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Elvoid

A rejoint le août 2004
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.

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Note de Elvoid
Vidéodrome

Vidéodrome

7,2
  • 12 oct. 2004
  • A bible for the video era

    Cronenberg's "Videodrome" is about television and mass media. It is a horror movie. Right. But saying this is reducing a film that is above all a video prophecy, a statement on electronic image and its mental power. The only lack in it is the fact that Cronenberg might not have realized the prophetic inner power of his work and made it a classic length feature when it should have lasted something like three hours and told a much more precise path of Max Renn as a video Jesus Christ or something. The good thing is, as it is, "Videodrome" is the starting point of numerous video reflexions. A proposition for future generations that will start shooting (and already have) with video and will have forgotten or even never known there once had been such a thing as argentic film. At the same time, the film can be seen as a reactionary statement against that "new flesh" it is talking about. The digital flesh. But then remember Nietschze was used by Hitler as a prophet of the Aryan culture. So, is Cronenberg the Nietschze of a Reich that will claim for the return of a flesh made of meat ? The return of a cinema made of organic emulsions ? Check it out and make up your mind. But beware, "Videodrome" has a jihad subtext. If you read it well, you will have to choose your side. Will you run with the new flesh ?... But then, what is the new flesh ??? "Videodrome" could have been as powerful as "Akira" or "Blade Runner". It took the option to let you make it that powerful. And that's pretty cool that way !
    Une étrange affaire

    Une étrange affaire

    7,0
  • 28 sept. 2004
  • Monarchy in 1981... still works today.

    This film is shy, one of those you'll fall over on a sleepless night, on an obscure TV station. And you'll find yourself attracted by its awkward mood and characters (check Jean Pierre Kalfon's performance, amazing here). Truth is, "une étrange affaire" is an "étrange" masterpiece, and I'm not ashamed to say it could have been a Kubrick film in the way it depicts extremely accurately the relationship between a king and his court, and the behaviour of mind bent court followers and how this relationship can work today, in a democracy. Piccoli is at his best, so are Balmer and Kalfon (two very under used and rated french actors) and this is probably Lanvin's best flick (that's if you're a fan of the guy). The film is cruel, and shows how easily a man can get his mind twisted, be it by a ceo or out of a "big company" context, anyone standing on any upper level and how weak and cheap the ways to use are. On that sleepless night, try to stay awake, you won't regret it, even at 4.00 AM.
    2 Fast 2 Furious

    2 Fast 2 Furious

    5,9
  • 7 sept. 2004
  • It is good... in a way.

    I'm one of the few who though "Fast & Furious" was a bad rip-off from Bigelow's masterpiece "Point Break". L.A. setting was not bad, Diesel was OK, but the rest sucked, and don't tell me about the cars. Enter "2Fast 2Furious". A lame plot, right ? But who cares when the cars eat the whole bloody screen ! They roar, they're flashy as hell and Devon Aoki is one of the most gorgeous kitties you will see these days in a film (deserves the spin-off). It will blow your 5.1 system off with engine rage and Miami bass, but that's not even the point ! Singleton is smart enough to shoot computerized cars with computerized cameras. What the hell if he doesn't care about the rest ? Having Aoki is already a cherry. Whoever comes here to see a major film is a DONKEY ! But the ones who come here to see a good racing car film, well, will be disappointed by the plot, and the acting too... OK... BUT THE CARS MAN ! They rock and such cars have never been as well shot. Now, for the ending, I like to talk about "Two lane Blacktop", my favorite film of all time, which happens to be a car film and moreover, a racing car film. Well, this one proposed two directions to follow the car film path. 2003 saw the expression of both. One, the ethic one, is Gallo's "The Brown Bunny". Good but boring as hell, but good. The other, that's the aesthetic one, is "2fast 2furious". Would it have been for a plot that was not a mere lost episode of "Miami Vice", "2f2f" may have become the modern reference for car films. 2 bad, this detail ruined the film and his reputation , but anyone saying "2fast" is crap and "Pitch Black" is good should think again. "2fast" is crap, right, but it's a hell of a shiny crap and never sold itself as more than that. Know this, and enjoy !
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