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Company_of_Wolves

A rejoint le févr. 2004
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Note de Company_of_Wolves
Dance of the Dead

S1.E3Dance of the Dead

Masters of Horror
5,0
  • 10 mars 2006
  • Dystopian

    Tobe Hooper's Dance of the Dead is never going to win over the usual horror crowd. Why's that? Well because it focuses on meaning, message and character as opposed to jumps, gore and kills. For those who watch a horror film just for the kills and gore, give up and go back to The Horror Channel.

    "Dance of the Dead". Tells a story of a angst ridden youth of America, brought on by a total disregard for human safety by those in power. A theme that's becoming more popular in the horror genre with Alexandre Aja's "The Hills Have Eyes" remake. There are no monsters here, save for the corrupted and corroded humanity of the characters.

    A true Masters of Horror episode in that it's directed by Hooper (Whose "Poltergeist" would go on to inspire "Ringu") and based on the short story by Richard Matheson ("I am Legend" and "The Incredible Shrinking Man" are widely considered some of the best sci-fi, and in the case of the former, sci-fi/horror novels around). Hooper captured some of that foreboding, and pessimistic view of that master write Matheson, although hardly to the standard that the novel "I am Legend" did.
    Les prédateurs

    Les prédateurs

    6,2
  • 30 janv. 2006
  • A Master Class is Passion and Style.

    "The Hunger" is a tour de force of passion and lust. Each tale, poetically introduced by Terrance Stamp in season one and David Bowie in season two, brings us into a world of unbridled, un-inhibited passion. The show preaches no self righteous moral, no great and uplifting message is hidden away and more often than not the ending is far from happy. "The Hunger" illustrates how lust is an essential part of our lives, that it need not be denied but is always dangerous.

    Episodes range from the comedic ("Matter of Style"), to Gothic horror ("Necros") and to the perverse ("The Sloan Men"). Based on stores from such talents as horror maestro Graham Masterton ("Bridal Suite" etc…) and directed by a range of highly talented auteur. "The Hunger" is a master class in style from directorial legends and brothers Ridley and Tony Scott.
    La Planète au trésor : Un nouvel univers

    La Planète au trésor : Un nouvel univers

    7,2
    7
  • 15 janv. 2006
  • Swashbuckling Science Fiction

    Treasure Planet is the adaptation of the classic swashbuckling children's tale of Treasure Island by Robert Louis Stevenson. R.L.S originally wrote Treasure Island chapter by chapter for his son, as a bed time story for each night. When the story was first published it was actually condemned by some! Claiming that such violent tales encouraged boys to become ner-do-well's such as the pirates it glorifies! Suffice to say, Disney's futuristic adaptation fails to capture the rebellious nature of the original Treasure Island. Fans and fanatics can gripe all they want if a scene is missing from the book, or if a character's been changed, but as long as the core meaning of the story remains, it's essence. Then adaptation has been successful. Treasure Planet does not capture the essence of the book entirely, in fact it lacks a lot of it's power due mainly to the protagonist. Jim Hawkins of Treasure Planet does not suffer as much as his archaic counterpart, therefore his character does not under go the same heroic journey and does not emerge as profoundly changed as R.L.S original did.

    Aside from that, Treasure Planet makes for a fine adventure film for the whole family. There are moments of joy and pathos to be found throughout. And it is interesting to see a science fiction twist on a pirating classic.
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