JanMnstr
A rejoint le janv. 2009
Bienvenue sur nouveau profil
Nos mises à jour sont toujours en cours de développement. Bien que la version précédente de le profil ne soit plus accessible, nous travaillons activement à des améliorations, et certaines fonctionnalités manquantes seront bientôt de retour ! Restez à l'écoute de leur retour. En attendant, l’analyse des évaluations est toujours disponible sur nos applications iOS et Android, qui se trouvent sur la page de profil. Pour consulter la répartition de vos évaluations par année et par genre, veuillez consulter notre nouveau Guide d'aide.
Badges5
Pour savoir comment gagner des badges, rendez-vous sur page d'aide sur les badges.
Avis18
Note de JanMnstr
Director Renaud Fely makes his debut with this movie and he sometimes hits the right notes and directs moving scenes.
The movie is about Pauline (Laura Smet), a young widow from Paris who comes to small rural town in the French countryside. She gets a job at a bank via her friend Catherine (Lea Drucker), via whom she also rents a (farm)house. Opposite this house lives the brother of Catherine François (Yannick Renier). He helps Catherine and her husband out since they have financial problems. This together with a family tragedy are the components with which we meander through scenes which seem to have little connection.
Though some scenes were moving it was hard to keep my attention. Not because of the slow pace, which it indeed had, but that was fitting, no it is hard to keep focused because moving from one scene to the next had no consequence.
And that sums it up for this movie. If you like looking at a river meandering through the country site watch it otherwise don't be surprised if you are heading nowhere.
The movie is about Pauline (Laura Smet), a young widow from Paris who comes to small rural town in the French countryside. She gets a job at a bank via her friend Catherine (Lea Drucker), via whom she also rents a (farm)house. Opposite this house lives the brother of Catherine François (Yannick Renier). He helps Catherine and her husband out since they have financial problems. This together with a family tragedy are the components with which we meander through scenes which seem to have little connection.
Though some scenes were moving it was hard to keep my attention. Not because of the slow pace, which it indeed had, but that was fitting, no it is hard to keep focused because moving from one scene to the next had no consequence.
And that sums it up for this movie. If you like looking at a river meandering through the country site watch it otherwise don't be surprised if you are heading nowhere.
In short: Not original, but great fun. For the biggest part. Good dialogs. Chemistry between actors Lies Visschedijk and Dan Karaty. Recognizable situations for everyone being part of modern day Dutch life. And a nice feel good ending. But it loses its pace and its wit towards the end.
In Long: This movie is loosely based on the columns of Sylvia Witteman (in a Dutch Newspaper De Volkskrant). Her first writing was only culinary and later on more on her life as housewife and mother. She does this with great humor, making fun of herself as chaotic, plumb, neurotic, over-the-hill woman.
This "spirit" is used as inspiration by Marjolein Beumer to write the scenario for the movie Soof (which short for Sophie). Her sister Antoinette Beumer (Loft, De Gelukkige Huisvrouw) directs this light hearted movie.
In short the plot. Soof (Lies Visschedijk), a housewife, taking care of adolescent daughter and boy twins, next to running s small catering business. Her husband Kasper (Fedja van Huêt) has a very busy business life, from which he suddenly takes a sabbatical. This coincides with the fact that Soof's business takes off. This happens because a celebrity choreograph Jim (Dan Karaty) loves her food and makes sure she gets more jobs... And from there on you probably can guess what starts evolve. And sure it does. It does at a leisurely pace and with great dialogs and funny scenes. This keeps up till two-thirds of the movie and then it loses pace and humor. Until the last five minutes when the second plot twist turn the spirits up again. And of course, the now almost obligatory, dancing by cast and crew over the end-titles. If you are non-Dutch you probably will wonder what a lot characters are doing in the movie. Well basically nothing, but they are for the most part cameos and therewith sometimes cluttering the movie. Keep your critical eyes in your pocket and you enjoy it to fullest, because it is a fun movie. It does not pretend to be more than that and can be appreciated as such.
In Long: This movie is loosely based on the columns of Sylvia Witteman (in a Dutch Newspaper De Volkskrant). Her first writing was only culinary and later on more on her life as housewife and mother. She does this with great humor, making fun of herself as chaotic, plumb, neurotic, over-the-hill woman.
This "spirit" is used as inspiration by Marjolein Beumer to write the scenario for the movie Soof (which short for Sophie). Her sister Antoinette Beumer (Loft, De Gelukkige Huisvrouw) directs this light hearted movie.
In short the plot. Soof (Lies Visschedijk), a housewife, taking care of adolescent daughter and boy twins, next to running s small catering business. Her husband Kasper (Fedja van Huêt) has a very busy business life, from which he suddenly takes a sabbatical. This coincides with the fact that Soof's business takes off. This happens because a celebrity choreograph Jim (Dan Karaty) loves her food and makes sure she gets more jobs... And from there on you probably can guess what starts evolve. And sure it does. It does at a leisurely pace and with great dialogs and funny scenes. This keeps up till two-thirds of the movie and then it loses pace and humor. Until the last five minutes when the second plot twist turn the spirits up again. And of course, the now almost obligatory, dancing by cast and crew over the end-titles. If you are non-Dutch you probably will wonder what a lot characters are doing in the movie. Well basically nothing, but they are for the most part cameos and therewith sometimes cluttering the movie. Keep your critical eyes in your pocket and you enjoy it to fullest, because it is a fun movie. It does not pretend to be more than that and can be appreciated as such.