest in the room.
I do like this movie. If nothing else, it has pleasant memories from when I saw it with my family, first at a drive-in theater in 1968, then on TV in the early 1970s. It's a decent family movie, sort of an Indiana Jones type adventure movie that should appeal to boys, which it did (to me), there are a number of fairly humorous scenes and lines, and the sex and violence are mostly implied rather than depicted. Even my dad enjoyed the movie, especially rugged Sammy's line "Strain it through your teeth."
On the downside, however, I have to admit it's awfully forgettable. Years after my first two viewings I couldn't remember anything about it other than the "Strain it through your teeth" quote, and even after renting the video in the 1980s, again I forgot virtually everything about it within a few years. Also on the downside is that there is virtually no jungle. "Pink Jungle" is the name of a lipstick, and although the tiny town where the model and photographer land is in a jungly area where the photographer supposedly planned to photograph real savages in a real jungle, and although they buy a purple Cattleya orchid from a passing merchant, somehow the jungle is quickly and completely forgotten from the plot as soon as the couple leaves on a diamond- hunting expedition across an all-desert terrain for the majority of the film. Desert scenery is fine, but it is rightfully a let-down for those who paid to see an adventure set in a jungle. Sorry, no Indiana Jones jungle caverns or giant spiders here. Sadly, the presence of a real jungle in the film probably would have made the film much more memorable: deserts are the standard setting for numerous Westerns, but jungles are more reserved for a few exotic films along the lines of Tarzan films, so jungles are inherently more interesting and exotic--therefore more memorable. If the filmmakers were going to rent helicopters and film desert panoramas anyway, they could at least have treated us to some nice aerial shots.
Speaking of scenery, obviously the film missed some golden opportunities for some female eye candy, too, since the light blue peignoir shown to the Customs men, the "Naked Savage" title, the presence of a female model, and McCune's pressure to have Alison stay in his tent all hint of visuals that are never even approached in the film. Another desert adventure movie, "Mackenna's Gold" (1969), did this right just one year later.
The trio on the expedition (Mr. Morris, Alison, and Sammy) are all likable characters in their own ways, and I was impressed with the smooth acting and demeanor of James Garner (Mr. Morris) and George Kennedy (Sammy). The early part of the movie is highly stereotyped, especially the bar scenes, where the characters even make fun of the cloak-and-dagger stereotypes around them, and there are instrumental bossa nova night club standards from the '60s (e.g., "The Girl from Ipanema," "Summer Samba").
Speaking of music, the soundtrack is much better than I remembered or expected. The opening theme song is an appealing but unknown bossa nova instrumental with Latin percussion and acoustic guitar playing rock chords, and all the night club songs are quite pleasant bossa nova tunes, too. I doubt a soundtrack album exists but it surely would have been very nice.
There's not much more I can think to say about the movie. There are several clever capture evasion tricks throughout the film, and a major twist at the end that is cute but seriously lacks logic or realism, in my opinion. I didn't get any sense of real romance in the movie, although evidently it was supposed to be there. Oh well, if nothing else, the movie should leave you wondering what their local "Lobusta" rum tastes like.
On the downside, however, I have to admit it's awfully forgettable. Years after my first two viewings I couldn't remember anything about it other than the "Strain it through your teeth" quote, and even after renting the video in the 1980s, again I forgot virtually everything about it within a few years. Also on the downside is that there is virtually no jungle. "Pink Jungle" is the name of a lipstick, and although the tiny town where the model and photographer land is in a jungly area where the photographer supposedly planned to photograph real savages in a real jungle, and although they buy a purple Cattleya orchid from a passing merchant, somehow the jungle is quickly and completely forgotten from the plot as soon as the couple leaves on a diamond- hunting expedition across an all-desert terrain for the majority of the film. Desert scenery is fine, but it is rightfully a let-down for those who paid to see an adventure set in a jungle. Sorry, no Indiana Jones jungle caverns or giant spiders here. Sadly, the presence of a real jungle in the film probably would have made the film much more memorable: deserts are the standard setting for numerous Westerns, but jungles are more reserved for a few exotic films along the lines of Tarzan films, so jungles are inherently more interesting and exotic--therefore more memorable. If the filmmakers were going to rent helicopters and film desert panoramas anyway, they could at least have treated us to some nice aerial shots.
Speaking of scenery, obviously the film missed some golden opportunities for some female eye candy, too, since the light blue peignoir shown to the Customs men, the "Naked Savage" title, the presence of a female model, and McCune's pressure to have Alison stay in his tent all hint of visuals that are never even approached in the film. Another desert adventure movie, "Mackenna's Gold" (1969), did this right just one year later.
The trio on the expedition (Mr. Morris, Alison, and Sammy) are all likable characters in their own ways, and I was impressed with the smooth acting and demeanor of James Garner (Mr. Morris) and George Kennedy (Sammy). The early part of the movie is highly stereotyped, especially the bar scenes, where the characters even make fun of the cloak-and-dagger stereotypes around them, and there are instrumental bossa nova night club standards from the '60s (e.g., "The Girl from Ipanema," "Summer Samba").
Speaking of music, the soundtrack is much better than I remembered or expected. The opening theme song is an appealing but unknown bossa nova instrumental with Latin percussion and acoustic guitar playing rock chords, and all the night club songs are quite pleasant bossa nova tunes, too. I doubt a soundtrack album exists but it surely would have been very nice.
There's not much more I can think to say about the movie. There are several clever capture evasion tricks throughout the film, and a major twist at the end that is cute but seriously lacks logic or realism, in my opinion. I didn't get any sense of real romance in the movie, although evidently it was supposed to be there. Oh well, if nothing else, the movie should leave you wondering what their local "Lobusta" rum tastes like.