ekelks-2
A rejoint le août 2005
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
Badges3
Pour savoir comment gagner des badges, rendez-vous sur page d'aide sur les badges.
Évaluations920
Note de ekelks-2
Avis14
Note de ekelks-2
Five seasons of sexy cowboys, lawyers and war vets, violent land grabs, love, death, seduction, betrayal is not enough. Season Six, please! One character does not make a show. This terrific ensemble cast, great writers and that haunting opening credit music is all Yellowstone needs. Family feuds within a family haunted by accidental deaths and intentional murders, a family born to inherit land people died for way back in the 1880s, the 1920s, the 1940s, is cable tv's most exciting and interesting family. Comparisons to The Sopranos are far-fetched. They are not the mob. They are the pioneers of America's children. They don't give up easy. Isn't that what this last episode was about (12//8/24)? Fight back, Yellowstone, dream on!
Your site has amalgamated both Feud series. Outrageous. FIX it, please. The only things both seasons of Feud have in common are Ryan Murphy, showrunner, writer, producer, and Jessica Lange, who plays the ghost of Truman's mother.
This Feud concerns the final sad years of the great writer Truman Capote's life. He climbed to fame with Breakfast at Tiffany's and the true crime book In Cold Blood, about the Kansas murders of the Clutter family, the murders, and the capture and executions of the killers. It was unlike any true crime nonfiction ever written. He used first person to tell the story. Parts were first published in the New Yorker. It was the beginning of New Journalism (see Tom Wolfe, Norman Mailer, Hunter Thompson, Gay Talese, Joan Didion, etc,), combining elements of fiction and nonfiction together.
The Swans had been his trusted friends, wealthy women, Sondheim's 'ladies who lunch.' These ladies and Capote had a standing reserved table at La Côte Basque, 60 West 55th St., between 5th & 6th Avenues, NY, NY. The Swans, according to Harper's Bazaar, were Babe Paley, Slim Keith, Lee Radziwill, C. Z. Guest, Pamela Harriman, Marella Agnelli, Gloria Guiness, and Ann Woodward, who had been accused of murdering her husband, and who then killed herself after Esquire published La Côte Basque, which used Woodward's husband's scandalous affairs and Ann's reaction as 'a major plot point,' according to Town & Country.
The Swans were the wealthy powerful wives of powerful men. Babe Paley was married to William Paley (played here in his last role by Tommy Lee Jones), for example. They themselves had political power -- Pamela Harriman, for example.
After La Côte Basque was published Ann Woodward killed herself. The other ladies also felt that Capote had violated their trust in him. They vowed to shun him, refused to lunch with him, refused to be seen in public with him. They cut him, cut him off, and in the end contributed to his death, alcoholism & overdosing of narcotics.
The series is based on the book by Laurence Leamer: Capote's Women: A True Story of Love, Betrayal, and a Swan Song for an Era. La Côte Basque became part of Capote's final unfinished published work, Answered Prayers, Vintage International, Random House, 1987, published five years after his death. It is divided into three sections: Unspoiled Monsters, Kate McCloud, and La Côte Basque.
This Feud concerns the final sad years of the great writer Truman Capote's life. He climbed to fame with Breakfast at Tiffany's and the true crime book In Cold Blood, about the Kansas murders of the Clutter family, the murders, and the capture and executions of the killers. It was unlike any true crime nonfiction ever written. He used first person to tell the story. Parts were first published in the New Yorker. It was the beginning of New Journalism (see Tom Wolfe, Norman Mailer, Hunter Thompson, Gay Talese, Joan Didion, etc,), combining elements of fiction and nonfiction together.
The Swans had been his trusted friends, wealthy women, Sondheim's 'ladies who lunch.' These ladies and Capote had a standing reserved table at La Côte Basque, 60 West 55th St., between 5th & 6th Avenues, NY, NY. The Swans, according to Harper's Bazaar, were Babe Paley, Slim Keith, Lee Radziwill, C. Z. Guest, Pamela Harriman, Marella Agnelli, Gloria Guiness, and Ann Woodward, who had been accused of murdering her husband, and who then killed herself after Esquire published La Côte Basque, which used Woodward's husband's scandalous affairs and Ann's reaction as 'a major plot point,' according to Town & Country.
The Swans were the wealthy powerful wives of powerful men. Babe Paley was married to William Paley (played here in his last role by Tommy Lee Jones), for example. They themselves had political power -- Pamela Harriman, for example.
After La Côte Basque was published Ann Woodward killed herself. The other ladies also felt that Capote had violated their trust in him. They vowed to shun him, refused to lunch with him, refused to be seen in public with him. They cut him, cut him off, and in the end contributed to his death, alcoholism & overdosing of narcotics.
The series is based on the book by Laurence Leamer: Capote's Women: A True Story of Love, Betrayal, and a Swan Song for an Era. La Côte Basque became part of Capote's final unfinished published work, Answered Prayers, Vintage International, Random House, 1987, published five years after his death. It is divided into three sections: Unspoiled Monsters, Kate McCloud, and La Côte Basque.
There is now an option, watch in Italian! Look at the top of the screen. Subtitles on, audio Italian.
Original post follows, but no longer holds true. I will watch the series then amend it.
Had been looking forward to this but sadly dubbed in English, and refuse to watch anything not using the original language. The timbre, temper of foreign film and television is its original language. Language is our most precious and unique way of expression. It is why imperial powers throughout centuries have forbidden people to speak in their own languages, stripping places and their native peoples of identity. Until Disney and Hulu take their heads out of their accounting books and allow users to listen to what appears to be an exciting epic series .
Original post follows, but no longer holds true. I will watch the series then amend it.
Had been looking forward to this but sadly dubbed in English, and refuse to watch anything not using the original language. The timbre, temper of foreign film and television is its original language. Language is our most precious and unique way of expression. It is why imperial powers throughout centuries have forbidden people to speak in their own languages, stripping places and their native peoples of identity. Until Disney and Hulu take their heads out of their accounting books and allow users to listen to what appears to be an exciting epic series .
Sondages effectués récemment
Total de 44 sondages effectués