brunobetesda
A rejoint le févr. 2010
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Note de brunobetesda
It's ironic that the worst episode of the entire series is followed by one of the best episodes (How Your Mother Met Me). I really enjoyed the end, but i have to agree with those who say that the 9 season of this amazing show almost ruined the show itself. And it's so sad because a show its always remembered by its final season, in my point of view. It was a wasted episode. The authors should have used this time to show us a little more about the mother, a little more about her relationship with Ted. The criticism around the final episode is, at least the most part of it, around the short time of Mother's life on screen. In sum: unfunny, wasted time, boring episode.
Nas Garras da Patrulha (In the grip of the patrol)is an example of how good the Northeast Brazil's humor can be. Made from an almost cottage industry, with figures depicting scenes and circus, this series of TV audience is almost unanimous among the public of Ceara state, where is the TV Diário, producer of the TV show. This series is full of social criticism, both local customs and social injustice. This causes the lower layers of the population identify themselves with the series. A feature of the Nas Garras da Patrulha is the fact that only four comedians do more than 40 characters, mimicking different types of voices, creating slogans that come to the common vocabulary of the people of Ceara and the Northeast of Brazil.
This soap opera is the most magnificent metaphor for Brazilian society, enslaved by religion and the power of politicians and aristocrats. This work was censored by the military dictatorship in the 70s, after writing a few chapters. The Brazilians could only feel the full power of creative and critical Dias Gomes almost ten years later, when political liberalization allowed the soap opera was again recorded and displayed.
Dias Gomes had the courage to talk about topics that were previously taboo on TV and got an audience that hit more than 90% in IBOPE, which is the index that measures the audience in Brazil.
Roque Santeiro is simply the greatest dramatic work of Brazilian TV of all time.
Dias Gomes had the courage to talk about topics that were previously taboo on TV and got an audience that hit more than 90% in IBOPE, which is the index that measures the audience in Brazil.
Roque Santeiro is simply the greatest dramatic work of Brazilian TV of all time.