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ckiral

A rejoint le janv. 2003
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Note de ckiral
Johan Cruijff - En un momento dado

Johan Cruijff - En un momento dado

7,1
  • 12 oct. 2004
  • Wonderful Documentary

    This film should not be treated as a mere football (or soccer in US terms)related documentary. There is much more than just a football star. The film is designed around Barcelona'a Catalan identity, and how Cruffy has uplifted the entire Catalan community's morale and self esteem during his years as a player and a coach. The film starts with Catalan related motives, and continues with Cruffy's football and personal qualities. I especially liked the fans' imitation of Cruffy's well-known figures and moves. I guess this is one of the best documentaries for a sports person. When I was young, I didn't like Cruyff, but after watching the film, my opinions has changed drastically. I truly recommend it to all documentary and Cruffy fans.
    Attention, les enfants regardent

    Attention, les enfants regardent

    6,5
  • 22 janv. 2004
  • a nice and typical French thriller

    I just watched this film on tv few hours ago...A typical French thriller, with typical dialogue setting around an interesting story...I watched this just because of Alain Delon's name, but it ended up being a nice thriller after all....Delon was probably at his best looking days...slightly overweighted than his usual thin view, but he had his part very nicely put....I always have a profound respect for French film makers for following their unique code of film making style, which is way out of typical Hollywood cliches....this is one of such films...you won't regret your time...
    La fenêtre d'en face

    La fenêtre d'en face

    7,2
  • 12 déc. 2003
  • a magnificent film with most elegant senses

    As soon as I walked out of the movie theatre I said to myself I should write something about this film. But, who am I to write about it? I am not a journalist or somebody like that whose opinions are read all over. So, I started to talk about it to all my close friends. At least I could have influenced the people close to me. Then came IMdB to my mind. I sat down to write about it, but then it took me several minutes to hit the keyboard. No, it's not because there is nothing to write about the film. On the contrary, there is just so much to write, I can't figure out how to start.

    Let me start to say like this: I watched it last night, and all my day today I have the frames hoovering around my mind, notes of the soundtrack ringing my ears. I spent extra hours in the middle of Istanbul's heavy traffic just get its soundtrack CD, but, my efforts in reaching it resembled Davide's efforts for finding Simone....all sold out.

    As they say about some legendary directors, Ferzan Ozpetek's film has something to do with the fragile senses of life, not so much to bring tears into your eyes, but so much to tickle your fragile senses. He never chose to create a full blown drama, he never used cliche Hollywood tactics. In this film, it starts out to be a story of an ordinary middle class Italian family, having the typical life problems. Then, as the time passes, the film grows into itself and turns out to be one of the finest enjoyments of the silver screen. The scenes where Giovanna and Lorenzo chase Davide to the closed shop and then to the little caffee, the seemless changes of characters as the camera moves in circular motion, the dance of Davide with Giovanna, the cake making, all like a gentle hand caressing our fragile feelings. Excellent director of photography, magnificent music, larger than life actings of Mezzagiorno and Girotti were the reminicinces of last night's feast in my mind.

    I don't know why, but Ozpetek always have something to say about gay relations. This film could have been as magnificent or may be more in a straight relationship story. Ozpetek moves his camera very gently, use the most relevent music themes to trigger quite elegant feelings of our lives. After seeing this film, I've realised how much I was surrounded by the cliche Hollywood films, all following pretty much the same formula. For those who haven't seen it yet, I guarantee at least that you shall experience a quite a different and interesting enjoyment, may be the most different one.

    The film ended, and I stayed to the very end of the credits just to listen more of the great music. The last scene where he zoomed into Mezzagiorno's enchanting eyes was like a Sergio Leone closeup. Leone chose to zoom into his men with no name, Ozpetek chose to zoom into his real life characters...those characters that have the most elegant feelings in their eyes....and Giovanna Mezzogiorno...how can I describe that plain beauty? If I was to encounter somebody like her, I'd undertake all the penalties of life just to look a bit into her eyes. I wouldn't be able cook as good cakes as Davide, but do whatever it takes to make sure she stays there forever.

    Go and see this film...make yourself a favor...get your feelings sense some of the most elegant moments of your life
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