hermit-23
A rejoint le avr. 2003
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Note de hermit-23
All aboriginal peoples knew, through direct experience, that the source of them, was that they were born out of the Mother (forest, sea, desert, tundra, ice&sea&sky - all was/is alive and conscious and wild and willful.
The artistic mind/imagination sees beyond, and into mystery. Military mind discovers "the shimmering", a barrier/gateway. Soldiers are sent in, and only one comes out, having lost connection to time and space, and life and form.
This film should be viewed with "Arrival", "Stranger Things", and the TV series: "Jonathan Strange and Mr. Norrell". Once you get it, you will realize that all of us are having dreams remembering Faerie, and the return to our world of the magics of the moon.
The artistic mind/imagination sees beyond, and into mystery. Military mind discovers "the shimmering", a barrier/gateway. Soldiers are sent in, and only one comes out, having lost connection to time and space, and life and form.
This film should be viewed with "Arrival", "Stranger Things", and the TV series: "Jonathan Strange and Mr. Norrell". Once you get it, you will realize that all of us are having dreams remembering Faerie, and the return to our world of the magics of the moon.
Sometimes TV shows and books are just a lot of flash, and the talking irrelevant to the tale, which is mostly pictures, action, special effects and other magical movie arts&crafts.
In this series if you don't follow the dialogue carefully, you will miss the meat of the series. The main character plays an unusually trained human being: an Envoy. He arrives in a future where his "kind" are only legends, so like many reviewers and others who don't really know the books, it is possible to not see the underlying struggle.
It is not a detective story. It is only marginally cyberpunk (whatever that really is). Like William Gibson and Ursula K. Le Guin, this book (as captured by the series) is about Ideas, ... about thinking about stuff ... Morgan is an acute observer of life, and this is his canvass. with which to speak to the human condition, and the possible dangers towards which our unrestrained hungers will lead ...
To see that you have to follow the dialogue, carefully. An Envoy has a set of skills and a kind of Character, which few have today. He looks for the best result, and outsmarts every game any character runs at him. He just doesn't mind violence and messes, and of course, no body really sees him coming ... I've watched it twice through in three days.
In this series if you don't follow the dialogue carefully, you will miss the meat of the series. The main character plays an unusually trained human being: an Envoy. He arrives in a future where his "kind" are only legends, so like many reviewers and others who don't really know the books, it is possible to not see the underlying struggle.
It is not a detective story. It is only marginally cyberpunk (whatever that really is). Like William Gibson and Ursula K. Le Guin, this book (as captured by the series) is about Ideas, ... about thinking about stuff ... Morgan is an acute observer of life, and this is his canvass. with which to speak to the human condition, and the possible dangers towards which our unrestrained hungers will lead ...
To see that you have to follow the dialogue, carefully. An Envoy has a set of skills and a kind of Character, which few have today. He looks for the best result, and outsmarts every game any character runs at him. He just doesn't mind violence and messes, and of course, no body really sees him coming ... I've watched it twice through in three days.
The one review I read, missed the point of the series. Years ago, Gene Siskel would say: don't watch a movie to see if it meets your expectations of how you would make that movie, but rather to see what the film-makers intended, and how well then did they succeed.
This is not a Western, although it "looks" like one. Having little money to spend, a story gets told of women in the West, and how hard it could be from their point of view. The women here are not the eye- candy of a typical Western. These women are the heart of a struggle to survive the vagaries of male impulsiveness, in a physical environment where there are no effective laws.
It is carefully photographed, with plays of light and dark that evoke mood, sometimes even mystical. Sure, the cast is weak against the wiles of the Hollywood pros, but scene after scene is sure in its emotions, and internal dilemmas faced, where something must be done, and no hero is going to ride in and save the day.
The women, old, young, babies, drunks, angry, scared, find a way to be together, and it is neither a romantic fairy tale, nor an story with all the lines straight and easy.
It is visually superb. Draws you along, while containing a realism that is not easily dismissed, or easy to watch. If you don't watch it alone, you'll have plenty to talk about.
This is not a Western, although it "looks" like one. Having little money to spend, a story gets told of women in the West, and how hard it could be from their point of view. The women here are not the eye- candy of a typical Western. These women are the heart of a struggle to survive the vagaries of male impulsiveness, in a physical environment where there are no effective laws.
It is carefully photographed, with plays of light and dark that evoke mood, sometimes even mystical. Sure, the cast is weak against the wiles of the Hollywood pros, but scene after scene is sure in its emotions, and internal dilemmas faced, where something must be done, and no hero is going to ride in and save the day.
The women, old, young, babies, drunks, angry, scared, find a way to be together, and it is neither a romantic fairy tale, nor an story with all the lines straight and easy.
It is visually superb. Draws you along, while containing a realism that is not easily dismissed, or easy to watch. If you don't watch it alone, you'll have plenty to talk about.