gorbatshow
A rejoint le nov. 2002
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Note de gorbatshow
Why does Mr. R. run Amok? This question opens the films. Apparently. At first site Kurt Raab seems to lead quite a good life. He has a creative job, colleagues that accept him, at home there's a beautiful wife and a nice son. But thanks to Fassbinder and his way of filming, we can see closer at Herr R.
From the beginning he is simply not there, as Patrick Bateman would put it. When his colleagues make jokes, he walks with them, but not laughs with them. When his wife brings a friend, we see his narrow-mindedness. She is self-assured and liberal with no clue of what to do with her life, something Kurt is unable to understand. He needs order. He is order. He trys to have everything perfect in his sense, he works technically perfect like a machine, but lacks (human) ideas, or tries to cure his son's speech problems, but he always fails.
His system of perfection does not work. He does not work. And it keeps going on. You see Kurt in different allday situations, where he doesn't behave (all too) strange in a obvious way. But watch him more carefully and you see that he's empty. He holds down all emotions. In a banal situation, when he sees that his life is not perfect at all, and unable to adjust his system to the others like he always was, he tries to make his life perfect by eliminating all disturbing factors. He runs amok. And he does so as he always did: Emotionless.
What Fassbinder wants to show us, is what lies beneath the human fassade. We never know what a person really thinks or feel, because we're all masters of disguise and on the other hand unable or unwilling to find out (another) one's real feelings. And that can be dangerous.
From the beginning he is simply not there, as Patrick Bateman would put it. When his colleagues make jokes, he walks with them, but not laughs with them. When his wife brings a friend, we see his narrow-mindedness. She is self-assured and liberal with no clue of what to do with her life, something Kurt is unable to understand. He needs order. He is order. He trys to have everything perfect in his sense, he works technically perfect like a machine, but lacks (human) ideas, or tries to cure his son's speech problems, but he always fails.
His system of perfection does not work. He does not work. And it keeps going on. You see Kurt in different allday situations, where he doesn't behave (all too) strange in a obvious way. But watch him more carefully and you see that he's empty. He holds down all emotions. In a banal situation, when he sees that his life is not perfect at all, and unable to adjust his system to the others like he always was, he tries to make his life perfect by eliminating all disturbing factors. He runs amok. And he does so as he always did: Emotionless.
What Fassbinder wants to show us, is what lies beneath the human fassade. We never know what a person really thinks or feel, because we're all masters of disguise and on the other hand unable or unwilling to find out (another) one's real feelings. And that can be dangerous.