amc-cosi

This film doesn't have grace none. In this film it is evident that Renato Aragão no longer it is more the same of the time of the "Trapalhões". His films with the "Trapalhões" Dedé Santana, Mussum and Zacarias were much better than this film and his other more recent films. In this film, Renato Aragão tries to be graced but it doesn't get, him no longer it is more natural, nor purer as it was in the films of him of the decades of 70 and 80. I like Renato Aragão a lot, but this and his other recent films in comparison with the films of the decades of 70 and 80 leave a lot to want. Renato Aragon's films and the Dabblers were box office successes! To attend east film is a waste of time. You will disappoint completely like me disappointed myself when attending east films.

This is the most depressing film on Jesus Christ that I already viewed. Not only the most depressing, but I force (I don't eat Passion of the Christ of Mel Gibson, it is clear). Until today I don't understand which was the intention of the producing of do a film as this, different from all the other films on Christ done already. Here in this film Jesus (Chris Sarandon) it is just shown as human man, and no divine, that it is determined until the end in accomplishing his/her mission. It is also with physical lines (little accepted by most of the people) like Jesus it was very probably: a brunet man, of dark brown eyes, of rustic appearance, and not of hair blond or brown clear, of delicate face and of blue eyes as most imagines, in short, in this film Jesus is shown as a natural man from Palestine of the first century of ours was and not with European lines, as they were Franco Zeffirelli's Jesus in "Jesus of Nazareth" and of "King of Kings." And he was not shown like a solemn Jesus, reverent as it was in the other films, but a more human Jesus totally naked of any divinity. The same I say of Last Supper scenes and prayer in the garden of Gethsemani. In the scenes of the judgment, of the flagellation, Jesus is treated with such a ferocious hate shown never in other films. Jesus is viewed as somebody that has be punished severely and dead the more quickly in a more intense way than in other films. I remember of the scene, in that Caiaphas says Jesus soon at the end of the judgment: "And you don't forget that you are a Jew! " It is also of the scenes In that king Herod says for Jesus: "You are not a king of anything!!! Monarch of anybody!!! That more ridiculous king you would be!!!! " And all make fun of Jesus. Before "Passion of the Christ" of Mel Gibson, this had been the most violent film on the last of Jesus that it had already viewed. In this film Jesus is treated with end hate, contempt and ridiculed in such a cruel and merciless way that he left me very impressed and it finishes completely defeated, treaty as the vilest and despicable of all the criminals. I didn't like nor a little of this film. This film is very depressing, revolting and sad...

Julius Caesar is an epic story set in magnificent, ancient Rome. It will bring to life one of history's greatest figures. The miniseries will not only show Caesar as one of the greatest politicians, generals and orators to have ever lived. It will particularly tell of a man, of his early days, of his formation and assent to power, of his ambitions, anxieties, weaknesses and of the three great loves of his life. As Caesar rises to fame, his life is constantly at risk for high political reasons, and he is forced to flee Rome when Sulla, the malevolent Roman dictator, threatens to execute him. Returning to the capital, with his citizenship restored for bravery in battle, Caesar becomes famous for his amazing gift of public speaking. He also becomes entwined in a great and ill-fated love story. In defiance of Sulla's wishes, he marries his true love Cornelia, who later dies tragically. Cornelia's death almost destroys Caesar, and, for years to come, all his love is devoted to his daughter, Julia.

Now concentrating on his political career, Caesar champions popular causes and fights the corrupt aristocracy that dominates Roman politics. He declares that, for the Empire to have real meaning, all of its subjects - of whatever race, creed or color - should be offered Roman citizenship. His populist politics and unprecedented military victories raise Caesar to Roman Emperor. It is towards the premature end of his life that Caesar, isolated at the pinnacle of power, finds love in his relationship with another of history's great leaders - Cleopatra. But, yet again, lasting happiness eludes his grasp, and Roman politics lure Caesar away from Egypt. Now a mature man, Caesar's attitude towards power, towards Rome and towards the Roman Senate seems to have changed. Back in the capital city, powerful men begin to fear the most powerful man amongst them.