Laober
A rejoint le nov. 2009
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Note de Laober
Honestly the film it self was not as bad as 1/10, if not for the brain-washing CCP propaganda, I'd probably given it a 2/10 -- 1 point more for the fair performances of Gong Li, Yu Rongguang, Wang Xueqi and Liu Xiaoning.
Ge You's character and performance were both awfully inconvincible, he was a joke in this film (even more hilarious than the product placement marketing of Yun Yan brand Chinese cigarettes). Ge You was born to be a comedian, thus any attempt in other genres would ultimately lost in vain.
It took me a while to believe that this was yet another Zhang Yimou/Gu Changwei film. The direction and cinematography were both disasters. It was funny how it even took the director Zhang Yimou himself a long time to take credit for this possibly one-of-his-worst film.
So the question is why? Why would they make such a piece of crap and publish it? The answer is simple yet sophisticated in its own way - politics.
First of all, The relation between mainland China and Taiwan is never friendly. And second, notice the time when this film was released - 1989, however strangely I couldn't find out the exact date when it's released; hence I guess it was right after or even during the infamous Tian'anmen massacre. The massacre was covered and defined by CCP as "a violent riot of a small group of people manipulated and oriented by foreign anti-China forces".
The CCP have always controlled the media and I guess it's probably why the exact release date is censored, only not to let me or any other people who are interested in this political swindle relates this film to the massacre. The terrorists factor in this film was obviously a metaphor of the so-called "anti-China forces".
CCP released this film only to show her people (as well as the Taiwanese) that the party is powerful enough to reign her regime, and that's disgusting to me since it's nothing but mental masturbation -- no different than a Nazi propaganda film -- or even worse, for Nazi propaganda films were never ridiculously affected with metaphors; the III Reich film makers under Goebbels' lead were at least masturbating with honesty and decency.
Ge You's character and performance were both awfully inconvincible, he was a joke in this film (even more hilarious than the product placement marketing of Yun Yan brand Chinese cigarettes). Ge You was born to be a comedian, thus any attempt in other genres would ultimately lost in vain.
It took me a while to believe that this was yet another Zhang Yimou/Gu Changwei film. The direction and cinematography were both disasters. It was funny how it even took the director Zhang Yimou himself a long time to take credit for this possibly one-of-his-worst film.
So the question is why? Why would they make such a piece of crap and publish it? The answer is simple yet sophisticated in its own way - politics.
First of all, The relation between mainland China and Taiwan is never friendly. And second, notice the time when this film was released - 1989, however strangely I couldn't find out the exact date when it's released; hence I guess it was right after or even during the infamous Tian'anmen massacre. The massacre was covered and defined by CCP as "a violent riot of a small group of people manipulated and oriented by foreign anti-China forces".
The CCP have always controlled the media and I guess it's probably why the exact release date is censored, only not to let me or any other people who are interested in this political swindle relates this film to the massacre. The terrorists factor in this film was obviously a metaphor of the so-called "anti-China forces".
CCP released this film only to show her people (as well as the Taiwanese) that the party is powerful enough to reign her regime, and that's disgusting to me since it's nothing but mental masturbation -- no different than a Nazi propaganda film -- or even worse, for Nazi propaganda films were never ridiculously affected with metaphors; the III Reich film makers under Goebbels' lead were at least masturbating with honesty and decency.
I never knew that the major half of grain we grew were to produce energy or to feed the animals to make produce meet, while the major half of people in this world suffer from hunger. What an irony fact.
The footages used in this great documentary are of very high quality, beautifully edited to illustrate a simple idea: save the earth.
The elegant music tenderly melt with the pictures, somehow reminds me of Kubrick's 2001.
I watched the film with English VO, Glenn Close's voice is very warm and convincing.
A great modern documentary for the masses.
The footages used in this great documentary are of very high quality, beautifully edited to illustrate a simple idea: save the earth.
The elegant music tenderly melt with the pictures, somehow reminds me of Kubrick's 2001.
I watched the film with English VO, Glenn Close's voice is very warm and convincing.
A great modern documentary for the masses.
Weirdly funny and hopelessly sad.
A gem in the history of Japanese Pinku Eiga and one of Tatsumi Kumashiro's best.
A tragedy of an unsuccessful director who never would stop chasing his dream of porno films, however unfortunately let down time and time again by people around him -- something I believe is exactly the reflection of Tatsumi Kumashiro himself.
The editing of sound and montages are very intriguing and imaginative, all nicely and smoothly blended into the black humorous feel of sadness of this wonderful film.
All of the actors and actresses in this film are talented; all of them did very good to diliver a general feeling mixed of helpless boredom and ignorant discommunication by their decent and responsible performances.
There is a very interesting scene in the beginning where the director(the character) walks the actress (the character) in the zoo and tries to enlighten or kinda persuade her into another porno. They are walking vertically backwards towards a group of elementary school pupils when suddenly an oldman flashed across the camera intentionally, finally the director managed to talk the actress into what the actress clearly lacked interests in front of the cages of giraffes when they'd walked past the group of pupils. Try get a vision of the image: oldman - grownup - children - giraffes (the grownup were misled backwardly to degenerate into animals). Tatsumi Kumashiro obviously use this peculiar setting to mock porno films in a unique sarcastic way, even though a PORNO is exactly what he was making, which is very cool to me.
A gem in the history of Japanese Pinku Eiga and one of Tatsumi Kumashiro's best.
A tragedy of an unsuccessful director who never would stop chasing his dream of porno films, however unfortunately let down time and time again by people around him -- something I believe is exactly the reflection of Tatsumi Kumashiro himself.
The editing of sound and montages are very intriguing and imaginative, all nicely and smoothly blended into the black humorous feel of sadness of this wonderful film.
All of the actors and actresses in this film are talented; all of them did very good to diliver a general feeling mixed of helpless boredom and ignorant discommunication by their decent and responsible performances.
There is a very interesting scene in the beginning where the director(the character) walks the actress (the character) in the zoo and tries to enlighten or kinda persuade her into another porno. They are walking vertically backwards towards a group of elementary school pupils when suddenly an oldman flashed across the camera intentionally, finally the director managed to talk the actress into what the actress clearly lacked interests in front of the cages of giraffes when they'd walked past the group of pupils. Try get a vision of the image: oldman - grownup - children - giraffes (the grownup were misled backwardly to degenerate into animals). Tatsumi Kumashiro obviously use this peculiar setting to mock porno films in a unique sarcastic way, even though a PORNO is exactly what he was making, which is very cool to me.