kvinneslandr

An interesting film with a solid storyline, interesting cinematography, and compelling performances that draw you into the whole effort.

At first I feared the numerous plot twists and turns were going to be too convenient or too obvious as false flags, but the writer and director handled things adeptly when all was said and done.

The three main characters were extremely engaging, and ably supported by the minor players. If you like expressive eyes and two-edged dialog, this is an evening out well spent.

Highly recommended, especially if you need an excuse to start liking the French... (which means you haven't seen Amelie yet). ;-)

I'm surprised this movie is getting as many bad reviews as it appears to be getting... but the occasional good review is very telling, especially Ebert's. I'd recommend reading his review because in my opinion he 'got it', and no need to repeat his observations here.

As usual, MNS comes up with a thinking-man's view of what exactly is disconcertingly eerie and/or profoundly horrible... that which you can't really immediately understand... and even more telling, that which is beyond controlling.

But if your imagination is such that the sudden downfall of society doesn't shock after the first random suicide of a person sitting next to you, or your attention span is such that watching a normally calming pan across a countryside turn into something deeply ominous for more than a few frames bores you, then this won't be a movie to your taste.

Within the microcosms created by MNS in his films, I never walked away with a feeling of having to suspend an untoward amount of disbelief... that seems to be a major complaint of many who are panning this movie, but I don't see it. I can only chalk it up to the 'cynical chic' of the South Park generation... those for whom empathy is an alien concept, to whom ennui is epitomized by screen images which don't provide visual bombardments even few seconds, and by whom mean-spirited irreverence is demanded in lieu of actual humorous or heartfelt dialog.

If the dialog seems simplistic, well, look a bit deeper and realize exactly what 'regular folk' might say or do if the events of this Happening actually were occurring... this is the way the world ends, this is the way the world ends... not with the bang of snappy repartee or quotable sound-bytes, but with the whimper of incredulity and dread.

Complaining about the acting or dialog in The Happening is like complaining about the 'jumpy camera work' in Cloverfield. In short, anyone who just doesn't "get it" to that extent really shouldn't be posting their opinions on movies.

Finding the truly human and poignant moments in the outwardly mundane yet intrinsically significant details of his landscapes and characters is one of MNS's great gifts, and he hits the mark here too.

The cinematography was superb, the actors all hit their strides, the story was compelling, the occasional odd character, visual pun, and good-natured joke worked well... no complaints on that score.

I even went in expecting to be underwhelmed by the acting of the two lead characters, but came out pleasantly surprised.

But then again, I loved The Village, and found many good things about The Lady In The Water... so I guess mine will remain the minority opinion.

But if you have admired MNS's previous work, you will enjoy this film as well.