Nazar_Vojtovich

I just got a chance to see this movie after seeing all other Rohmer's movies I could get my hands on. After seeing it, I must say it's a superb Rohmer, one of his best, certainly the most accomplished of his Four Seasons, highly reminiscent of My Night With Maud, which still remains my favorite film of the perpetually youthful director. Here you will also find a philosophical discussions on the nature of beauty, love, Pascal's wager (familiar item for a Rohmerian, isn't it?), discussion on personal ('intimate') vs. Catholic faith, the immortality of soul. Of course, the heavy doses of philosophy are beautifully integrated into the film, just like in Maud. These discussions seem organical, natural -- the characters really mean what they say here. Like one character said to the main heroine, "You're articulate, because you let your feelings talk" and "I love you because I can read your heart", even if the heroine seemingly has a change of heart every 5 minutes :)

I must applaud the lead actress(who's also a great beauty) for her heartfelt, genuine performance. I felt like I knew this woman somewhere before, that I could understand her every action and her every thought. The film is also bittersweet, like a many Rohmer films, yet in this film the melancholy feeling is more pronounced, somewhere on par with 'My Night with Maud'. It also reminded me of Richard Linklater's "Before Sunrise"; this film beautifully depicted what feelings Linklater's Jesse and Celine might've had during those long 9 years of separation -- the feelings of longing, of hope, of great joy they'd find in meeting each other again, of "the joy so great it'd be worth giving your life for", in the main heroine's words.

What else to say -- I loved these people, they felt real, genuine, and above all hopeful and blessed by love. I loved Felicie and her absent Charles as much as I loved Rohmer's Maud and Jean-Louis, Linklater's Jesse and Celine, David Lean's Laura and Alec -- that is to say a lot. By the end of the movie they've become my friends.

This wonderful little short film finds Ang Lee at his best! Full of quiet Ang Lee-esquire moments(when the little Dalai-lama guy in the backseat feels hot, he opens the power window, then rolls it back up; the driver looks at him, understands the little guy's urge for cold air(much like that of his native Tibet), cranks down the temp to 65 on the BMW's climate control system.) Of course, the prominent humorous self-conscious Hulk reference didn't go unnoticed by the viewers, including the ones here on IMDb. This is just one instance of director's amazingly light touch.

Also, the music is absolutely wonderful, which wouldn't be that much out of place in Lee's period piece Sense and Sensibility. The music had me smiling throughout this short film, thinking of the connection to the Sense and Sensibility.

I'm amazed by how Ang Lee transformed the film(whose only aim was to advertise the great German cars) into the first-rate cinema by applying fully his sensibilities and preoccupations.