danglar_moscovitz-1
A rejoint le janv. 2005
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Note de danglar_moscovitz-1
I might say that, deep inside, "Lost and Delirious" is a chick-flick, but to those girls (and boys, let's say, because girls are not the only who like chick-flicks) who can look further and deeply. It's a smart, intense and beautiful alternative to "Down To You" or "She's All That". And It's also a gay-themed movie that can be enjoyable to anyone.
The movie focus in Piper Perabo's character, Paulie, which has a homosexual relationship with her best friend, Tory, played by Jessica Paré. Once Tory has no courage to admit to her parents she's gay, and decides to end up the relationship, Paulie freaks out. Everything is seen by the eyes of Mary (Mischa Barton).
Piper Perabo gives the performance of her career. And, if we consider she was in vapid movies like "Slap Her, She's French" and "Coyote Ugly", you'll be very surprised (or even shocked) with the way she make her Paulie a character so intense. Barton and Paré may stand behind, but are also great. It's a movie so well-crafted and beautiful that it's kind of funny the way director Lea Pool manages to make a movie that grows every time in beauty and intensity without losing the focus in real life, real feelings. It's a brilliant movie, a must-see.
The movie focus in Piper Perabo's character, Paulie, which has a homosexual relationship with her best friend, Tory, played by Jessica Paré. Once Tory has no courage to admit to her parents she's gay, and decides to end up the relationship, Paulie freaks out. Everything is seen by the eyes of Mary (Mischa Barton).
Piper Perabo gives the performance of her career. And, if we consider she was in vapid movies like "Slap Her, She's French" and "Coyote Ugly", you'll be very surprised (or even shocked) with the way she make her Paulie a character so intense. Barton and Paré may stand behind, but are also great. It's a movie so well-crafted and beautiful that it's kind of funny the way director Lea Pool manages to make a movie that grows every time in beauty and intensity without losing the focus in real life, real feelings. It's a brilliant movie, a must-see.
I was really speechless after watching "Rollerball". I expected a dull movie, not something so dreadful. "Rollerball" has all the elements to make one of those bizarre cult classics from the 70's and 80's. Except the fun element.
The movie starts with the worst police chase in years. Believe me, any Lorenzo Lamas movie, even one featuring appearances from Dolph Lundgren, can be capable of a car chase better than this: we see Chris Klein running from police in a mix of skateboard and racing-car, in San Francisco. Then, helped by his friend LL Cool J., he goes to an Asiatic country. There, the most popular game is the Rollerball, a mix of basketball and roller-skating that seems to be deadly and a great money-maker. Rollerball is controlled by Jean Reno's character, the average "mad-business-man" stereotype. Then, we learn that Chris Klein is having an affair with his Rollerball partner, Rebbeca Romjin-Stamos.
What comes next is not worth telling. Of course, Chris, LL and Rebbeca will make a rebellion against Jean Reno. But there isn't anything new in this idea. It's wasted by a script that, once tries to make a cheap social critic, then tries to shove action sequences in the screen at all coasts, and both are really bad.
The acting is at the last level. It's incredible to see Jean Reno, an actor that is mostly great (watch "Red Rivers") making such a mess with his role. It's so stereotyped and has so less to do (despite it's importance in the plot) that you can completely forget about it. LL Cool J. is a special case: he keep going well for a while, and then completely disappears, showing that, maybe, good acting wasn't allowed in Rollerball rules.
Oh, the main couple. Chris Klein and Rebbeca Romjin-Stamos. Well, Rebbeca is incredibly sexy in this role, and it's nice to see her in topless scenes, so we can forget she's so bad here. And Klein. Let's just say Chris Klein will NEVER work in an action movie anymore. At least we hope so.
In the end, the movie is a complete mess. Is not only a waste of money, but also waste of time, celluloid and Jean Reno. That is a complete sin. It feels like director John McTiernan wanted so badly to make a stylish movie that he forgot to make a good movie.
The movie starts with the worst police chase in years. Believe me, any Lorenzo Lamas movie, even one featuring appearances from Dolph Lundgren, can be capable of a car chase better than this: we see Chris Klein running from police in a mix of skateboard and racing-car, in San Francisco. Then, helped by his friend LL Cool J., he goes to an Asiatic country. There, the most popular game is the Rollerball, a mix of basketball and roller-skating that seems to be deadly and a great money-maker. Rollerball is controlled by Jean Reno's character, the average "mad-business-man" stereotype. Then, we learn that Chris Klein is having an affair with his Rollerball partner, Rebbeca Romjin-Stamos.
What comes next is not worth telling. Of course, Chris, LL and Rebbeca will make a rebellion against Jean Reno. But there isn't anything new in this idea. It's wasted by a script that, once tries to make a cheap social critic, then tries to shove action sequences in the screen at all coasts, and both are really bad.
The acting is at the last level. It's incredible to see Jean Reno, an actor that is mostly great (watch "Red Rivers") making such a mess with his role. It's so stereotyped and has so less to do (despite it's importance in the plot) that you can completely forget about it. LL Cool J. is a special case: he keep going well for a while, and then completely disappears, showing that, maybe, good acting wasn't allowed in Rollerball rules.
Oh, the main couple. Chris Klein and Rebbeca Romjin-Stamos. Well, Rebbeca is incredibly sexy in this role, and it's nice to see her in topless scenes, so we can forget she's so bad here. And Klein. Let's just say Chris Klein will NEVER work in an action movie anymore. At least we hope so.
In the end, the movie is a complete mess. Is not only a waste of money, but also waste of time, celluloid and Jean Reno. That is a complete sin. It feels like director John McTiernan wanted so badly to make a stylish movie that he forgot to make a good movie.
