Jediclampett
A rejoint le juin 2005
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Note de Jediclampett
Do you want a buxom foul-mouthed loud punk-rocker chick spewing rage and doom at you? I thought so, then this is the featurette for you. You complacent beer swilling couch potato- hey, wait that's me !
1988, Lydia Lunch lays down this end -of- the Reagan era rant mixing on -target social commentary with her own personal anger. AND THIS LADY'S REALLY ANGRY. Don't honk her off in a diner or you might be wearing that lasagna home, bub. Lydia Lunch Delivers her scathing postmodern sermon first from a studio, then from various blight sites in the big apple; which form a fitting backdrop for her zesty bleakness. Politicians, parents, men and American consumerism all take a beating from the Duchess of Darkness. So if you enjoy unresolved rage, exhilarating profanity and timeless critiques of politics and human nature check out - THE GUN IS LOADED.
1988, Lydia Lunch lays down this end -of- the Reagan era rant mixing on -target social commentary with her own personal anger. AND THIS LADY'S REALLY ANGRY. Don't honk her off in a diner or you might be wearing that lasagna home, bub. Lydia Lunch Delivers her scathing postmodern sermon first from a studio, then from various blight sites in the big apple; which form a fitting backdrop for her zesty bleakness. Politicians, parents, men and American consumerism all take a beating from the Duchess of Darkness. So if you enjoy unresolved rage, exhilarating profanity and timeless critiques of politics and human nature check out - THE GUN IS LOADED.
"Cleo from 5 to 7" tells the story of a young French singer, who fears that she may be seriously ill. What could have been maudlin "movie of the week" soap opera, is transformed by Agnes Varda into a unique movie experience.
The film contrasts Cleo's fear of death with the teeming life of the Paris streets, where street entertainers swallow live frogs and puncture their biceps; and the more normal members of the crowd busy themselves with the usual affairs of business and the heart. A large amount of the film takes place outdoors, with Cleo and the people in her life always walking, running or driving. There is a wonderful scene of Cleo-Distraught over an ominous tarot reading by the fortune teller- descending a circular staircase, her shoe heels clicking out a counterpoint to Michel Legrand's pensive music.
Sometimes just watching the way someone moves is very revealing. Director Varda has a fluid camera style which enlivens every scene. As often happens in European art films the story unfolds in a slow undramatic fashion, but their is so much going on in the image and the text, that you don't mind. Essential viewing.
The film contrasts Cleo's fear of death with the teeming life of the Paris streets, where street entertainers swallow live frogs and puncture their biceps; and the more normal members of the crowd busy themselves with the usual affairs of business and the heart. A large amount of the film takes place outdoors, with Cleo and the people in her life always walking, running or driving. There is a wonderful scene of Cleo-Distraught over an ominous tarot reading by the fortune teller- descending a circular staircase, her shoe heels clicking out a counterpoint to Michel Legrand's pensive music.
Sometimes just watching the way someone moves is very revealing. Director Varda has a fluid camera style which enlivens every scene. As often happens in European art films the story unfolds in a slow undramatic fashion, but their is so much going on in the image and the text, that you don't mind. Essential viewing.