GreyHunter
A rejoint le déc. 2004
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Note de GreyHunter
An unsettlingly realistic depiction of the future.if cats ever make an alliance with highly-advanced robots and artificial intelligencess. This episode is by far the most believable this show has ever produced. I just hope humanity takes need of the warning. Such a future is terrifyingly possible with the ever-increasing sophistication of both electronics and veterinary care. This is the way the world ends, this is the way the world ends, this is the way the world ends, not with a bang but a purr.
God help us all.
(These character minimums are ridiculously high. I don't need this many words to add to my already-padded post here.)
God help us all.
(These character minimums are ridiculously high. I don't need this many words to add to my already-padded post here.)
While I'm adittedly not a massive RHCP fan, I do like some of their output. The problem here isn't an issue of liking or disliking their work. It's that this episode was misguided from the very start. It offered us nothing that a team of animators working for a music video programming network couldn't have conceptualized in a half-hour discussion with the Chili's legal team over a serving of late in some boardroom. It's basically advertising on an MTV scale. It was pointless in the context of "Love, Death & Robots" since, unless Flea dropped dead of a heroin overdose just as it faded to black, it had none of those thing.
For what it was, it was fine, and I'm sure hardcore RHCP fans will enjoy it. It just made no sense as a LDR episode.
For what it was, it was fine, and I'm sure hardcore RHCP fans will enjoy it. It just made no sense as a LDR episode.
The quality of most of these shorts is actually pretty good in terms of camera-work and cinematography. The quality of the acting ios decent too, mostly. There's really nothing to earn a low rating on those grounds. If these are representative of current Mexican cinema, they're actually pretty good exemplars to praise.
Now...the stories and approaches to horror...well, that's another issue. A couple of them weren't bad, primarily the 2nd one, set in a haunted hacienda. But somewhere along the line, Mexican horror filmmaking seems to have equated horror with disgusting and off-putting. And that's a huge problem. When you leave your audience more queasy than scared, you've failed at horror. There;s a reason the genre is called 'horror movies' rather than 'disgusting movies'. Your core audience might be somewhat jaded to gore, but that's not really the reason why (most of them) watch.
Just on filmmaking grounds alone, there's a lot of promise for Mexican cinema on display here. If these filmmakers manage to substitute real horror for excessive viscera, I'd certainly love to watch what they put out.
(Also, several of them drag out shots and scenes for far too long. But that's an easily correctable issue.)
Now...the stories and approaches to horror...well, that's another issue. A couple of them weren't bad, primarily the 2nd one, set in a haunted hacienda. But somewhere along the line, Mexican horror filmmaking seems to have equated horror with disgusting and off-putting. And that's a huge problem. When you leave your audience more queasy than scared, you've failed at horror. There;s a reason the genre is called 'horror movies' rather than 'disgusting movies'. Your core audience might be somewhat jaded to gore, but that's not really the reason why (most of them) watch.
Just on filmmaking grounds alone, there's a lot of promise for Mexican cinema on display here. If these filmmakers manage to substitute real horror for excessive viscera, I'd certainly love to watch what they put out.
(Also, several of them drag out shots and scenes for far too long. But that's an easily correctable issue.)
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