jonsprint

This is a grand film, and an underrated one at that. Clint Eastwood, in one of his most memorable roles ever, John Wilson, goes out to shoot an elephant while what he really should be doing is shoot a Hollywood movie in the 1950s. The only person on the crew who shares his view and almost understand him is Pete Verril (Jeff Fahey), a writer brought on to improve the script. Although Pete supports Wilson, Pete realizes that the hunt of an elephant is more than just an adventure for Wilson, but an obsession. Wilson is willing to compromise the entire crew's careers and futures just to commit "the only legal sin." The movie has certain themes, including conservation, obsession and movie-making theories. The themes aren't explored too well, which explains the muddled ending. But still this is an enjoyable film. Clint is in top form.

Waiting for Guffman is one of those too-rare motion pictures that actually lives up to the label of "a comedy". Thirty minutes into Waiting for Guffman, my stomach hurt from laughing. Like some of the most brilliant comedies of recent years such as Clerks Waiting for Guffman reminds us of the true meaning of the term "sidesplitting." And, unlike in many of the movies on my "funniest films" list, there's nothing bizarre or twisted about this humor. The laughs dished out by Waiting for Guffman are universally accessible.

Solaris is about a cosmonaut who is sent to a space station revolving around a mysterious planet in the future. The cinematography and production design are haunting- the spaceship is so different than what we usually see in Hollywood. The acting is restraint and works here. Some people have said there is a sense of pretentiousness and rightfully so as some scenes go on way too long. But hey, this is Tarkovsky we speak of. This is one of the finest hard science fiction films and you should see it at any cost.