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chartang

A rejoint le avr. 2004
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Évaluations184

Note de chartang
Rome
8,79
Rome
Les piliers de la terre
8,08
Les piliers de la terre
Un monde sans fin
6,98
Un monde sans fin
War and Destiny
6,57
War and Destiny
The Blind Side
7,68
The Blind Side
A Little Thing Called Murder
6,27
A Little Thing Called Murder
Beginners
7,28
Beginners
Jeux de pouvoir
7,18
Jeux de pouvoir
L'Illusionniste
7,59
L'Illusionniste
Le témoin du mal
7,08
Le témoin du mal
Femme aimée est toujours jolie
7,67
Femme aimée est toujours jolie
Family Man
6,87
Family Man
The Messenger
7,17
The Messenger
Révélations
7,89
Révélations
Le Temps de l'innocence
7,28
Le Temps de l'innocence
Chambre avec vue...
7,28
Chambre avec vue...
Orgueil et préjugés
7,89
Orgueil et préjugés
Raison et sentiments
7,78
Raison et sentiments
L'oeuvre de Dieu, la part du diable
7,49
L'oeuvre de Dieu, la part du diable
La proposition
6,27
La proposition
Smilla
6,37
Smilla
La vie d'Adèle
7,78
La vie d'Adèle
Le dernier présage
6,25
Le dernier présage
Le choix de Sophie
7,58
Le choix de Sophie
La fin d'une liaison
7,08
La fin d'une liaison

Listes1

  • Harvey Keitel and Holly Hunter in La Leçon de piano (1993)
    MyMovies: Seen
    • 183 titres
    • Public
    • Date de modification : 28 juin 2014

Avis3

Note de chartang
Sept Vies

Sept Vies

7,6
2
  • 16 janv. 2009
  • Seven pounds of absurdities

    I just can't believe how much this movie has been praised by moviegoers. While aiming at tickling people good sentiments it turns out to be a pursuit of sentimentality by the cheapest means. Apparently most moviegoers don't care a bit for lot of absurdities they are requested to swallow: a man going in and out or even sleeping in an intensive care hospital room as it pleases him; organ donation protocols and procedures put aside at a single man's will; a box jellyfish capable of living in a tank filled with faucet water; transplant of organs which would be totally unfit; to say just a few. Also, moviegoers seem to be totally unaffected by the ambiguous morality, to say the least, that comes out of the main character behavior. I can't be more explicit to avoid spoilers, but try to think about it at the end of the movie. True, actors are at times extremely good as well as photograph and many film technicalities. But that's exactly what leaves one with a feeling of huge resources having been wasted for nothing valuable.
    Caos Calmo

    Caos Calmo

    6,8
    3
  • 5 mars 2008
  • Much ado about nothing

    Can't understand all the fuss about this movie. Yes, the photography is beautiful, but that's about all. Nanni Moretti is very good at playing himself, as usual, no matter what's the name or the role he is given. It's been said that's a movie about the absence of grief: but even to that effect the sense of grief should be somehow, somewhere implied, which it is not in the least. The ending is there just because the movie had to be ended, but it could have happened like that at any point. There is no change or development. Seemingly adult people talk as if they were permanently immature teenagers and a little girl comes out with a typically adult comment on her pairs. Comments upon life, society, corporations, etc., are a sequel of common places typical of talk shows. Would be dramatic sequences seem picked out from fashionable advertising clips and have the same emotional impact. The overrated and over-discussed torrid sex scene is just a softer imitation of hard core platitudes. No doubt there was matter for drama, but apparently the author didn't know how to deal with it: may very well be that, under this viewpoint, the script has been quite truthful to the Veronesi's novel it's been based on.
    Lions et agneaux

    Lions et agneaux

    6,2
    9
  • 28 déc. 2007
  • An unusual, great movie

    I went to see this movie with contrasting feelings, because I read a few reviews in advance. Many of them blamed it for being too didactic, thus lacking the basic qualities a movie should have. Many others praised it in a very ideological way, thus raising in me the fear it was a piece of propaganda. Well, after I spent the 80 minutes watching the movie I thought not even 60 had elapsed, and my attention and empathy didn't ever fail for a single minute. There is no doubt that a movie so extensively based upon dialog is very unusual: but this turns out to be one of its most valuable asset and proves the great value of the script. It is not an action movie in any of the conventional ways: yet I followed it with the attention, the suspense and expectations feelings that usually an action movie raises. I think that indeed it is a sort of intelligence action movie - as such it stands out over the best stuff that visual media performances are usually producing today. The second point I most appreciated has been its ability in portraying the main characters' different viewpoints in a very complex way, as it must be: there were no all round villains nor all round heroes. Doubtless there is a very much defined view and attitude, but it is not supported in a mere ideological way. In fact, it has no clearcut, simple answers to offer to a damningly complex situation full of contradictions as it actually is. It is full of subtleties, in dialog not less than in body languages and settings. It is often moving without ever slipping into cheap rhetoric. It's a movie that in a way "should" be seen and re-seen and reflected and discussed upon to wake up people from all sorts of addictive indifference as well as of addictive "I'm right, they're wrong" self complacency. Last but not least, in my opinion this movie is a good instance of what is needed to roll back anti-American feelings that have been spread out due to the American government policies and behavior in the last decade. May I offer my apologies for my English to the readers that will have had the patience to go through my comment.

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