gsnoorky
A rejoint le juil. 2004
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Note de gsnoorky
I liked the movie from the 80s on. It's true that many of the activities portrayed are not appropriate today. Of course a lot of people hate this movie, but they generally hate this genre of movie, anyway, right?! I was especially moved by the sex scene with Harkin (Patrick Houser) and Sunny (Tracy N. Smith), the guitar serenade (written by folkie John Stewart), the hot tub scene with Shannon Tweed, and the gondola scene. It's very rare for such sex scenes to move me in other like movies of that period: I think that director Peter Markle handled the sex scenes very tastefully.... The skiing scenes were also really well done, also, but one often may see that the stunt skiers are different from the actors (duh!).
It's true, also, that some of the plot contains dumb male humor. However: I remember the names of the actors that I liked in the key romantic and sex scenes, and some others, so the movie did move me....
It's true, also, that some of the plot contains dumb male humor. However: I remember the names of the actors that I liked in the key romantic and sex scenes, and some others, so the movie did move me....
The response to this film was a little more negative than I expected. I liked the film better than Tolkin's "The Rapture." It's one of my favorites to watch for non-serious viewing.
The film has a quirkiness, even a spookiness, that, apparently, many dislike and don't understand. I wanted to recount the plot; however, since that's not desired, I don't see why other reviewers think the plot is so implausible.
Peter Weller's and Judy Davis' characters seem to be mismatched partners, but is that so implausible? This dissonance was probably intended, but disliked by many viewers. Anyway, the main characters compromise themselves in many ways: I think Peter and Judy do well in the movie.
I also like Adam West in his small part, and the under-rated Patrick Bachau plays his part as a new-age guru with urbane spookiness. Corbin Bernsen has a small part at the beginning as the boss for Peter Weller's character (Weller's character is conveniently named "Peter.")
Finally, I like the depictions of certain new-age ceremonies and personalities--this is rare in movies.... I think the movie is thoughtful. It does not have much action, but don't most action films today flagrantly violate the law of "suspension of disbelief?"
This film will not be liked by the multitude in America with the attention span of a gnat.
The film has a quirkiness, even a spookiness, that, apparently, many dislike and don't understand. I wanted to recount the plot; however, since that's not desired, I don't see why other reviewers think the plot is so implausible.
Peter Weller's and Judy Davis' characters seem to be mismatched partners, but is that so implausible? This dissonance was probably intended, but disliked by many viewers. Anyway, the main characters compromise themselves in many ways: I think Peter and Judy do well in the movie.
I also like Adam West in his small part, and the under-rated Patrick Bachau plays his part as a new-age guru with urbane spookiness. Corbin Bernsen has a small part at the beginning as the boss for Peter Weller's character (Weller's character is conveniently named "Peter.")
Finally, I like the depictions of certain new-age ceremonies and personalities--this is rare in movies.... I think the movie is thoughtful. It does not have much action, but don't most action films today flagrantly violate the law of "suspension of disbelief?"
This film will not be liked by the multitude in America with the attention span of a gnat.