SmokeyTee
A rejoint le janv. 2004
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Avis39
Note de SmokeyTee
Racing away to a 8.3/10 you can tell that reviewers are unbiased and informed in their opinion of films. I mean what a fantastic addition to New Zealand cinema. Not.
Firstly respect to the filmmakers for the ballsiness of casting a slightly-too-old, definitely-not-hot-enough, white girl with a mousy mustache as the to-die-for, lesbian and, most significantly, Asian hit woman. WTF..?
Clearly they wanted the kind of clichéd Anime femme fatale that runs around in ridiculous outfits designed for over-sexed 14 year old Japanese girls. You know like the hench-woman with the ball and chain in Kill Bill... You know, like a Tarantino film...
Trouble is Tarantino is derivative pap anyway, so copying him recycling someone or something else is just lame.
The film has about two good lines of dialogue which will probably (sadly, only) resonate with New Zealanders...
Its a crass, clumsy film with lots of awful, clunky, sexual sight-gags and voyeurism that seem a little out of date for today. Confessions of a Window Washer or Alvin Purple era stuff... Two captive women having to untie each other by undoing each other's ropes with their mouths, while in a top-and-tail position - i.e 69ing. Obvious and cringe-worthy... there are many such moments where the intended audience reveals itself to be 14 year old males.
There were some small charms but the characters, excepting the heroine (who was quite good), were all dull as hell. Morrison had a bit of fun in his role but it would have been nice if they had given him the chance to earn the alignment of the audience before revealing himself a crazy cannibal (who happens to be Maori). Instead he was a boring villain.
There were no surprises and the film plodded along, apeing Tarantino as it went.
The film IS clearly trying hard to do 'Tarantino': for example Mariachi music scores a gunfight during a prison escape (actual police, never mind the prison guards, don't carry firearms in this country.
The son of Mr.Cannibal is probably the worst character in the film, there is no acting involved and he is just freaking dull. Apeing Mr.Blonde in Reservoir Dogs before he butchers people he puts his headphones on and has a boogie for the camera. This might have been 'cool' if he could dance or this wasn't done in Reservoir Dogs which these filmmakers really wish they had made. the actor is a flash in the pan with one music video out so this was clearly his music to film career cross over.
It's shame he has no talent for music, dance, or acting... otherwise he'd be the total package.
Missed opportunities abound. The dialogue is lazy. See it on $1 Tuesdays on DVD.
Choice.
Firstly respect to the filmmakers for the ballsiness of casting a slightly-too-old, definitely-not-hot-enough, white girl with a mousy mustache as the to-die-for, lesbian and, most significantly, Asian hit woman. WTF..?
Clearly they wanted the kind of clichéd Anime femme fatale that runs around in ridiculous outfits designed for over-sexed 14 year old Japanese girls. You know like the hench-woman with the ball and chain in Kill Bill... You know, like a Tarantino film...
Trouble is Tarantino is derivative pap anyway, so copying him recycling someone or something else is just lame.
The film has about two good lines of dialogue which will probably (sadly, only) resonate with New Zealanders...
Its a crass, clumsy film with lots of awful, clunky, sexual sight-gags and voyeurism that seem a little out of date for today. Confessions of a Window Washer or Alvin Purple era stuff... Two captive women having to untie each other by undoing each other's ropes with their mouths, while in a top-and-tail position - i.e 69ing. Obvious and cringe-worthy... there are many such moments where the intended audience reveals itself to be 14 year old males.
There were some small charms but the characters, excepting the heroine (who was quite good), were all dull as hell. Morrison had a bit of fun in his role but it would have been nice if they had given him the chance to earn the alignment of the audience before revealing himself a crazy cannibal (who happens to be Maori). Instead he was a boring villain.
There were no surprises and the film plodded along, apeing Tarantino as it went.
The film IS clearly trying hard to do 'Tarantino': for example Mariachi music scores a gunfight during a prison escape (actual police, never mind the prison guards, don't carry firearms in this country.
The son of Mr.Cannibal is probably the worst character in the film, there is no acting involved and he is just freaking dull. Apeing Mr.Blonde in Reservoir Dogs before he butchers people he puts his headphones on and has a boogie for the camera. This might have been 'cool' if he could dance or this wasn't done in Reservoir Dogs which these filmmakers really wish they had made. the actor is a flash in the pan with one music video out so this was clearly his music to film career cross over.
It's shame he has no talent for music, dance, or acting... otherwise he'd be the total package.
Missed opportunities abound. The dialogue is lazy. See it on $1 Tuesdays on DVD.
Choice.
I thought this was a GREAT film when it released and saw it a few times - I guess I was 16 or so at the time.
Seeing it again it is a by-the-numbers caper film. James Horner's music sets the mood often over-the-top intense or super light "boy's adventure"...
There is a lot of 'humor' which is very light and usually very dry. I think this film, despite it's being a tricksy one is best for oldies who can keep up.
The story is a simple double caper setup - steal the goods and then steal them again except harder. But anyone watching will notice that for a bunch of crack security experts the characters behave a little stupidly...
Plot holes, occasional sub-par dialogue, out-of-place music and characters that are a bit dull this remains a solid, undemanding thriller.
Seeing it again it is a by-the-numbers caper film. James Horner's music sets the mood often over-the-top intense or super light "boy's adventure"...
There is a lot of 'humor' which is very light and usually very dry. I think this film, despite it's being a tricksy one is best for oldies who can keep up.
The story is a simple double caper setup - steal the goods and then steal them again except harder. But anyone watching will notice that for a bunch of crack security experts the characters behave a little stupidly...
Plot holes, occasional sub-par dialogue, out-of-place music and characters that are a bit dull this remains a solid, undemanding thriller.
This is a well made, at times bleak, dark and funny film - you never quite know what to expect. This is no more obvious than with the start of the film which commences with what appears to be a sexed up cigarette commercial (the kind that would have invariably preceded the film when it was in cinemas) featuring a hot couple blasting about in their convertible. This all ends very, suddenly and very badly and decades later Tarantino would steal/borrow the same device and make it the pivotal moment in Deathproof...
The film drifts along introducing you to a fairly bizarre town called Paris in the Australian countryside and there is a lot of brooding and suspense but it doesn't really build because you never know quite what is what or what will come next.
The film terminates with a fantastic scene of violence that I will not reveal in any detail here. It really, really appealed to my sense of humor and I hope it does yours - if you take the time to see it.
The film drifts along introducing you to a fairly bizarre town called Paris in the Australian countryside and there is a lot of brooding and suspense but it doesn't really build because you never know quite what is what or what will come next.
The film terminates with a fantastic scene of violence that I will not reveal in any detail here. It really, really appealed to my sense of humor and I hope it does yours - if you take the time to see it.