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The first time I saw this movie I thought it was good, however, it was nothing spectacular! After seeing it again last night, I realized that this film "First Monday In October" had a very sensitizing identification with the American voter and movie viewer. Exploring the haunting conundrum of "What exactly is the role of government in our lives?". This motion picture elaborates on the necessary challenges which plague our Supreme Court Justices. The general role of the Supreme Court is to assume the role of Devil's advocate when dealing with an issue which requires a final decision. So, if it is up to nine individuals who determine the resonating outcome for the most important issues facing our nation, why then, shouldn't one of these people be a woman? Undoubtedly inspired by the appointment of Sandra Day O'Connor by President Ronald Reagan, the first woman to ever be appointed to the Supreme Court in the history of our nation, this film delves into the redefinition of a woman's role in modern American culture.Now what exactly is the big problem with having a woman on the bench of the Supreme Court anyway? Here's my interpretation: Initially, all Americans, women and men alike, garner a delicate protectiveness towards the feminine gender. Here lies the core issue: We live in a world where rough and tumble prevails, and ultimately, left handed compliments are, emphatically, the most coveted ones. If we act gingerly around women, we ultimately conceal our real feelings towards them, hence, we have manifested a patronizing demeanor towards women that winds up being one of the most heinous insults which women can be the recipients of. What becomes the scourge while being in the company of many typical females; Emotional tip toeing, a pusillanimously yielding deference which is extremely nauseating, or, worst of all, while in front of a crowd of women, men start masquerading a ludicrously childish, sans vulgarity condescension to them. These social amenities serve as a subterfuge for men to provide a proverbial and unrealistic pedestal for women. All of these charades are wry and conciliatory actions which comply with a stilted decorum towards females. Aggregately, there arises a belittlement of women which brings on an onslaught of disconcerting mannerisms. This insincere politeness towards women is a mendacity that vitiates our candid and visceral feelings which are essential in attaining a thorough communication dynamic with each other as people. Ultimately, our societal etiquette which "reveres women" concurrently shortchanges them as human beings. The film "The First Monday In October" establishes an egalitarian criterion for all citizens, such a philosophy was a harbinger of things to come for the 1980's. I found this movie to be insightful and prescient, not to mention a well-made movie with a lot of talent!! I give it a thumbs up!! By the way, I am politically conservative, however, I did concur with Walter Mathiau's contention that our government should not be like scratchy outfits that we cannot wait to take off of our bodies the first chance we get. Our government's policies should correlate to the analogy that the rules and regulations set forth by our nation should be like old clothes that are comfortable!

The bittersweet twist to this movie contains a wonderful element of romanticism that evokes an impetuous passion! These characteristics of idealistic imagery which "Moonstruck" possesses, spur on an end result of a resounding thumbs up verdict by virtually every prominent critic in Hollywood. Let me describe the circumstances to this film, simply put, they are "yesteryear". "Moonstruck" is a cohesive film which sparks the naivety of an old Italian neighborhood in New York City. New York City has always been one big melting pot that is galvanized by many bicker-some mannerisms which are indicative of typical New Yorkers, this includes a lot of Italian Americans living in New York as well! The mid and late eighties brought on an abrupt conclusion to many strong associations with various cultural stereotypes. Ethnicity polarization was a firmly embedded scourge in American history that was far more prevalent several generations before this movie was made. These generalizing proclivities still exist today, however, they are more mollified and less identifiable! For this Italian family of a bygone era, confusion, indecisiveness, agitation, and yes, of course, love, all have the comical camaraderie of an utterly human understanding to them! The kindred spirits with everyone in "Moonstruck" seems to be that of comprehending individual frailties. One might wonder about Cher playing the lead role, as she is more known as an entertainer than a big box office first billing star in a movie. In "Moonstruck", however, I think she was incredibly well suited to her role, and came off as thoroughly believable in a relatively unbelievable situation. All of the characters in "Moonstruck" are very rough around the edges, really tough, and not afraid to have a formidable duel with adversity. The most hilarious aspect to their lives is imperfection, and they are thoroughly aware of the fact that weathering the storm definitely serves a constructive purpose! I thought the acting in this movie was sensational. All relationships in this movie garner an auspicious potential to vividly illuminate because everybody knows how everybody else's basic nature is really like!! For this family, nothing is glamorous, nothing is pretentiously romantic, and nothing is overly emotional (just moderately so). The fact is, this entire family is plainly and perpetually afflicted and overcome by an extremely zealous and candid cupid in all of their lives. Taking moon beams literally can indeed have a pleasantly enervating impact on one's resolve, masqueraded mystique, and resistance to the proverbial am ore'. Thus signifying everything!! The homey and mercurial tenet in this film is basically one of ; Be honest, get angry; Be honest, get confrontational; Be honest, get distorted and emphatic; Most importantly; Be honest, and fall in love!! This is Cher's best performance ever as an actress!! Nicholas Cage, Danny Aiello, and Olympia Dukakis, were wonderfully flawed in "Moonstruck" Such performances by these three were perfectly appropriate for the kinetic energy of the characters in this movie! Director, Norman Jewison (Famous for "Cincinnati Kid", "Thomas Crowne Affair", and most famous for "In The Heat Of The Night" which won the academy award for best picture in 1967) depicts many keen and humanistic instincts in the process of purveying the deliberate incongruity to this film! I am Italian American in descent, (Partially anyways) Cher is not Italian, and, for that matter, neither is the writer nor the director! I guess since non-Italians like eating our food, they may as well use our culture to make a fabulous film too! It is refreshing to know that a film can be marvelous and have an incredibly happy ending!! For those of you who didn't like this movie, I just have one thing to say "Snap Out Of It!!" This movie "Moonstruck" is totally happy go lucky!! Totally eighties!! and Totally five stars!! See it!!

Invariably, almost all of the prominent sitcom critics in Hollywood have rated "Leave it to Beaver" to be one of the all-time classic shows in the whole history of the small screen! Such praise is definitely not too difficult to fathom at all!! The Cleavers became American icons for fifties T.V.. Jerry Mathers was the stellar top draw as "The Beav". Tony Dow was the brother, Wally, Mr All American. Hugh Beaumont, played Ward Cleaver, the perfect husband and father. Last, but certainly not least, Barbara Billingsly assumed the part of June Cleaver, she was so stereotypical of the model wife and mother that many male television viewers would perennially say, "My wife is not perfect, it's not like she's June Clever or something." "Leave it to Beaver" was synonymous with an American utopia which embraced the kindred spirits of the vast majority of families nationwide! Jerry Mathers' role as "Beaver", made him the most popular kid in the United States! June Cleaver (Barbara Billingsly's character) was indicative of the ultimate housewife who became the antithesis of woman's liberation by being egregiously submissive and deferential to her husband, Ward. In reality, however, Barbara Billingsly herself was an integral part of the harbinger of events to follow that would fortify woman's liberation just by virtue of the fact that she was a working woman. In an interview with Barbara, she told a Philadelphia newspaper reporter that she actually never personally wore an apron in her private life ever!! The whole sitcom was predicated on the wiles and chicanery that Beaver engaged in. After the television audience witnessed all of Beaver's troublesome antics, many people who watched "Leave it to Beaver" garnered an enticing empathy for the typical family of the 1950's by attaching a tenet of moral imperatives to everything. In Beaver's own precocious way, he was able to think about his precarious experiences and learn from them. The show "Leave it to Beaver" is considered one of the best shows in the entire duration of television. I think that such an accolade is due to the fact that through this whole series, all Americans could be wide eyed, whimsical, yet very astute about socially acceptable ethics which guided our youth in the RIGHT direction!! I liked "Leave it to Beaver", and I think that the appreciation for this T.V. program is timeless!! By the way, despite some crazy rumors, I do not think Wally's friend, Eddie, was played by Alice Cooper!! "Leave it to Beaver" was spectacular for back then, it is still spectacular today!!