we2
A rejoint le avr. 2005
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Avis7
Note de we2
The Hays code instituted in 1930 didn't go into effect until 34. This 1933 movie profited from no Hays censorship. No Man Of Her Own is a wonderful picture. It's sexy, classy and has a touch of humor that had me rooting for a happy ending. Gable, without mustache, plays well with Lombard who is really beautiful and a first rate actress.
Gable shows all of the suave persona that carried him thru his entire career. It's been written that at this time he and Lombard had no personal relationship which developed years later. They were natural here and it is a shame that this is the only film they made together.
A must see film.
Gable shows all of the suave persona that carried him thru his entire career. It's been written that at this time he and Lombard had no personal relationship which developed years later. They were natural here and it is a shame that this is the only film they made together.
A must see film.
Let us assume that television became a popular home medium in 1950. It became affordable at that time. This 1955 B/W version of Victor Herberts music with book and lyrics by Rida Johnson Young comes off well and points the way to what television here in the 21st century could have been. Less a vehicle for total commercialism and more for art. This 75 minute kinoscope is a delight. Max Liebman, producer of many early NBC extravaganzas gave us this gem. Starring Patrice Munsel and Alfred Drake, it comes off well compared to Hollywoods 1935 MacDonald/Eddy version. Just sit back and watch it for what it was intended: pure enjoyment.
Laughs, cheers and tears
This 1936 MGM production has much going for it. Again Harlow rules. Harlow’s performance featuring her unparalleled comedic timing, dancing, and most of all pathos sets the pace for excellent support from the ever smooth Bill Powell. This winner was directed by Victor Fleming (Wizard of Oz, Gone With The Wind etc), and written by David O Selznick (Portrait of Jenny, Duel in the Sun etc). A very young 15 year old Mickey Rooney has an unbilled 2 walk-ons and shows what will come as he progresses up his ladder to stardom. Supporting these are a glib Nat Pendleton, and Ted Healy as Powell’s pals. Healy by the way gave a start to the 3 Stooges in his vaudeville act. But that’s another story. Allan Jones has a singing number here. MGM thought well enough of him to give him a staring roll to Irene Dunne in the following years great production of Show Boat, another must see extravaganza. This film is not a comedy though it starts out as one. Developing quickly into a drama, and eventually a tragedy. Reckless is lavish and is not to be missed. Bring some Kleenex. Again Harlow rules.
This 1936 MGM production has much going for it. Again Harlow rules. Harlow’s performance featuring her unparalleled comedic timing, dancing, and most of all pathos sets the pace for excellent support from the ever smooth Bill Powell. This winner was directed by Victor Fleming (Wizard of Oz, Gone With The Wind etc), and written by David O Selznick (Portrait of Jenny, Duel in the Sun etc). A very young 15 year old Mickey Rooney has an unbilled 2 walk-ons and shows what will come as he progresses up his ladder to stardom. Supporting these are a glib Nat Pendleton, and Ted Healy as Powell’s pals. Healy by the way gave a start to the 3 Stooges in his vaudeville act. But that’s another story. Allan Jones has a singing number here. MGM thought well enough of him to give him a staring roll to Irene Dunne in the following years great production of Show Boat, another must see extravaganza. This film is not a comedy though it starts out as one. Developing quickly into a drama, and eventually a tragedy. Reckless is lavish and is not to be missed. Bring some Kleenex. Again Harlow rules.